How does the introduction of modern media influence a community? How does technology coexist with tradition? How do reality and imagination converge in the creation of documentary? Jennifer Deger addresses these questions in her compelling study of one Aboriginal community’s relationship with media. Deger spent several years working with the Yolngu community in Gapuwiyak, a remote Aboriginal community in Australia, both as an ethnographic researcher and as a collaborator in the production of media. Shimmering Screens explores the place of technology in Gapuwiyak through discussions about the influence of mainstream television, the changing role of photography in mortuary ceremonies, and the making of local radio and video. A rich ethnographic study, this book examines the productive, and sometimes problematic, conjunctions of technology, culture, and imagination in contemporary Yolngu life. Deger offers a new perspective to ongoing debates regarding “media imperialism.” Reconsidering established assumptions about the links between representation, power, and “the gaze,” she proposes the possibility of a more culturally specific and, ultimately, a more mutual relationship between subject, image, and viewer. Jennifer Deger is a research fellow in anthropology, Macquarie University, Australia.
Jennifer Deger works at the intersection of art and anthropology. She writes on photography, aesthetics, film, contemporary Aboriginal societies, digital culture, art and ethnographic film, and experimental museology.
As a founding member of Miyarrka Media, a collective based in the community of Gapuwiyak, NT, Jennifer's practice-led research claims creativity as a critical mode of social engagement and anaysis. In collaboration with her Yolngu colleagues from Miyarrka Media, she has co-dircted several award winning films and co-curated experimental installations and exhibitions in Denmark, the US and Australia.