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432 pages, Paperback
First published January 1, 1953
Most of the décor was period French—Louis Quinze and Louis Seize, which is sort of traditional for a house—and I acquired some really valuable antiques. Cabinets and tables, a Sevres dinner service and a Gobelin tapestry depicting Vulcan and Venus having a tender moment while Eros took over Vulcan’s smithy and forged a set of arrows. The bar was supposed to be Egyptian in style—King Tut’s tomb had been opened just the year before and there had been a lot of publicity about it—and there was also a Chinese room, as mah-jongg was all in vogue.Here, an account of the typical conclusion of a fashionable night-on the town—in Harlem:
Or perhaps the boys tooled up to Harlem to one of the rent parties at which jazz musicians helped their friends collect the dough for the month’s nut. And maybe they kept on rolling until they landed in the hands of “money,” a little hunchback who was one of Harlme’s best-kown characters. Money really cleaned up steering white customers on what they called ‘slumming tours,” which usually ended up at a dive run by a girl called Sewing Machine Bertha. There they would be shown lewd pictures as a preview to the performance of the same tableaux by live actors, white and colored. Money also supplied reefers and cocaine and morphine so that the “upper classes” could have themselves a real low-down time.