I enjoyed this one very much. It's interesting in lots of ways, and odd in several more. In some ways, Ed McBain has written the whole book round the character of Marilyn Hollis, the blonde who is indirectly tangled up with several murders. I can't write this review without spoilers so ...
!!SPOILER ALERT!!
Marilyn Hollis is one of the few McBain heroines whose breasts don't even get a mention on her first appearance. She is "somewhere in her mid-to-late twenties [ ... ] some five feet eight inches tall, with long blonde hair, angry blue eyes, and a complexion as flawlessly pale as a dipper of milk. She was wearing a bulky blue man's cardigan sweater over blue jeans and a white t-shirt. Pale horse, pale rider, Willis thought, pale good looks."
Marilyn Hollis is about to be smitten with Detective Hal Willis and he with her, so their names strike me as weirdly similar Hollis/Willis. Willis has never had the main role in the series before, so this is his chance to star. The Hollis/Willis relationship is absolutely True Love, no question. The reader must believe this. Otherwise the main theme can't work fully.
Because everything here hinges on the moral issue of a violent act that might be regarded as justifiable. Not just justifiable to the perpetrator, of course. A nice little 'aside' crime three quarters of the way through makes that clear. A woman is shot in a movie theatre and the only relevance of the extended interview with the killer is to entertain the reader with the idea that a person might be completely convinced of the reasonableness of an unreasonable act. In this case, the woman meets her Nemesis because she keeps talking during the movie.
The killer tells the police all about it. His narrative concludes like this:
"I turned around and said, 'Madam, if you want to talk, why don't you stay home and watch television?' She said, 'I thought I told you to mind your own business.' I said, 'This is my business. I paid for this seat.' She said, 'Then sit in it and shut up.' That was when I shot her. [ ... ]
My only regret is that I waited too long [ ... ] I should have shot her sooner. Then I could have enjoyed the movie."
Meanwhile, Willis is troubled by the old memory of the time he shot dead a twelve-year old boy. The boy was also a killer. But he was a kid. A kid. And Willis is still losing sleep about it. Not because he regrets the act, but because he relished it.
It turns out that his new girlfriend, Marilyn Hollis is also a killer, though she is not the murderer the detectives are in process of investigating. Her violence occurred long before the novel began. In order to demonstrate how it might indeed have been justified, there are long sections of Marilyn Hollis backstory.
Thus we experience with Marilyn several years of violent sexual exploitation, some of it inside a particularly brutal Mexican prison, some at the hands of a coldly wealthy pimp. At one point she has a termination and the abortionist removes not only the foetus but her womb. Her experience is so horrific that I found it impossible to believe -- not that it happened, but that she survived it as a determined, capable, articulate young woman, ready to fight back at every available opportunity. In real life I am certain she would be traumatised and broken, or dead as a result of infection.
Quite apart from that, can a woman who has been the victim of extended sexual violence and brutality (at the hands of so many men we lose count) really leap joyously into bed with Willis, marking her ecstatic orgasms with a scream. (I could see The Deaf Man shaking his head at yet another "screamer".)
When Willis finally hears the full story of Marilyn's past, and particularly the way in which she escaped the pimp (who did not live to tell the tale), he is left with a moral quandary. That's where the book ends. Brilliantly.
There is some first-class dialogue in this book, beautifully spare and effective. McBain has come a long way since the first few novels in the series where verbal exchanges were spattered with repetitive adverbs. In those days, people even said things "evenly". Not any more. I'll leave you with an example. This is Carella, Willis and Marilyn. At this stage nothing has developed between Willis and the woman.
_____________________
"Carella closed his notebook.
'We may need to reach you at work,' he said. 'Is there a number you can let us ...?'
'I'm unemployed,' she said.
Willis thought his face registered blank, but she must have caught something on it.
'It's not what you're thinking,' she said at once.
'What am I thinking?' he said.
'You're thinking expensive, well-furnished town-house, you're thinking she's got a sugar daddy. You're wrong. I've got a real daddy, and he's an oilman in Texas, and he doesn't want his only daughter starving in the big bad city.'
'I see.'
'Well, we're sorry to have taken so much of your time,' Carella said. 'You've been very helpful though, and we ... '
'How?' she asked, and showed them the door.
Outside, the air was cold and the wind was sharp."