In his 7th volume of poetry, David Whyte looks at the great questions of human life through the eyes of the pilgrim: someone passing through relatively quickly, someone dependent on friendship, hospitality and help from friends and strangers alike, someone for whom the nature of the destination changes step by as it approaches, and someone who is subject to the vagaries of wind and weather along the way.
The poems in Pilgrim explore themes of departure, shelter, companionship, deep friendship and the necessary transformations of friendship, the struggles at crucial thresholds and the arrivals that always become further departures, offering companionship along the way.
Poet David Whyte grew up with a strong, imaginative influence from his Irish mother among the hills and valleys of his father’s Yorkshire. He now makes his home in the Pacific Northwest of the United States.
The author of seven books of poetry and three books of prose, David Whyte holds a degree in Marine Zoology and has traveled extensively, including living and working as a naturalist guide in the Galapagos Islands and leading anthropological and natural history expeditions in the Andes, Amazon and Himalaya. He brings this wealth of experience to his poetry, lectures and workshops.
His life as a poet has created a readership and listenership in three normally mutually exclusive areas: the literate world of readings that most poets inhabit, the psychological and theological worlds of philosophical enquiry and the world of vocation, work and organizational leadership.
An Associate Fellow at Said Business School at the University of Oxford, he is one of the few poets to take his perspectives on creativity into the field of organizational development, where he works with many European, American and international companies. In spring of 2008 he was awarded an honorary doctorate from Neumann College, Pennsylvania.
In organizational settings, using poetry and thoughtful commentary, he illustrates how we can foster qualities of courage and engagement; qualities needed if we are to respond to today’s call for increased creativity and adaptability in the workplace. He brings a unique and important contribution to our understanding of the nature of individual and organizational change, particularly through his unique perspectives on Conversational Leadership.
Just finished a second volume of David Whyte's poetry. Wow! I'm in love with his style and imagery. One of my favorites in this book is titled "Winter Apple"
Let the apple ripen on the branch beyond your need to take it down.
Let the coolness of autumn and the breathing, blowing wind test its adherence to endurance, let the others fall.
Wait longer than you would, go against yourself, find the pale nobility of quiet that ripening demands, watch with patience as the silhouette emerges and the leaves fall, see it become a solitary roundness against the greying sky, let winter come and the first frost threaten, and then wake one morning to see the breath of winter has haloed its redness with light.
So that a full two months after you should have taken the apple down, you hold it in your closed hand at last and bite into the cool sweetness spread evenly through every single atom of a pale and yielding structure, so that you taste on that cold, grey day, not only the after reward of a patience remembered, not only the summer sunlight of a postponed perfection, but the sweet, inward stillness of the wait itself.
On my 2nd reading of this collection, I really connected with the poem Second Life: My uncourageous life doesn't want to go, doesn't want to speak, doesn't want to carry on, wants to make its way through stealth, wants to assume the strange and dubious honor of not being heard.
My uncourageous life doesn't want to move, doesn't even want to stir, wants to inhabit a difficult form of stillness, to pull everything into the silence where the throat strains but gives no voice.
My uncourageous life wants to stop the whole world and keep it stopped not only for itself but for everyone and everything it knows, refusing to stir a single inch until given an exact and final destination.
This uncourageous second life wants to win some undeserved lottery so that it can finally bestow a just and final reward upon itself.
No, this second life never wants to write or speak, or cook or set the table or welcome guests or sit up talking with a stranger who might accidently set us travelling again.
This second life doesn't want to leave the door, doesn't want to take any path that works its own sweet way through mountains, doesn't want to follow the beckoning flow of a distant river nor meet the chance weather where a pass takes us from one discovered world to another.
This second life just wants to lie down; close its eyes and tell God it has a headache.
But my other life my first life, the life I admire and want to follow looks on and listens with some wonder, and even extends a reassuring hand for the one holding back, knowing there can be no real confrontation without the need to turn away and go back away from it all, to have things be different, and to close our eyes until they are different.
