In Black Tide, the second of Peter Temple's Jack Irish novels, an old friend of Jack's deceased father comes looking for help. Des Connors' ne'er do well son Gary has disappeared, along with $60,000 the retired Des needs if he is going to keep his house. It's the kind of thing Jack would do anyway, and with Des the last living link to Bill Irish, it's a no-brainer.
But what looks like a fairly straightforward case of locating a small-time swindler quickly turns out to be much more. People who have known Gary, who have worked with Gary, and who have talked to Gary have an alarming fatality rate. Individually, there doesn't seem to be anything to connect these victims of suicide, break-ins gone wrong, and car accidents, but Gary is clearly at the center of a web of secrets and violence. As Jack digs relentlessly to find Des' son, he is repeatedly warned that he's taking on an organization with tentacles in the governments, police forces, and the militaries of more than one country. On his own, he might walk away, but with his father's friend's future in the balance, he has no choice but to keep pushing. And by the time he realizes he has pushed too hard, it's too late.
Peter Temple was an author who respected his reader, and, wow, could he write - whether it's indelibly setting a scene in just a few sentences (""I went into the concrete-floored [horse track] betting barn, a deeply inhospitable place, people chewing hotdogs with the apprehensive look of submariners waiting for the depth charge to buckle the plates, pop the rivets."); describing characters in the most Australian way possible ("In the room was a blond woman of indeterminate age, lowered to around forty by cutting, injecting, and sanding."); or painting the emotional portrait of a man who has had too many endings ("I slumped in the chair. I'd known it was coming. Absolutely no doubt. You know. I'd been feeling sick about it for weeks. So, why did I now feel even sicker? Love. Not a word for casual use. The life-scarred use the word with extreme caution. If you're lucky, you go through life being held up by people loving you. But you don't know you're being held up. You think you're buoyant. You think the buoyancy came first, the love is a bonus you get for being buoyant. And that can go on for a long time. But then one day, the love isn't there anymore and you're sinking, waving arms and sinking, all the old sources of love gone, the newer ones turn out to be fickle. They move on. No one to hold you up, you're just a skinny boy, all ribs, knees, and feet, out in the deep water, can't touch bottom.")
In Black Tide, Temple not only spins a masterful nail-biter of a thriller, but also manages to continue developing both his protagonist and all the people that surround him. And he does all this while keeping you on the edge of your seat, making you laugh, and getting you to contemplate life. Peter Temple was a giant of not just Australian crime fiction, but of crime fiction in general, and in Black Tide he is in top form.