Barbara Kerley, accompanied by Edwin Fotheringham's delightful illustrations, writes about one of the most remarkable women of the 20th century: Alice Roosevelt. Kerley writes about Alice's exploits, her relationship to her father, and her many accomplishments in the early part of the century starting from when she was a little girl and continuing until her marriage to Nicholas Longworth.
Both Kerley's text and Fotheringham's illustrations reflect the essence of Alice herself: energetic, vibrant, and colorful. The change in fonts to emphasize words or quotes and the often quirky illustrations create a vibrant, whirlwind experience in reading the book. In one scene, five Alice's romp through the library, with direct paths showing her maze of motion, and the accompanied text is silhouetted by a moosehead gazing out at the havoc.
Kerley also shows an excellent eye to quotes, sprinkling accurate, sourced quotes throughout the text that aptly sum up Alice, such as the facetious and famous, "I can be president of the United States, or I can control Alice. I cannot possibly do both" (p. 25). Fotheringham's illustrations are a delight, making Alice a larger-than-life figure with adventures on every page. In one scene, she chases after her brother with a leg brace, face pursed and determined as he flees. In another, she gleefully sails down the stairs on a serving tray. Fotheringham's stylization of Alice recalls old Hollywood star Katherine Hepburn: a classic beauty who gives the impression of quick wit and whip-smart intellect. Kerley's recountings of her many adventures during her life bears this out.
However, in order to keep the tone light and fun, Kerley may give the impression of Alice being happier than she was, when in Kerley's own author's note, she acknowledges historical evidence that Alice never felt a part of her family, and her own father's refusal to call her by her name or acknowledge her in her early years due to the death of her mother. Though she glances on this in the author's note, the illustrated text certainly does not give the full story and may paint a not-entirely-accurate story through omission.
Additionally, the decision to stop at Alice's marriage, beyond a glancing "she still ate up the world" (p. 40) also erroneously gives the impression that Alice ceased being as fun when she married Nicholas Longworth. If nothing else, it was a disappointment not to see the aged Alice's quip, "If you haven't got anything good to say about anybody, come sit next to me" depicted in the text, even if it was included in the author's note.
The author's note itself gives more context to the story and Alice, including the full-text of a letter excerpted in the main portion of the book, and several quotes that could not make it into the story. A section listing where children - or adults - could go for more information about the irrepressible Alice would have been appreciated.
Aside from these problems, What to Do About Alice? is a faithful recounting of the life of a truly remarkable woman, and the book excels in embodying the spirit of its subject through well-chosen quotes, details, and lively illustrations.