Photography's greatest success has been in storytelling, based on its unique ability to capture images from reality. In fact, capture is what photography does best, reporting the world, life and society. Many enthusiasts who have mastered photography techniques search for direction and themes to help drive their creative ambitions-the kind of structure narrative offers. In The Photographer's Story , best-selling author Michael Freeman provides guidance and encouragement, drawing on his own experiences and assignments, but also on the rich history of documentary photography, which blossomed in the 1920s and has never faded. Michael Freeman is the author of the global bestseller, The Photographer's Eye . Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs.
Librarian note: There is more than one author with this name in the Goodreads database.
Michael Freeman is a professional photographer and author. He wrote more than 100 book titles. He was born in England in 1945, took a Masters in geography at Brasenose College, Oxford University, and then worked in advertising in London for six years. He made the break from there in 1971 to travel up the Amazon with two secondhand cameras, and when Time-Life used many of the pictures extensively in the Amazon volume of their World's Wild Places series, including the cover, they encouraged him to begin a full-time photographic career.
Since then, working for editorial clients that include all the world's major magazines, and notably the Smithsonian Magazine (with which he has had a 30-year association, shooting more than 40 stories), Freeman's reputation has resulted in more than 100 books published. Of these, he is author as well as photographer, and they include more than 40 books on the practice of photography - for this photographic educational work he was awarded the Prix Louis Philippe Clerc by the French Ministry of Culture. He is also responsible for the distance-learning courses on photography at the UK's Open College of the Arts.
I'm very interested in photo essays, and how to tie photos together to make a compelling story. This book I think is geared toward professionals, but it gave good food for thought for me as well. I'm a blogger and I'm interested in the slideshow/movie aspect of putting photos/videos together to tell a story. The last chapter in the book ("Online and Linear") deals with this aspect of storytelling. All of the book was fascinating, with gorgeous photos for inspiration.
It's an interesting addition to "The Photographer's ..." series that deals with the presentation part in regards to our photography. Whether it's digital or analog support, you get to learn a bit about how to organize your shoot if you are aiming to have it included in an article, book or just a simple slideshow. Not everything applies to everyone, of course.
Very good book. I wanted to learn about how to tell a story with photos, and I think the books helps perfectly, outlining the principles of visual narrative. It is just an introduction, in my opinion, but the information in this book goes a long, long way.
Gives great examples on how to make photo essays, articles and books. Even for an amateur photograph like me there are some lessons to be learned here, but the book is otherwise far better for people trying to make a career of photography.
Fantastic work by one of my favorite photography Freemans (the other being Freeman Patterson 😊). Highly recommend Michael's works for a lush exploration of spirit, heart, and technical know-how in the world of photography and the place of the photographer within it.
The book does just what it says on cover - talking about series of images, that is, stories.
It is not as packed with data as main Freeman books (Eye, Mind) and I give it "ok" rating.
What it does: - tells how to produce and lay out a story
What it does not do: - very short mention of narrative images per se (when story is encapsulated in single image, just like in Narrative paintings). Check James Gurney online blog, however, for some pointers (for example http://gurneyjourney.blogspot.fi/2014...).
Other downsides: - The text can be structured more. Sure, there are chapters, but the point author is making can be more articulated in the text. Text is abundant and looks like a recorded monologue, which makes it a tedious task to find out bits of advice across the text. - A bit repetitive, I felt like same info can be fitted in 50% less volume. - Some space spent on biographic stuff.
I would recommend this book to someone who is intending to do what author talks about - creating a magazine or other media photo series. After reading this book you will have a solid idea how to do so. But for any other purpose it might be irrelevant.