In A Poet’s Guide to Poetry, Mary Kinzie brings her decades of expertise as poet, critic, and director of the creative writing program at Northwestern University to bear in a comprehensive reference work for any writer wishing to better understand poetry. Detailing the formal concepts of poetry and methods of poetic analysis, she shows how the craft of writing can guide the art of reading poems. Using examples from the major traditions of lyric and meditative poetry in English from the medieval period to the present, Kinzie considers the sounds and rhythms of poetry along with the ideas and thought-units within poems. Kinzie also shares her own successful classroom tactics that encourage readers to approach a poem as if it were provisional.
The three parts of A Poet’s Guide to Poetry lead the reader through a carefully planned introduction to the ways we understand poetry. The first section provides careful, step-by-step instruction to familiarize students with the formal elements of poems, from the most obvious feature through the most subtle. The second part carefully examines meter and rhythm, as well as providing a theoretical and practical overview of free verse. The final section offers helpful chapters on writing in form. Rounding out the volume are writing exercises for beginning and advanced writers, a dictionary of poetic terms, and a bibliography of further reading.
For this new edition, Kinzie has carefully reworked the introductory material and first chapter, as well as amended the annotated bibliography to include the most recent works of criticism. The updated guide also contains revised exercises and adjustments throughout the text to make the work as lucid and accessible as possible.
Mary Kinzie, poet and critic, M.A. Johns Hopkins University, Writing Seminars (fiction), Ph.D. Johns Hopkins, English. Author of seven poetry collections, including Summers of Vietnam, Autumn Eros, and her latest collection of poems and lyrical essays California Sorrow (Knopf). Two volumes of critical essays, The Cure of Poetry in an Age of Prose (Chicago) and The Judge Is Fury (University of Michigan "Poets on Poetry" series), were followed by A Poet's Guide to Poetry (Chicago), a critical handbook on poetry and prosody (2013). Recipient of a Guggenheim Fellowship in Poetry, and the Folger Shakespeare Library's O. B., Hardison Poetry Award. She teaches poetry, fiction, and creative nonfiction.
This was a challenging book to get through. As a writer of poetry, I was excited to learn more about how to write stronger poems. I found A Poets Guide to be heavy on poetic terms which may make this a hard read for novice poets. I also didn't realize there were poems in the poetry sampler and what page which made poems hard to reference. This definitely feels like a college level text, one which would best be helped by additional explanations. I did find some of Kinzie's points helpful, but this may not be the first book I turn to when writing a poem.
A Poet's Guide to Poetry, Second Edition is chock full of information about the craft of poetry, but it's not a book that I'll read straight-through. Instead it's a great resource, complete with samples, definitions, descriptions and lessons, which will remain, I imagine, on my reference shelf for years.
Incredibly detailed and unnecessarily dense. About a third could be cut and it would still get the point across. Also, it would greatly benefit the book itself if this were an ebook, to readily cross reference terms or look up Kinzie's acerbic vocabulary.
When I started grad school and wanted to take a course on poetry at Northwestern, Mary Kinzie was finishing this book. While I had one of her teaching assistants for my course, he was guiding us with materials and exercises from this book. Fun to remember back over twenty years, the TA, the much younger students and their energy, and the poems I wrote that still mean something to me.
I have to get back to this book someday....I just couldn't finish it. But sometimes my focus changes. Books I can't read today are possible at a later date. So I'll get back to this eventually.
Wow. I couldn't finish the whole book but this will be one of my primary poetry references in future studies. Very dense but is there anything this woman doesn't know?