Some further thoughts 4 August 2025
Nick Drake’s River Man from his first album Five Leaves Left is one of my all-time favourites, a hypnotic, haunting and simple ballad highlighting Drake’s clean acoustic guitar and his voice like warm fog. In 1975 my mate John introduced me to Drake’s evocative second album, Bryter Layter.
Young Nick was musical from an early age, sporty as a school student, bright enough to study English literature at Cambridge but troubled and subject to depression.
He became absorbed by his music, released three albums, withdrew from public performance after the third, Pink Moon (1972), then retreated further into himself and died at 26 from an overdose of the antidepressant amitriptyline. Thus there is little of him on record, literally and metaphorically, beyond achingly poignant footage of him as a little boy playing at the beach and some photos of him as an adult, still beautiful. Don McLean’s Vincent could readily be adapted to him: ‘this world was never meant for one as beautiful as you’.
Nick Drake would barely be remembered but for this tragically romantic biography, the simplicity and beauty of his music and the influence he has had on a large number of songwriters and performers who discovered him after he died. Many acknowledge his influence: among them The Cure, R.E.M., The Dream Academy, Kate Bush, and Aimee Mann.
Given all this and the limited material and people available to Patrick Humphries this is inevitably an insubstantial book on a short reclusive life. It must have been difficult to write because Nick Drake’s legacy is of far longer duration than his time with us. A standout piano version of River Man comes from the American jazz master Brad Mehldau. I commend it too you, and Nick Drake as well, if you haven’t heard him yet.