Chronologically, the events in Brian Jacques's Castaways of the Flying Dutchman trilogy don't follow the books' order of publication. Most of book one is set in 1896 Europe, almost three hundred years after thirteen-year-old Ben and his black Labrador Ned were cast off the ship called the Fleiger Hollander. The ship's captain, Philip Vanderdecken, endured much worse: because of his blasphemy, God's angel cursed him to sail the high seas eternally as a ghost, who became known in folklore as the "Flying Dutchman." Book two of the series, The Angel's Command, takes place in 1628, less than a decade after Ben parted ways with Vanderdecken. Now we're at the trilogy's finale, Voyage of Slaves. Set in approximately 1703 on and around the Mediterranean Sea, the story follows Ben and Ned on an adventure that pits pirates against performers, and goodhearted voyagers against men driven by greed and bitterness. Though the boy and his dog were spared most of Captain Vanderdecken's curse, they are compelled by the angel to wander forever, never aging, fated to eventually lose every friend they meet. What new adventure will they find at the dawn of the eighteenth century in the Middle East?
"It is not wise to be seen out in the open by hawks, if you are a dove."
—Eli Bar Shimon, Voyage of Slaves, P. 162
Captured by slave traders, Ben is sold to the notorious Al Misurata, pirate owner of a ship called the Sea Djinn. The last Ben saw of Ned, the Labrador had been thrown overboard into the choppy waters of the Mediterranean, presumed dead, but the angel has taken care of him. Otto Kassel, a German strongman entertainer, finds the unconscious canine washed up on shore and carries him back to where the rest of the Travelling Rizzoli Troupe is camped. Otto and the troupe—consisting of owners Augusto and Rosa Rizzoli, along with two young ladies from Mozambique named La Lindi and Serafina, and a pair of clowns named Buffo and Mummo—are unable to communicate telepathically with Ned as Ben does, but they like the good-natured dog right away, and adopt him as a traveling companion. Meanwhile, Al Misurata confines Ben in darkness for days with minimal food, attempting to break his defiant spirit. The Barbary pirate tolerates no disrespect; Ben will humbly serve him, or die a torturous death. Assured by the angel in a dream that Ned is alive, Ben hopes to find him, but escape seems a bleak prospect.
It's a matter of time before the Rizzoli Troupe and Al Misurata's crew meet, leading to a joyful reunion for boy and dog. The Rizzolis are glad to meet Ben, but none fancies him more than Serafina, whose stunning beauty, lovely singing voice, and kind, curious disposition give Ben plenty of reason to like her in return. It appears obvious to the troupe that the friendship could blossom into more, but Ben knows a wife and family isn't in his future; sooner or later the angel always commands him to move on, and he is obligated to obey. At the moment, however, there's a more pressing concern: Al Misurata is impressed by the Rizzoli Troupe's show, and makes secret plans to sell them as slaves. When they see a glimmer of a chance to get away, Ben, Ned, and the Rizzolis take it, fleeing Al Misurata with the knowledge that their lives are at stake. The Barbary pirate gives chase obsessively, knowing that for a kid like Ben to defy him would crush his reputation as the most feared blackguard on the Mediterranean. Our heroes have no intention of letting this evil man catch them, but defeating him won't be easy; liberty will come at devastating cost to Ben and the Rizzolis.
As in the first two novels, Ben meets a varied cast of characters throughout Voyage of Slaves. There's Eli Bar Shimon of Ascalon, an intrepid warrior merchant; Kostas Krimboti, the gold-toothed treasure hunter; and Janos Cabar, a whip-wielding woman who runs a gang of freedom fighters called the Istrani Wolves. Ben repeatedly ends up in the company of heroes who lend personality and pizazz to his eternal sentence as a globetrotting vagabond. The curse is ever-present, a sobering reminder that no matter what happiness Ben and Ned attain, it can never be theirs for long. The guarantee of eternal life on earth does hamper some of the story's suspense elements; if Ben and Ned can't die, what's the worst that can happen when enemies try to kill them? Regardless, Castaways of the Flying Dutchman is a decent series, if not nearly as powerful as the author's Redwall saga, and I might rate Voyage of Slaves two and a half stars. It's the second-best book of the trilogy; The Angel's Command is best, and Castaways of the Flying Dutchman is a distant third. If you love a good junior sea yarn, I recommend Robert Louis Stevenson's Treasure Island or Avi's The True Confessions of Charlotte Doyle before this series, but you'll have some fun with the Castaways of the Flying Dutchman. Brian Jacques's novels always have vim and vigor to spare.