No, this hidden life, this first courageous life, seems to speak from silence and in the language of a knowing, beautiful heartbreak, above all it seems to know well enough it will have to give back everything received in any form and even, sometimes, as it tells the story of the way ahead, laughs out loud in the knowledge.
This first life seems sure and steadfast in knowing it will come across the help it needs at every crucial place and thus continually sharpens my sense of impending revelation.
This first courageous life in fact, has already gone ahead has nowhere to go except out the door into the clear air of morning taking me with it, nothing to do except to breathe while it can, no way to travel but with that familiar pilgrim movement in the body, nothing to teach except to show me on the long road how we sometimes like to walk alone, open to the silent revelation, and then stop and gather and share everything as dark comes in, telling the story of a day's accidental beauty.
And perhaps most intriguingly and most poignantly and most fearfully of all and at the very end of the long road it has travelled, it wants to take me to a high place from which to see, with a view looking back on the way we took to get there, so it can have me understand myself as witness and thus bequeath me the way ahead, so it can teach me how to invent my own disappearance so it can lie down at the end and show me, even against my will, how to undo myself, how to surpass myself: how to find a way to die of generosity. (pp. 67-73)
This was a poignant glimpse into the way of the camino, with its trials and tribulations and memories. It was the perfect book to come home to. Yes, this feeling of longing for the open road and the people who are there no longer - all this is normal. Pilgrim feels much like a "welcome back, and I feel you."
The poems in Pilgrim explore themes of departure, shelter, companionship, deep friendship and the necessary transformations of friendship, the struggles at crucial thresholds and the arrivals that always become further departures, offering companionship along the way.
So, instead of saying how great the poet is because he's juxtaposing this and that, or because he's using this form of writing, or that fancy metaphor, or I don't know what, I'll simply state how I came to this book and why I enjoyed slow reading through it.
Some of these poems concern the Camino de Santiago in Spain. Having done that Camino, when I heard him read first Finisterre and then Santiago, it really resonated with me and brought back a lot of memories.
This collections contains more poems for the Camino. Anyone who travels or yearns for it, would find a way to fill some of that longing through those pages.
David Whyte's wise and melodious voice is always welcome to me, so I enjoyed this. Though it was overall worth a read, I liked some sections more than others.
The "Camino" section is very pretty and memorable, but I found its run-on sentences a bit exhausting. I respect the thematic coherence there, but I just didn't enjoy it 100%. "Finisterre," the aptly-named last poem of the section, deserves special mention.
My favorite part of the book was "Companion," a meditation on the death of John O'Donohue. Really moving, vivid, beautifully realized. I recommend those poems not just for David Whyte fans but also O'Donohue's. Whyte's reflections on grief and death are as profound as anything he's done. It is a friendship to be envied.
As elsewhere with David Whyte, I feel a bit alienated from his observations on Ireland in "The West." Maybe he himself struggles with his connection there and feels alienated himself, hence my response.
This is not as good as "The House of Belonging," but I think that would be very difficult to pull off, and Whyte's poetry is always worth your time.
I’m trying to define for myself what makes David Whyte’s poetry so evocative and moving. Of course the lovely, lyrical language is part of it. This collection shows a poet at the height of his power, but there’s more to it than that. Somehow Whyte manages in a few words to transport me. A poem can put me in Galicia on the Camino de Santiago, welcomed at the end of the day by “a breath of warmth from a kitchen door, palatial with light and a daughter’s smile,” to Thoor Anu, where I too sit “stunned and numb in the underbelly of the turning world,” or to a new-mown barley field “surprised by the steal and turn of beauty through a working life.” When he shares his grief at the death of a beloved friend with poignant, evolving awareness, I feel “the pained and pilgrim present, as if we still had an arm, each around the other, you in the light and me in the dark …”
Whyte is firmly rooted in the world - in place, weather, friendship - but each poem also has an aura of mystic depth. Maybe it’s that quality that gives me the feeling of rhapsody, that takes me out of myself -- or more deeply in.
