This book is the definition of front-loaded and then making up for it towards the end.
The main ongoing issues are… not great. They’re not awful, but they’re not great. They feel like a bunch of fill-in stories that have almost no flow or connective tissue whatsoever, with no major character development for pretty much anyone.
So the book kicks off with this two-parter in Issues #312-313 where DD has to deal with an arsonist problem and it’s so by-the-numbers and just not much fun to read. Same with the next two-parter across Issues #314-315, it involves the daughter of one of the Mr. Fears turning into this mutated thing and it’s, again, just very bland with almost no meat on its bones.
Funnily enough, Issue #316 is by far my favorite here, it’s a fill-in issue but one that uses a very awesome concept that is very similar to the one from #304, focusing on the different aspects of life around NYC and how it has this symbiotic relationship with Matt/Daredevil, it’s pretty fun.
And the last two-parter is one taking place across Issues #317-318, this one involves a bunch of gangsters (including Stilt Man of all people) trying to steal a stash of grease to try and make themselves rich. It’s not bad in theory, but it’s so poorly executed and feels like a nothing burger.
The biggest issue is still Chichester's writing, he insists so much on being so overly verbose and descriptive with stuff that doesn’t need any of that, like I said in my review of the previous Volume, he feels like he wants to be Frank Miller without understanding what made Miller's writing style work and be so endearing and engaging to read. Chichester's ideas aren’t bad, but he simultaneously doesn’t give them enough room to breathe, while also insisting on giving too much spotlight to innocuous details that aren’t necessary to know.
The Annual is fine, it’s nothing like… super engaging or crazy, especially being one of the 1993 Annuals that Marvel put out to introduce new characters no one cared about outside of their introduction.
Now though, we start getting to the good stuff: first off, the Daredevil/Black Widow Abattoir graphic novel, it’s so good. It definitely is more of a Black Widow story than a Daredevil one, but I am glad it was included here cause it’s just a beautifully drawn and brutal story that delves into Natasha's psyche in a very interesting way.
And then we hit the mother lode: The Man Without Fear miniseries. What can I say about it that hasn’t been said about it for literal decades? It’s the perfect origin for Daredevil and Frank Miller's last hurrah before writing Sin City and going insane.
Scott McDaniel's art is pretty decent throughout the book as well, there are a few off putting facial expressions here and there and it can be a bit hard to tell what’s going on sometimes, but it’s still decent and distinctive enough from what was popular in the 90s. Now the art for the Abattoir graphic novel? Sublime. And Romita Jr.'s art in Man Without Fear? Absolutely amazing and the peak of that man's career, I loved it.
Overall, while it starts slow and with a lot of pointless stuff, it’s worth it for the stuff at the end, which is peak DD.