Galileo's wife, a woman dying of radium poisoning, the first dog in space, a strangely obsessed pianist, an early beneficiary of plastic surgery and a Russian boy whose adventures are limited by the immature powers of his inventor, are among the characters featured in this collection of poetry.
*Not all of the poems *In this 30 year-old debut collection by Lavinia *Greenlaw felt accessible or even relatable on a first reading. *However, with a *Title such as "Night Photograph", their obscurity and vagueness was justified.
*Poems about the pioneering procedures of artificial insemination & plastic surgery, the imaginative circumnavigating exploit of Galileo's wife, a young woman dying of radium poisoning, the first dog in space, and *How lost cities will be remembered in a post-apocalyptic future, are *Only a few examples of *The eclectic & erudite subject matter the poet *Offers her reader. *Greenlaw's sparse & elliptical style *Reminds me of *Another cryptic poet who blends scientific positivism with poetic sensitivity: *Pauline Stainer. *Having read & delighted in Greenlaw's succinctly stanzaed, rapturous retelling of Chaucer's Troilus & Criseyde in A DOUBLE SORROW, I was looking forward to another similar reading experience in NIGHT PHOTOGRAPH... Alas! Expectations were slightly disappointed. But at least I've been "exposed" to a different phase of Lavinia's lunar-surface-like lyricism, which I'm sure a re-read will shine new light on poems that at first glance were not fully grasped or appreciated.
Lavinia Greenlaw's 'Night Photograph', first published in 1993, is one of those collections that's difficult to describe - it's good, but it's hard to pin down exactly why. I think what I most like is the honest, unpretentious language that she lays down with the most dancing rhythms, while still perfectly capturing the sense of these larger moments (as opposed to the often microcosmic interiority of much contemporary poetry).