Stinging our sanity...the beginning of the downfall of the disaster film genre, especially the grace of Irwin Allen's disaster film series.
In this movie, a group of characters, including Brad Crane teams up with General Slater to use military tactics to stop a swarm of bees from reaching and destroying their city with venom. The movie was announced in 1974 (the same year this saw publication) at the peak of the disaster movie craze, and the movie went into production for over four years. The movie went into development hell several times, especially since Irwin Allen had left 20th Century Fox to go to Warner Bros. in order to keep production running. When the movie was finally released on July 14, 1978, it received heavily negative reviews from critics and audiences alike, being widely considered to be one of the worst films ever made, if not the worst in Irwin Allen's line-up of disaster films ever. It was unable to get its budget back, and only made 7 million against its 11 million budget and was considered a fucked-up box-office failure. It is also the last film to be edited by Harold F. Kress. The film was originally released in theaters at 116 minutes, however, when it was released on laserdisc a very long time ago in 1992, it was extended to 155 minutes with additional scenes. This extended version is also included on all DVD releases worldwide in 1996 and 1999, along with a 22-minute documentary titled "Inside The Swarm" and the original theatrical trailer, especially on the Bu-Ray version.
The main problem is that the movie tries to balance the tone between up with a disaster, and a horror film, but however, it didn't work, as it feels more like a comedy-disaster parody film, which ruined the tone, and the movie itself at the very end as a result.
It pretty much heavily lacks what made Irwin Allen's previous disaster films, The Poseidon Adventure and The Towering Inferno, so great, lacking their charm or charisma, and just doing whatever it can to exist. Irwin Allen's previous disaster films had more effort, and were memorable with a lot of charm.
In fact, it completely misses the spirit from the previous two disaster films that were both produced by Irwin Allen; The first two disaster films, The Poseidon Adventure and The Towering Inferno, while a bit campy, both managed to have a darker, more serious and emotional tone. With this film, it has tons of campy moments that make for unintentional comedy throughout the entire 116-minute (or 155-minute, depending on the version you watch the) film, despite trying too hard to take itself seriously at the same time.
Very weak storyline. The idea of a killer animal has already been done several times (The Deadly Bees, despite being poorly-received, is another film with killer bees done before); it's preposterous and makes for an uninteresting and unoriginal story, and also heavily contrasts with the previous style Allen's first two disaster movies had.
It can't decide whatever it's a horror film or a disaster film at all. For most of the film, it feels more like a killer bee version of The Birds than being a "disaster" movie.
Sub-par and very cheap special effects for the killer bees, especially the green screen effects.
Despite having an all-star cast, the actors give terrible performances, such as Michael Caine, who was especially not good as Dr. Crane, because he had little knowledge of bees and rarely got any character development because of it. Worst of all, it nearly killed Olivia de Havilland's acting career.
Katharine Ross wasn't good as Helena Anderson either, her relationship with Dr. Crane is completely pointless and feels forced.
As said on WIS#1, It completely misses the spirit from the previous two disaster films that were both produced by Irwin Allen; The first two disaster films, The Poseidon Adventure and The Towering Inferno, while a bit campy, both managed to have a darker, more serious and emotional tone. With this film, it has tons of campy moments that make for unintentional comedy throughout the entire 116-minute (or 155-minute, depending on the version you watch) film, despite trying too hard to take itself seriously at the same time.
The film focuses on establishing Allen's disaster movies more, rather than being it's own story.
The pacing is extremely poor, which is inexcusable for a disaster-horror film.
The film feels rather tame as it was rated PG. It would probably make sense if the film was rated R, since it's a disaster-horror film.
While the filmed settings in this movie were decent (despite most of them not being in Texas as it's supposed to be), most of the shots in the first two acts don't exactly give the impression that the film took place in the state of Texas at all. It wasn't until the third act when they actually filmed in the city of Houston, Texas.
Marysville is an unincorporated community in real-life at near the border states of Texas and Oklahoma. In the movie, Marysville has a town square, a train station, and an incredibly tall mountain. In reality, it doesn't have a train station, nor does it have a tall mountain nearby at all. It doesn't help that it was actually filmed at Warner Bros. Studio Tour in Hollywood, California,
Also, when Crane and Helena are standing in front of a cliff on the Gulf of Mexico shores, yet there are no cliffs on the upper Texas coast, where the film supposedly takes place at.
