Gostaríamos de exprimir a nossa esperança que este livro sirva para remover as barreiras que separaram a população Snob da não Snob. A vida é demasiado curta para que cultivemos ressentimentos relativamente a fulano que não percebe nada sobre a Nova Vaga Iraniana ou a sicrano que é um pedante só porque sabe muito sobre filmes de luta livre mexicana. A verdade é que todos gostamos de O Feiticeiro de Oz… Excepto aqueles que apenas suportam a educação visualmente superior, mas já fora de circulação, do laser-disc Ultimate Oz. Ah, e o único filme com Tom Cruise que pode ser apreciado pelos Snobs é o Legend, de Ridley Scott (1985).
David Kamp is an author, journalist, lyricist, and humorist. Among his books are the national bestseller The United States of Arugula (Broadway Books, 2006), a chronicle of America’s foodways; the critically lauded Sunny Days (Simon & Schuster, May 2020), a history of the Sesame Street-Mister Rogers era of enlightened children’s television; and, as collaborator, Martin Short’s bestselling memoir, I Must Say (HarperCollins, 2014), Ron Howard and Clint Howard’s joint memoir, The Boys (William Morrow, 2021), and A Fine Line Between Stupid and Clever: The Story of Spinal Tap (Gallery Books, 2025), with Rob Reiner, Christopher Guest, Michael McKean, and Harry Shearer.
Being a film buff I wondered if maybe I was a film snob. After reading this book I find that I am not (thank heavens). The author states that the film snob "knows more about film than you do and zealously guards this knowledge from the masses who have no right whatsoever to be fluent in the works of Samuel Fuller or Andrei Tarkvovsy"
The film snob seem to embrace very iffy or downright crappy films just for the sake of snobbery. Although I have heard of many of the terms/people/films listed in this reference work, I also see that many of them are basically questionable, vague junk (in my opinion). A film of a man sleeping for 3 hours doesn't seem to make it iconic and directors like Fellini and Bergman are omitted since the film snob thinks they are just names dropped by the losers wishing to seem cultured. Instead the snob drops names like Guy Maddin, Chloë Sevigny, and Seijan Suzuki and then smirk as you ask "Who?".
This is a fun book, only 144 pages long, which informs me that I don't know squat about film.....and I intend to remain that way, happy to be called a film buff.
Nos tempos em que trabalhava, estudava, e ainda cumpria diversas obrigações familiares que me deixavam pouco mais de cinco horas de descanso diário, a minha sobrevivência cultural era o cinema. Vi centenas de péssimos filmes e ganhei com isso a capacidade de reconhecer o bom cinema a parsercs de distância. Mas guardei também muito guilty pleasure. Daí que albergue snobeira e ignorância q.b. para este título me haja deliciado. Só peca por ser tão pequeno.
Well-written enough to be mildly amusing even to a total novice (like me). I read it cover to cover. With that in mind, ending a book by two dudes with an entry that seems to pardon a man for murdering his wife leaves a bad taste in the mouth, lol.
This came about while I was waiting for "The Comedians" to come in the mail from Thriftbooks (honestly, they were jerking me around on the actually arrival date). But, to be honest, I have nothing really to say about this one. It's a clever (though dated) book of terms, people and technical elements that movie snobs love and hate. It was fun. That's about it.
The Film Snob's Dictionary is a funny and informed collection of takes on films, styles, filmmakers, and trends that are beloved by those guys behind the counter at Hollywood Express. Kamp and Levi are not themselves film snobs, but are clearly knowledgeable about film and have a wide breadth of knowledge about the art form, which leads to straightforward, honest, and humorous insights about Pauline Kael ("nonsensical"), German Expressionism ("despite their cherished place among snobs, actually entertaining" - I feel validated!), and Ai no corrida ("passe borderline porn"). The authors' stated goal - to help bridge the gap between film snobs and mere movie lovers - is a noble one, and is achieved here. This is really fun read.
As a true film snob, I can attest to the relevance of many of the entries in this book. But there were many that I was unfamiliar with and look forward to following up. No laugh out loud moments, but I was smiling all the way through. Great for a lazy afternoon...followed by an all-nighter of movie watching. The "used in a sentence" examples are occasionally brilliant, and I can't help but share an exceptionally sly one, found in the entry for Tamiroff, Akim: Orson always said to Cybill and me, "There's no one I liked working with better than Akim Tamiroff." The Tarkovsky entry is wonderful, too.
This entire review has been hidden because of spoilers.
Perenial bathroom reading. Good quick bite sized chunks of reading, filled to the brim with interesting facts, useful trivia, and truly funny writing.
Strikes a nice balance, it's funny, but genuinely knowledgeable, it respects its subjects but its not afraid to take the piss out of a sacred cow or two, and it's not afraid to call out the reader for being the type of person to own The Film Snob's Dictionary.
Un simpatico dizionarietto utile a capire gli snob cinefili. Un po' difficile per chi, come me, non è un grande appassionato di cinema e perciò non sa cogliere tanti riferimenti, ma divertente comunque. Uno su tutti: «Andrei Tarkovsky: Acuto e visionario ma con un senso del ritmo da era della glaciazione: vedere i suoi film è più che altro una scelta di vita.» Peccato mortale Peter Greenaway inserito fra le 10 causes célèbres snob fraudolente. Si vede che un pelino snob lo sono anch'io.
Slight, but entertaining. Like its companion volume The Rock Snob's Dictionary, which I also read and enjoyed, this has the double-value of being a delicious parody of a subculture, even as it functions as a really useful reference for discovering fun aspects of that subculture. Imagine The Preppy Handbook with an emphasis on Tarkovsky and Walter Murch, instead of Lacoste and Topsiders.
A very funny book that is as much a satire of the movie intelligentsia as it is a guidebook for somebody who wants to become one. Although too short to be a major resource, it still includes plenty of interesting and obscure information. And when your reading the most militant passages, remember: it's tongue-in-cheek.
Funny only to snobs. he contrasts a film snob as opposed to a film buff. A film buff loves good movies. A film snob loves knowing about movies far more than he loves the movie watching experience. So true it hurts. ditto the rock snob
My boss gave me this book, and I read a few entries from time to time. It's pretty funny and lends better summaries to terms like "cinematic apparatus" than I am able to come up with, even after graduate work in film theory. It's worth having if you are a true movie nerd.
Clearly a great book for the snob, and even though I'm not one - though I tend to do my best by purchasing stuff from the Criterion collection - this is a great laugh and funny to see. It provides a birds-eye perspective on the fat world of the film snobs, their likes and dislikes included.
This is made of awesome, and is so funny because it's so damn true. As a movie critic I read some of it with shame, resolving not to repeat the clichés it goofs on.
I quickly bought this as I was exiting Universal Studios Florida in 2008, and it was the final nudge I needed to fall into the deep well of cinephilia. Literally life-changing!