I wanted to love this book. I wanted sooo badly to love this book, because Kathryn Janeway is quite possibly one of my favorite characters of all time. I was devastated when she was killed in Before Dishonor, and I couldn't bring myself to read any Star Trek books afterwards. When I found out they were bringing her back, I immediately bought the books I'd missed because I was so excited. And then I read it...
The premise of the book is amazing. It is quite obvious that Kirsten Beyer plots her books extensively, as nothing comes across as a straight-up deus ex machina (barring the appearance of the Q), and the ideas she puts forward are intriguing. The explanation for the Q is astounding, and while repetition usually results in eye-rolls, every time someone said "I hate temporal mechanics" I couldn't help but be understanding. The concepts of the Omega dimension, the rifts in space, the origin of Afsarah Eden, were all really interesting ideas and plot points that I quite enjoy.
Where she fell flat was the characterizations. Perhaps because the book was shorter than her previous, the large cast couldn't quite fit in comfortably. This led to a lot of scene jumping, and little expansion of the characters as we know them. Even with characters she herself had created, such as Counselor Cambridge and Lieutenant Conlon, the expansion of their stories were practically non-existent. Cambridge is little more than a joint foil with the Doctor for Eden's journey, and the growth of his relationship with Seven is so sparse it brings painful reminders of the lumped-together feel of Seven and Chakotay at the end of season 7 (and god bless Christie Golden for ending THAT catastrophe almost immediately). Conlon is only slightly better in her growth, with her crisis of faith and desire to run away from the hardships she faces feeling more real than almost any other problem faced in the book. Plus, her beginnings with Harry Kim feels much more natural than the other relationships.
I was sad to see the character of Afsarah Eden go, especially in the manner she did. Her story in and of itself was very interesting, and while I'm not sure it was intended the tribulations Eden faces in growing close to others in friendship mirrored my ability to feel fondly towards her. As Eden opened up to others, her character arc in general made me care more. In the end, her abrupt personality change and almost disconnect from everyone simply left me back where I was at the beginning - finding myself not caring what happened. The Eden I knew at the end of Children of the Storm had me far more invested than the Eden that joined with Q-Junior and vanished.
Which leaves my least-favorite characterization of all, that of Kathryn Janeway herself. At the beginning, it works - while she converses with the Qs, sees Kes, pulls herself together, her reaction to learning that she is, in a way, responsible for the death of 63 billion people, were all very much on par and humanizing. Then she rematerializes, and so much time is spent with her crying in Chakotay's arms that I found myself handling my book as if it were contaminated. Janeway is allowed to be human, allowed to be a woman, she is allowed to be weak and have doubts and be brash and all the other things that a person can be. But the focus she has on Chakotay feels less like the love of a mature woman who built a strong relationship with a man over seven-plus years that changed to a deep-seated love, and more like she turned into Bella Swan. I understand that she loves him, but the almost single-minded focus that is written into the book left me with a bad taste in my mouth.
Don't even get me started on the reunion scene between Seven and Janeway. The woman just returned from the dead, and there's not even a friendly grasp of the arm? Instead, we get a long paragraph on how awkward Seven feels and doesn't think they should touch, which seemed so unnecessary and awkward in its own right. Janeway was always touching Seven, and she was such a strong mentor for Seven, that the complete lack of any sort of emotional oomph was keenly felt.
In the end, the book has three new happy couples (which seemed to be a large part of the purpose of this book), a new baby on the way (could have used more of B'Elanna and Tom, but it was short and you can't win 'em all), and Janeway taking over the fleet (what's left of it). Which is indicative of Starfleet having lost their minds, because that's an enormous loss of life and resources (in five months, five of their nine ships are destroyed, I mean holy cow that's ridiculous), and that Janeway returned to life by pulling her molecules back together while in the Q Continuum doesn't seem to phase them enough to want her back? She doesn't want to go and see her sister? It's absolutely mind-boggling.
I wish I could have loved it. I think I'd rather read Before Dishonor again instead.