Jen Silverman is a New York-based writer. Born in the U.S., she was raised across the U.S., Europe and Asia. Her theatre work includes The Moors (Yale Repertory Theatre premiere, off-Broadway with The Playwrights Realm, Susan Smith Blackburn finalist); The Roommate (Actor’s Theatre of Louisville Humana world premiere, multiple regional productions including South Coast Rep, SF Playhouse and Williamstown Theatre Festival, upcoming at Steppenwolf); Phoebe In Winter (Off-off Broadway with Clubbed Thumb); Collective Rage: A Play in 5 Betties (Woolly Mammoth premiere); and All the Roads Home, a play with songs (Cincinnati Playhouse in the Park premiere).
Jen is a member of New Dramatists, a Core Writer at the Playwrights Center in Minneapolis, an affiliated artist with SPACE on Ryder Farm, and has developed work with the O’Neill, New York Theatre Workshop, Playpenn, Portland Center Stage, The Ground Floor Residency at Berkeley Rep, and the Royal Court in London among other places. She’s a two-time MacDowell fellow, recipient of a New York Foundation for the Arts grant, the Helen Merrill Award, an LMCC Fellowship, and the Yale Drama Series Award. She was the 2016-2017 Playwrights of New York (PoNY) Fellow at the Lark. Jen has a two-book deal with Random House for a collection of stories (The Island Dwellers, pub date May 1, 2018) and a novel. Education: Brown, Iowa Playwrights Workshop, Juilliard.
This is now the third play by this playwright I've read, and while I didn't particularly like the other two, I was intrigued by this - as it's just been announced for Broadway come August, in a production starring Patti LuPone and Mia Farrow (making her 1st Bway appearance in a decade).
It's minor fluff, about a milquetoast Iowa hausfrau, who rents a room to a brash woman from the Bronx, who turns out to be a (spoiler alert!) lesbian con woman. There are a few mild chuckles, but the whole set-up doesn't make much sense, and it goes through typical sitcom shenanigans, before a lackluster conclusion. Meh.
PS .... I know it's difficult for women of a certain age to find appropriate roles in plays - but here the two characters are supposed to be 54 and 56 respectively. La Lupone is 75 and Mad Mia is pushing 80, so they are both at least 20+ years too old for the parts! Meow!
Oh, this one did not go where I thought it would! A story that is awkward, funny, tense and deeply moving all at the same time. A two hander for women of a certain age, this play is a deep look at aging, family and journey to self. Really quite extraordinary.
i truly enjoyed the book. it was a nice play to try and dissect like trying to understand the relationship dynamic and to see how the characters develop their arc was entertaining. i will say that when i started reading i really kept on getting pulled back and wanting to continue the play. overall i do want to see this play irl to fully grasp it!
My least favorite Jen Silverman play, but she's batting pretty high with The Moors and Collective Rage. The midlife crisis moments felt a little too cute to be believed and the ending twist felt predictable - plus, the way the narrative wraps itself up feels a little cheap and out of character.
Nevertheless - the characters are both interesting, and I love what is behind this play - a desire to empathize with the isolated people who buy the cons of internet-era scam artists. A lonely existence is something hard to capture, and Silverman captures it for both of the very different women in different ways.
While I found the plot a little predictable, Jen always writes such beautifully colorful female characters. A perfect play to explore for 40-60 year old actresses with witty, realistic dialogue.
Taut and electric, Jen Silverman's The Roommate brings two older women together in an Iowa City townhome and lets them discover the deepest secrets about each other, resulting in illicit trades, divulged truths, and unfortunate regrets.
A great, short, touching play. I am becoming a big Jen Silverman fan- she is funny and real and doesn’t over complicate things- and it always resonates.
A really interesting dive into characters and the relationship of two complete opposites, of women finding their power in different ways, and the complexity of societal pressure placed onto women. Not a ton "happens" per say but I really found myself immersed in the world of the characters