Amazing conclusion to the Tapestry series, and it is now in physical print (YAY!!! I read this on Kindle, but now own a physical copy with a gorgeous cover and it is so precious). First, before I get into the actual book, I find that the whole Tapestry series could be interpreted as a wonderful retelling of Maurice Sendak's Where the Wild Things Are. And this is why I think this. *Spoilers*
1. Namesake: On Henry Neff's website, he reveals Max is named after Max from Where the Wild Things Are. So the naming of Max McDaniels is pretty symbolic. I mean, Max McDaniels is not as chaotically disruptive and certainly not mean like Sendak's Max, but Max does have an occasional temper and pride. This line from the Fiend in the Forge, when Max tells the trolls, "I'm the wildest thing out here" (sorry, not exact quote because I don't have the book with me) mirrors Sendak's Max being the King of the Wild Things and taming all the monsters. The allusion here is just perfect.
2. Similar Arc: Where the Wild Things Are's plot is this; a boy has a lot of uncontrollable rage (or power), he gets sent to his room without supper, a whole world/woods grow in his room, he sails on a a small sailboat across the seas to a foreign world of monsters. Then he learns he matures, feels lonely, out of place, and doesn't like being a wild thing, sails back to his rightful home, and supper is waiting for him. The Tapestry's overall storyline follows this arc:
-Max has Old Magic in him that is often uncontrollable, alongside inner rage. In his first year, he gets into trouble, and people sometimes see his powers as a threat.
-In the Fiend and the Forge, he literally sails on the Ormenheid (like Sendak's Max sailing) to the land of demons, and confronts those demons. Max matures along the way, discovers himself, and like Max who begins to feel more lonely among the Wild Things, Max steadily feels ostracized from the Mortal World he is in (particularly in The Red Winter).
-So after the fight is done and the battle has been won, Max McDaniels returns to the Sidh, his "true home" (parallel to Sendak's Max return back home), and in the little cottage Max visits, he finds his parents, and Scathach.
3. The last line of both books: The last line of the Red Winter is "...supper was ready...the table was made...and a place had been set for Max." The parallel Where the Wild Things Are's ending with supper waiting for Sendak's Max, and the last line, "and it was still hot" is beautiful. I may as well silently add the "and it was still hot" line to the very end of the Red Winter's last words. Henry Neff is a genius and I can't get over how amazing the whole Tapestry series is.
Now that I've fan-girled about this whole echo of Where the Wild Things Are, and The Red Winter's perfect ending, I'll get to the actual book.
Plot/World Building/Writing:
The Red Winter is a beautiful conclusion to the Tapestry series (I use this word a lot because for me, beautiful suggests equal parts melancholic, triumphant, dark, and light). There are countless scenes that are evocative, vibrant, and Neff writes eloquently. For me, this book was the darkest book of out the series (though The Second Siege or the Maelstrom come pretty close). I mean, they were all dark, but as the conclusion, the Red Winter has bloody battles, more swearing, more obvious innuendo, and major character deaths. I particularly enjoyed how all the characters and plot threads from the previous books come together in this one. I can tell that History is Neff's subject, because the political intrigue is so well written. I loved the Raszna's role, and I love how unexpected characters like Connor (and the plot thread of him being planted in Blys as a Lord, thus his high political status lending to his engagement with the Razsna), Nick and Valya, and Nolan crop up to aid the fight. All the side characters showing up in interesting ways were a joy, like Jason working with Dr. Rasmussen's company yet him ultimately helping out Max and co. I could say so much about the plot, but for length's sake, it engaged me all the way.
The Characters: So many great characters to talk about, but here are the main ones.
Astaroth is a complex, well written villain. He is cunning, haunting, and lawfully evil. His backstory is revealed fully in this book, and let me say it was so fascinating but so, so dark and disturbing. The chapters, "Lord Salisbury's Tale" and "Servant of the Starving Gods" gave me chills, and every chapter that has Astaroth's backstory. The haunting idea of Astaroth being a blank slate, emulating the smile of the people he met, and Neff's whole storytelling of this left me reeling. Also, him calmly tearing off his different faces when confronting David and Max on Ymir was so vividly described that I was actually terrified.
Max and David are great MC, and matured a lot. Awesome character development. Max is so genuinely flawed, for he is an assassin but has empathy and humility. His compassionate heart beneath his wicked strength makes his character lovable, and he understands the consequences of his actions, something I enjoy reading. He is angsty in this one, but finally finds a home he can stay in. David is great, and his wit, banter with Max and everyone else, and eccentricity is refreshing. I also loved how this final book included lots of different POVs. It was surprising because it was a shift from the previous books, which were pretty much all in Max's POV, but then we had David's, Cooper's, and Prusias' POV. Cooper and Miss Boon are other favorite characters of mine, and seeing Cooper's POV was great. The opening line of David's POV had me beaming; it was executed perfectly and his introduction had humor, too.
The Romance:
What's so great about the Tapestry series (among so many other things) is the romance does not consume the books. I like romance in books, but unless the romance is meant to play a large role, I don't like it when the romance dominates the plot and character development. But for the Tapestry, the romance was a side plot, and did not at all dominate. I have to admit, I wasn't really quite rooting for Scathach and Max at first, but they grew on me and of course the tragedy of their relationship had me crying. Cooper and Miss Boon are married in this book, and I was rooting for their relationship since they spent time together in book 2. I enjoyed their little moments, and that they had a child together.
Favorite Scenes:
Again, so many favorites, but here are the most memorable.
Chapter 10: Nether. Superb illustration, and this whole chapter was so well written. I could vividly picture David in the Nether, and his confrontation with Astaroth here is intense. This quote stood out to me: "What would you like me to be, what would you like? Would you like to be me? What would you like?" The repetition, and the same words rearranged to create different meanings is chilling. And the faces "devouring each other" is a memorable description. Astaroth and David have poignant dialogue in this chapter, and "'I have to live. That is the most beautiful thing I have heard this age'" line hit me.
Chapter 22: Juggernaut. Written in Cooper's POV, him, Peter Varga, and Miss Boon coming across Max right after Scathach's death has all the feels. I pictured this scene so vividly, and it is an utterly devastating scene. So tense but so good.
The last few chapters, the Ymir scene, all scenes with Astaroth's backstory, Chapter 5: The Boy who Came to Rodruban, and Chapter 23: The Giant's Song, and the chapter when Max and Scathach are at Connor's ball in Blys.
Some songs that remind me of The Red Winter:
Hawkgirl Pleads for Earth (Justice League Animated Series OST) -- this track was playing in my head during the entire "Juggernaut" chapter, and it accentuated the scene's tragedy and direness.
Titanium cover by Madilyn Bailey.