In this clever, heartfelt collection of poems, Barbara Conrad celebrates the unreal of what is real: a dead father entering a coffee shop, an old lover on bended knees, cedar waxwings in the guise of wild fruit. Whether the focus is time, colors, words, nature, social issues or personal relationships, the whole world seems to spin and startle in these lyrical, yet accessible creations.
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I KEPT MEANING TO TELL YOU ABOUT THE KINGFISHER AT THE CREEK TODAY
The one roosting on a dead tree by the stone bridge, first I had ever seen, much less startled, the way he jack-hammered my ears with his rude stutter, banked a 180, striping the air between us with slate-blue ribbons.
But all day there were interruptions.
Does a thought ever flutter like feathers in your head, imagined as conversation, its words and rhythms worked and re-worked on your tongue until you can taste the message in your mouth? Images, inflections, each noun, verb, appositive phrase crafted, their anticipated tone mellow as an old Billie Holiday, until by mid-day you’re not sure if you’ve sung them or not.
Maybe the words don’t matter anyway, reality being not that blue clay pot on the kitchen counter next to the crossword, but the image of yourself molding wet mud, your arms spattered, loose rotations of your body as you lean into the wheel’s orbit.
Can’t you tell how all day today I’ve seemed a little off-kilter? How at the creek I must have seen something—a kingfisher, for instance—lift easily from its perch, flash me a copper eye, circle up into its own riddle?
SNORKELING THE BIG ISLAND
for my daughters
How limp we’re becoming in the warm salt broth, our muscles lolling like spent seaweed.
For a little while now, we’ll not claim the constellation beneath us. Blues, yellows and reds will dart and nibble at coral we dare not touch,
unconscious of the colors we’ve assigned them or the names—trunkfish, yelloweye tang, sabre-toothed blenny— or dominion.
We glance back. Below us a sea turtle lifts her great green weight off the sand. Nimble acrobat,
she rises to the surface, snaps a beak full of what we’ve come to call our air, returns her ancient bulk downward, unfettered. For millions of years
myths have named her. Honu. Kauila. Great Mythical Mother. Always, she’s carried the world on her back. We float until
we can float no more. Unfolding, we remake ourselves long and awkward, crawl onto rock ledges, plod across crevices, unmistakably evolved.