Having just finished the first Tony Cassella (TC) novel, No One Rides For Free, I find that reading the trilogy in reverse-order was instructive. When I read Foreign Exchange (the third novel) I was struck by how “manic” it was. There was a lot of action, a lot of suspects, a lot of character interaction (but maybe not so much character development) and a whole host of characters were drawn into the book making it seem like there was no preset intention to end the TC series at that point. Going backwards into the past, I see that this book is equally fast-paced, but “lighter” both in action and in page count. And the middle book, You Get What You Pay For is pretty much between the two in feel and heaviness.
This is not a bad book. In fact, for a first novel it is a pretty good book. True, we walk into it with some confusion as our lead has a fully-formed life that we are only given measured doses of explanations for. If this was intended to be a standalone novel I would think that author and publisher to be overly parsimonious in back-story. But, since it was expected to begin a lengthy series we give it a pass on some things. The fact that the later books do “fill-in” some of the blanks (at about the same rate) makes it ok.
Tony is damaged goods. Like many anti-hero detectives he has some sterling qualities (often the sense of justice and fair play) and many destructive ones also. He’s bright enough to figure things out, but often leads with his fist instead of the little grey cells. He has a reputation for being street-wise, but also is an idealist. Even after vigorous shaking oil and water don’t want to mix and so it is with his many impulses.
The scale of his cases starts out looking small or local, but often develops into a national or international scope. (This is also true of the other books I’ve read by the author.) It’s his doggedness that allows him to find enough facts to connect the dots. Even when it hurts him he is often compelled to continue with a case. Like many a noir star, when he gives his word he must keep going, not matter where it leads. In this novel he tries to play fair with the official police when they work with him. He feeds them leads when he can (and when he cannot follow up himself), but he is not above administering punishment when the legal system cannot or would not.
While all three books have the same ‘feel” they operate in different enough ways that the stories remain unique and interesting. There are many sub-plots: many serve to develop various characters, but others are there to widen the investigation. These are all collected and resolved within the last 10-20 pages. A few things are left at the end “for the future”, but nothing that detracts from this book and this story. Unlike a lot of SF or Fantasy authors, the detective/mystery writers do a pretty good job of keeping things within the covers and Mr. Beinhart (and his editors) did this very nicely.
Despite is fast pace, this holds your attention enough for travel or a quick evening’s read. A solid 3-to-3.5 for this debut novel.