Most of the location for Texas feel more like they're filmed in New Mexico, Nevada, or California instead of Texas. In reality, Texas has fewer mountains in real life, but in this movie, there's a scene where a train is still on it's way to Houston, but with tall mountains in the background, which Texas doesn't even have that tall of mountains in real-life.
The film only involves a group of characters trying to find a way to stop this killer bee invasion in the state of Texas but after the cinemax, the rest of the movie (in the director's cut at least) boils down into more than two-hours of filler in which barely anything goes on in this movie at all.
Numerous plot-holes, severe plot points, errors, corny dialogue, bad writing, and unexplained details everywhere, but not limited to:
At the beginning of the movie, how did the African killer bees manage to kill everybody on the underground base center if they don't have any stairs to go through?
When the large group of soldiers enter the compound near the beginning of the movie, the door to the compound building opens to let them inside in one shot and somehow opens again in the very next shot.
In the shorter version, it is never explained what happened to Paul Durant after he had a chat with Dr. Crane, and went back to the hospital in Marysville before the population of Marysville is evacuated.
However, The extended cut did fix the problem, he was at the hospital, but he suddenly died for an unexplained reason.
The killer bees somehow destroy a helicopter, with it losing all of it's power and crashing into a mountain.
Dr. Bradford Crane tells Paul (who's in a hospital bed) to reach out to make the bee go away, and he states that the bee is not real, which is confusing because the bees are real.
The train scene has a huge amount of flaws:
When the train crashes off the railway track, a carriage explodes. Whether the locomotive was powered by electricity or diesel, the passenger carriages would have carried no fuel and would not have exploded. Although since only one carriage car exploded and spread fire to the rest, it could be conceivable (although unlikely) this was a dining car and contained bottled gas.
When the passenger train is attacked by the swarm, Engineer Ned leans on the (mock-up) automatically pulls the brake handle, which should have applied the emergency brakes, but instead the train accelerates.
Why didn't the train drivers even shut the windows as soon as the African killer bees got towards the train? Also, it makes the bees enter the cab and kill both of the drivers. The sting from the bee also makes one engineer accidentally pull the lever, which results in the train going way too fast and then crashing off the railway track, and a carriage exploding. Whether the locomotive was powered by electricity or diesel, the passenger carriages would have carried no fuel and would not have exploded.
When the train accelerates out of control and tips over on the cliff, the exterior shot shows that the locomotive at the front leans to it's right side. However, the interior shot appears as if the locomotive is tilting to it's left side.
When Engineer Ned leans on the (mock-up) automatic brake handle, which should have applied the emergency brakes, the train instead accelerates.
During the war against the killer bees in the city of Austin, there is literally a scene where the ambulance driver loses control because of the bees and suddenly it's night time during the crashing sequence. When the ambulance crashes into the building at this shot, you can see it's daytime, while it was supposed to be night time.
When testing the anti-venom on himself, the scientist places only one chest wire on himself which would make it impossible to monitor his "z-score" as stated because at least 3 leads would be needed. In addition, the compound is stated to be administered in an "auto-injector" when the instrument shown on screen was nothing more than a 1930's vintage hypodermic needle and syringe.
The movie permanently killed Harold F. Kress's editing career.
The final act of the entire film. During the war against the killer bees, Dr. Crane and Sally Helena escape the checkpoint from the military base in Austin, Texas and they went to the airport the next day to fly a helicopter to the Gulf of Mexico and they just drop to play the signal of floating devices. But that's not it, predictably, all of the millions of African bees go into the sign and the missiles launch into the scene, exploding and killing all of the killer bees in an anti-climatic manner, and that's it, that's how the film literally ends!
Warner Bros. Pictures put a disclaimer before the end credits, stating that the African killer bees portrayed in this film bear no relationship to the industrious, hard-working American honey bee to which they are indebted for pollinating vital crops that feed the nation.
The film still uses the yellow text Futura font on the opening credits, which is a nice throwback to Allen's first two disaster films.
Jerry Goldsmith did an excellent job composing the soundtrack, which adds a bit more more suspense to this film at times.
It is considered to be so-bad-it's-good cinema.
There are some good action sequences during the climax, though not as good as the previous instalments.