Love David Whyte. Preferred House of Belonging, but want to come back to this one in a few years.
“no way to make sense of a world that wouldn't let you pass except to call an end to the way you had come, to take out each frayed letter you had brought and light their illumined corners; and to read them as they drifted on the western light; to empty your bags; to sort this and to leave that; to promise what you needed to promise all along, and to abandon the shoes that had brought you here right at the water's edge, not because you had given up but because now, you would find a different way to tread, and because, through it all, part of you would still walk on, no matter how, over the waves.”
Reading these poems out loud is a must, in my opinion. The rhythms are like a hammock swaying into stillness and then starting up again mid-stanza or the next page. There is a beautiful carrying onward with how it all sounds.
There is a delicate balance of emotions within the entire collection. Like wind that doesn’t get through the door and rather looks through the window then leaves.
I think I am hypnotized by this amazing collection. Enjoyed every bit of it. I say go ahead get carried away in these words!
I've read several "post Camino" books after finishing the Camino Francés earlier this year. None of them helped me integrate my experience -- they were either too concrete or too abstract or too something. But this slim book of poetry helped me immensely. I've read it cover to cover several times, and the way the poems blend together to describe the emotional and spiritual journey of the Camino has helped me to think about my own experience.
Poems of ascending and descending: One can always find a direction in these poems. The journey can go in any direction, expected or unexpected. Loved these poems. f you think about life's journey, these poems are worthy companions.
For me, David Whyte never disappoints. In measured cadence and vivid imagery, that circles always both back to where it started and out beyond its imaginings, he reminds me to both go deep within myself and also far out beyond myself.
picked this up bc camino & whyte’s name sounded familiar and am now wondering why, it wasn’t particularly good? 4.44 is overrated imo, there are some arresting phrases here and there but on the whole it seems rather empty
I am a huge fan of David's poetry and books. I usually find it soulful and resonant. Yet, I could not connect with this set of poems. i had to read them multiple times so as to keep my focus.
Beautiful poetry. Didn't connect much with the themes discussed, as it was about the death of a loved one. Will definitely pick another collection by the author.
"There is a primary processional faculty of the imagination within human beings—an imaginal navigating agency—that is able to make meaningful sense of any level of emergent complexity, give you a place to stand at the center of that complexity, and give you a ground from which to step from that complexity into the unfolding horizons of life. To stay close to a felt sense of and personal participation in this faculty as your own most intimate inheritance is incredibly important." - David Whyte
David Whyte is a poet who has a uniquely ecological vision of the deep patterns and processes of life. Above all his poetry is rooted in the processes of orienting, navigation, and wayfinding that define us at the deepest levels of who we are as entities that are constantly moving through and mapping territories of every kind imaginable.
This volume of his poetry cuts me very deeply to the heart. He has a TED talk where he goes into further detail about the background and inspiration for some of the poems in this work, and those stories further flesh out the beauty of this work.
I've long admired David Whyte, primarily through reading his poems in other works. He's often cited. I've also read quite a few years ago, The Heart Aroused, when I was looking for poetry and soul within work.
I was drawn to this book by its title: Pilgrim. I've read other books that focus on the notion of pilgrimage and the nature of the pilgrim (e.g. David Downie's Paris to the Pyrenees: A Skeptic Pilgrim Walks the Way of Saint James and Phil Cousineau's The Art of Pilgrimage: The Seeker's Guide to Making Travel Sacred) and always found value in them, and of course, there's that lovely line by Yeats, "but one man loved the pilgrim soul in you."
Whyte's book is more abstract on the idea of the pilgrim. In a sense, we are all on this journey, "walking each other home," as Ram Dass has observed. Its various sections cover the actual pilgrim wending his way over terrain to a sacred site (Pilgrim), a specific pilgrimage (Camino), and the things we encounter and realize by venturing beyond our safe space into the wider world (Looking Back), a task that requires courage and acceptance of change, when something within wants to be "Born Again" exactly the same way. There's a tension between familiarity and adventure that the poet acknowledges.
