In the sequel to chronicles of Kale, the human/dragon are hunting for 3 dragon eggs, believed to have been lost for all time. Yet numerous side plots and adventures, along with the building (since book 1) fact that Kale is actually able to access some of the powers he had as a dragon. Throughout this book Kale is still a very impatient, hothead; just as most teenagers can be & how I would assume a teenage dragon would act. He comes off brass, sometimes just downright rude, yet has also learned kindness & compassion.
The story progresses, and Kale & his friends learn that the unpenatrable prison Jedah was placed in was broken into, allowing Jedah to escape to his true master. Although sometimes rambling, eventually most of the side stories and quests are brought together, each for a purpose. It is obvious from the beginning that The book will end with Kale confronting Jedah, and in a way this is true. However in the last 3-5 pages you learn Jedah was nothing but a pawn, and the chess game has now truly begun.
I greatly enjoyed this book almost as much as the first. The only issue I had was learning of a person named Morgana at the end. The way the character is introduced makes it seem like they have crossed paths previously and that she should not be completely unknown. Now I may have missed a few things here and there, but do not remember this character. I did a search in each of the 2 books for the name Morgana and came up empty. I guess everything was fairly wrapped up so neatly in the first book the author felt the need for a larger cliffhanger in book 2. I completely agree, I just don't like a new character being introduced in a way that seems like the reader should already have background knowledge for, but maybe I will have to re-read the series just to be sure.
The author continues with a largely conversational format, with only enough details in the sights around their settings for you to get a vague idea of it. To me, this makes perfect sense, as most true YA fiction seems to follow this route. Look at The Series of Unfortunate Events books, as most of the time they follow a similar structure, a dialog driven plot.
Too all those who give these books bad reviews, and I've noticed virtually all of you are grown-ups, read the stories again while thinking like a student between 5th & 9th grade. If you have children at or near these ages, pick up a couple different books of theirs. You will see many examples of the more simplified writing style most YA novels are written with. They are the true audience and a book in the YA category can not expect to match true adult literature.