Darwyn Cooke brings readers the tale of the Minutemen. Formed in 1939 by Captain Metropolis and Sally Jupiter, the team brought together some of the most well known crime-fighters of the era. But public glitz and glamour only hide the grim and gritty reality behind the masks.
“You tell them, Hollis. Tell them all what they did to us!” And don’t miss the latest sensational chapter of the CRIMSON CORSAIR, from writer LEN WEIN and artist JOHN HIGGINS.
Darwyn Cooke was an Eisner Award winning comic book writer, artist, cartoonist and animator, best known for his work on the comic books Catwoman, DC: The New Frontier and Will Eisner's The Spirit.
In 1985, Cooke published his first comic book work as a professional artist in a short story in New Talent Showcase #19, but economic pressure made him leave the career and he worked in Canada as a magazine art director, graphic and product designer for the next 15 years.
In the early 1990s Cooke decided to return to comics, but found little interest for his work at the major publishers. Eventually he was hired by Warner Bros. Animation after replying to an ad placed by animator Bruce Timm.
He went on to work as a storyboard artist for Batman: The Animated Series and Superman: The Animated Series, and in 1999 he animated the main title design for Batman Beyond. He then worked as a director for Sony Animation's Men in Black: The Series for a year.
DC Comics then approached Cooke about a project which he had submitted to the publisher years earlier which eventually became Batman: Ego, a graphic novel published in 2000.
The critical success of that project led to Cooke taking on more freelance work, such as X-Force, Wolverine/Doop and Spider-Man's Tangled Web for Marvel Comics and Just Imagine... Stan Lee for DC.
In 2001, Cooke and writer Ed Brubaker teamed up to revamp the Catwoman character. They started with a 4 issue serial "Trail of the Catwoman" in Detective Comics #759-762 in which private detective Slam Bradley attempts to investigate the death of Selina Kyle (AKA Catwoman).
The story led into a new Catwoman title in late 2001 by Brubaker and Cooke, in which the character's costume, supporting cast and modus operandi were all redesigned and redeveloped. Cooke would stay on the series, which was met with critical and fan acclaim, up until issue #4. In 2002 he would write and draw a prequel, the Selina's Big Score graphic novel which detailed what had happened to the character directly before her new series. Cover to DC: The New Frontier #6. Cover to DC: The New Frontier #6.
Cooke's next project was the ambitious DC: The New Frontier (2004), a six issue miniseries which sought to tell an epic storyline bridging the gap between the end of the golden and the start of the silver age of comic books in the DC Universe. The story, which was set in the 1950s, featured dozens of super-hero characters and drew inspiration from the comic books and movies of the period as well as from Tom Wolfe's non-fiction account of the start of the US Space Program The Right Stuff. The major DC characters are introduced in "The New Frontier" in the same order that DC originally published them, even down to the correct month and year in the story's timeline. In 2005, Cooke won an Eisner Award for "Best Limited Series", and a Joe Shuster Award for "Outstanding Canadian Comic Book Cartoonist" for his work on the series.
Most recently, Cooke contributed to DC's artist-centric anthology project Solo. His issue (#5, June, 2005) featured several different stories in different styles with a framing sequence featuring the Slam Bradley character. In 2006, Solo #5 won an Eisner Award for "Best Single Issue."
In July 2005, it was announced that in 2006 Cooke and writer Jeph Loeb would produce a Batman/Spirit crossover, to be followed shortly afterwards by an ongoing Spirit series written and drawn by Cooke. Batman/The Spirit was ultimately published in November 2006, followed in December by the first issue of Cooke's The Spirit. In June 2007, Cooke and J. Bone won a Joe Shuster Award for "Outstanding Canadian Comic Book Artists" for their work on "Batman/The Spirit", and Cooke won "Outstanding Canadian Comic Book Cartoonist" for his work on "The Spirit".
In July 2006, it was announced that Warner Bros. Animation and DC Comics would release a series of direct-to-DVD animated movies based on important DC com
This was a sad and harrowing issue. Ursula and Gretchen didn't have to die like that and shame on the Minutemen for abandoning them at their hour of need. It was cool, though, seeing Eddie, the Comedian in such an elevated light. Good to know he wasn't always an asshole.
Very dark, heavy, and intense. This is too much to stomach yet so good not to finish until the end.
I won't go duscussing any discussing in the book but this though eludes me (or I just don't want to think about it because it is so messed up): . Let us see if Darwin Cooke goes FUBAR all the way in the final two issues.
An issue that revels in the darkness, does not spare getting into the depths of depravity and evil with intensity from the start, unlike the usual, "start happy and optimistic but end with the darkness underneath being revealed" of the previous issues.
Again, these don’t add much but texture, but it’s a good texture. I really enjoy these mini stories that have little weight, but feel very true to the world they’re set in.
Wow. This was a lot to take in. The Comedian being a good guy for once? Kinda? Sally's being a bad guy for once? Kinda? Ursula's backstory with a fantastic panel mirroring the forbidden room with her forbidden relationship. The little extra bit of Hooded Justice at the end. This was genius.