The most poignant (for me) segment of the book is "Companion," a series of six poems that deal with the death of a friend, the weight and heft of that experience, and all the accompanying feelings in the immediate presence of the departed one and in afterward reflections on the relationship and its loss. Nothing is specific in these poems, or in many of the others. We don't know who died, his age, how he died, where. We don't even know much about the friendship between the poet (narrative voice) and the "companion." Was he a companion on pilgrimage, for example? But by remaining abstract, these poems are a surface on which the reader can reflect their own losses of a friend, a companion.
If I have one issue with Whyte, it's that some of these poems are so vague and abstract, so interior and personal to the writer, that making sense of them for oneself is challenging. An additional issue for me is the relative lack of punctuation, so that there are long run-on sentences of thoughts with no sense of where the breaks are meant to be. Having said that, these stylistic features almost require a very slow rereading and consideration of multiple meanings within the same phrases.
I'll be reading The House of Belonging next to see what that yields and whether or not the same observations pertain.
Looking for someone to put words on an experience that feels private but is actually universal? David Whyte is your dude. This collection was my least favorite of the ones I’ve read, but there were a few heavy-hitters in here. Ones that gave me chills because - how did this Irish guy living in the Pacific Northwest transport himself into the deep recesses of my brain and transform the jumbled up fragments into art?
I recommend this book to anyone who has had the realization that they no longer had to keep their eyes and ears averted from the place that could save them. Doing that is scary, and takes courage, and feels lonely and isolating. But you were never alone. There was me and David Whyte and maybe 500 or 5000 other poets walking alongside you, knowing what they know, and knowing what you know. I also recommend it to anyone who loves poetry.
“But the miracle had come simply from allowing yourself to know that you had found it, that this time someone walking out into the clear air from far inside you had decided not to walk past it anymore; the miracle had come at the roadside in the kneeling to drink and the prayer you said, and the tears you shed and the memory you held and the realization that in this silence you no longer had to keep your eyes and ears averted from the place that could save you, that you had been given the strength to let go of the thirsty dust laden pilgrim-self that brought you here, walking with her bent back, her bowed head and her careful explanations.”
I don't know why I didn't know of David Whyte before, it's not as though he hides his light under a bushel, and him being a Yorkshire poet, I surely should have come across him.
I guess that from the introduction it is fairly clear I am going to rave about this exceptional person, not that he would say himself to be exceptional, just that he is lucky to have been to exceptional places, and to have met exceptional people.
This is poetry which bathes you, and charges at you, at one and the same time; they are words to rush along with, they are stories to fall in love with, they are words to read time and again, and then to go hear him talking, talking and repeating his own words, time after time.
I am not a religious person, but I could be, or at least I could strengthen my faith in humanity, simply by joining David, on his many insightful journeys.
I was late in finding this poet, but boy o boy it is definitely better late than never. Read him, listen to him, follow him, you will not be disappointed.
If I could only carry around one book of poetry the rest of my life, this would be it. (If I could count Whyte's friend To Bless the Space Between Us: A Book of Blessings in another category). I read this collection and went on to devour everything I could from Whyte.
The twin subjects are pilgrimage (especially on the Camino in Spain) and eulogies for O'Donohue. Both opened my heart and wooed me.
I didn't know anything about Whyte's writing until I attended a workshop on Bainbridge Island at The Island Wood School. The presence of David, his work and the musicians who accompany him to various settings is quite magical. Sometimes we are fortunate enough to meet someone who can give voice to the experience of living.
These are poems one will read once and then again and ultimately one doesn't keep count of how many times the poem has been read.
I see myself as a pilgrim in this life and so this collection of poems by David Whyte has instant appeal for me. With titles such as 'Pilgrim', 'Traveller', 'Camino' and 'Finistere' I couldn't resist reading this contemporary poet. He lives on the Pacific coast of NW America but draws on his homes from the past in Yorkshire, Wales and Ireland. 'The heart's / a close-in horizon / that holds all distance / but gives / no explanation / to the tidal scour / of life........'