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244 pages, Hardcover
First published January 29, 2013

I didn’t, for a long time, imagine publishing them as a collection. I wrote them one at a time, in between novels or drafts of novels. And after about ten years of this, I realized that they belonged together in a book.So in a way, despite moving from Pennsylvania to the Boston area, one could say that in News from Heaven, Jennifer Haigh returns to Bakerton. But in a very real sense she never left.
…good fiction always begins with complex, well-developed characters, and to write those characters I have to know where they came from. I imagine them as children, their fears and frustrations, the rooms where they slept at night, and I find it all so interesting that I have to write about it. I have come to accept that — in my hands, anyway — every story becomes a family story.As with Baker Towers, most of the action in the book takes place in Bakerton, with a few forays beyond, and the great majority of her characters are women. There are ten stories in the collection. All of them will make you feel. Four of the first five look upward, in their titles at least, while the latter five seem to look down. There are moments of awakening, moments of glorious freedom and possibility that shine through this sooty, declining place, lives that find meaning, whether real or faux, whether passing or permanent. But it seems that for most of the inhabitants, whether they remain in Bakerton or have sought greener pastures elsewhere, the news from on high is that they have to get by with what they can and not look for a paradise on earth. That said, Haigh’s writing is heaven-sent, her ability to portray real, breathing people is celestial and her talent for portraying place is rapturous.
There are many words for what she’d felt as she watched him sleep, many words in many languages, but the one she knows is longingDid they or didn’t they?
My uncles…were like all the men I knew then, soybean and dairy farmers who spoke rarely and then mainly about the weather. Yet unlikely as it seemed, I accepted that these men had the power to transform. My aunts had been pretty, lively girls—one stubborn, one mischievous, one coquettish, according to my mother—though somehow all three had matured into exactly the same woman: plump, cheerful, adept at pie making and counted cross-stitch, smelling of vanilla and Rose Milk hand lotion. That I would someday become that same woman terrified me. My only greater fear was that nobody would choose me, and I would become nothing.Years later, after marrying, living abroad and having written a book, Regina learns a tragic secret about her aunt, and the cost of her own separateness.
She had hired him off the street. Bleary, hungover, he’d wandered in for breakfast after an all-night card game. A sign in the window said HELP WANTED. Can you cook? Vera Gold asked.It is not long before Sandy and statuesque, red-headed Vera are an item, to the chagrin of Vera’s much older husband. Of course this complicates Sandy’s relationship with a young Canadian cutie, who is looking for more from him that he is interested in giving.
He looked down at his greasy plate. Better than this? Sure. You bet.
”That’s where I used to work,” he said, pointing. The familiar sign filled him with an old longing, the looping S with its tall graceful curvesAnd across it all he ponders his family back east, and the odds of life taking a positive turn.
The Sands A PLACE IN THE SUN
“Is that where we’re going?”
For a moment he was tempted. The town had a short memory, and seven years had passed. Still he wouldn’t chance it. He’d been known there, known and recognized. Sandy from the Sands. It wasn’t worth the risk.
She is thinking not of his death but of that earlier departure, his disappearance like a magic trick, as dizzying and complete. His manic and determined flight from Bakerton, from the family, from her…and yet Joyce could never leave them [her family], run off to California or to Africa, as her younger siblings have done. Freedom is, to her, unimaginable, as exotic as walking on the moon.Thrift introduces Agnes Lubicki, a nurse who has lived her life in service to others and found herself with no way to have anything for herself. Until a man enters her life, and Agnes gives up everything for him. Is this what she’d been saving for?