Noc noży

Novels of the Malazan Empire #1

by Ian C. Esslemont, Michał Jakuszewski (Translator)

Ian Cameron Esslemont jest współtwórcą świata Malazańskiej Księgi Poległych. Bestsellerowej serii fantasy, autorstwa Stevena Eriksona. Akcja Nocy noży rozgrywa się w świecie Malazu i jest debiutem literackim Esslemonta.
Imperium zawdzięcza mu nazwę, ale obecnie miasto Malaz jest jedynie sennym, prowincjonalnym portem. Nadeszła jednak noc, gdy mieszkańcy barykadują drzwi i zamykają szczelnie okiennice. Księżyc Cienia, który zdarza się raz na pokolenie, przynosi ze sobą demoniczne ogary i inne, jeszcze groźniejsze istoty.
Z ową nocą wiąże się również proroctwo zapowiadające powrót zaginionego od kilki lat cesarza Kellanveda. Gdy różne frakcje walczą o tron imperium, Księżyc Cienia sprowadza na wyspę znacznie bardziej obcą i starożytną siłę, pragnącą zdobyć ją szturmem. To starcie rozstrzygnie o losach Malazu i całego świata.

Genres: Fantasy, Epic Fantasy, Fiction, High Fantasy, Dark Fantasy, Audiobook, Epic

368 pages, Unknown Binding

First published July 24, 2004

About the author

IAN CAMERON ESSLEMONT was born in 1962 in Winnipeg, Canada. He has a degree in Creative Writing, studied and worked as an archaeologist, travelled extensively in South East Asia, and lived in Thailand and Japan for several years. He now lives in Fairbanks, Alaska, with his wife and children and is currently working on his PhD in English Literature.

Ian C. Esslemont and Steven Erikson co-created the Malazan world in 1982 as a backdrop for role-playing games. In 1991 they collaborated on a feature film script set in the same world, entitled Gardens of the Moon. When the script did not sell, Erikson greatly expanded the story and turned it into a novel.

Reviews

[Petrik · Rating 2 out of 5]

Just like the main series, I was determined to finish the Malazan Empire this year but I may have to rethink that decision after my experience of reading this book.

Night of Knives is the first book in the Malazan Empire series, a spin-off to the main series that’s written by the other creator of the Malazan universe, Ian Esslemont. A lot of people mentioned that Esslemont is not Erikson (these four words must’ve haunted Esslemont for years by now) and usually, I’ll say that it’s really not really fair for everyone to endlessly compare these two; it’s obvious that every author has a different style. But in this special situation, I must say that the comparison is really well deserved because both of them write canon stories in the same universe which they created together.

I won’t lie, I didn’t enjoy reading this small book; it left a bad taste in my mouth. I was honestly shocked by how bad the experience of reading this book was. It came down to how Esslemont’s prose absolutely didn’t work for me. No, it’s not because the prose was simplistic; I loved a lot of simplistic prose. It’s just that the prose was incapable of keeping me engaged or invested in the characters. Esslemont focused so much more on the never-ending barrage of action sequences rather than the crucially needed characterizations. Unlike the main series, we don’t have a lot of POV to follow; only two, Temper and Kiska. Erikson is capable of making sure his giant cast of characters to be filled with unique, distinctive voice. In my opinion, Esslemont can’t do that even though there’s only two main POV to follow. The only parts of the book I enjoyed were the event surrounding Dassem Ultor, Dancer, Kellanved, and Sultry, and these were enjoyable to me only because I’ve read five books in the main series which overall has talked a bit about them. Don’t even get me started on Kiska’s POV. It was infuriating as hell to read a POV full of teenage angst in a Malazan universe. “I want to do something amazing, on the most dangerous of nights!” “What have I done I’m so dumb I’m gonna die” “Let me do that again!” “what nooo helpppp!!” Oh C'mon for fuck sake! I understand reading something like this in YA books but not in Malazan!

I’ve seen a lot of people saying something like “Please push through, Esslemont get better with each installment.” Let's be honest here, we have given up on author just from reading their debut or one of their books and I’m pretty sure the majority of the people who told me to persevere has done the same thing; Esslemont get a pass only because he’s writing in the Malazan world. I’m not even talking about Erikson’s high standard here, but more on my experience with reading epic fantasy in general and I can say that I’ve read literally hundreds of book better than this. The next books in the series aren’t small, they’re significantly larger and I will give up on the series whenever I want to. If Malazan Book of the Fallen absolutely requires Malazan Empire to be fully enjoyed then might as well put Malazan Empire as part of the main series instead of it being a spin-off.

Night of Knives was a huge disappointment, I have no idea how this will benefit the main series and I will find out pretty soon. No matter how much I love the main series, I don’t have enough patience while I’m drowning in a mountain of TBR to give a book I dislike a pass just because it’s written in the same world as one of my favorite series. I will give the next book in the series a go after I’m done with Reaper’s Gale before making my final decision on whether to continue or DNF this spin-off series, let’s just say that right now I’m 90% leaning towards dropping it. (I did give Return of the Crimson Guard a go. 25% in and nope, I can't do it, just awful. I'll give Path to Ascendancy a go but I'm giving up on Malazan Empire here.)

You can find this and the rest of my reviews at Novel Notions

[Matt's Fantasy Book Reviews]

Compared to the standard that was set by Erikson, this is a weak first entry into the Malazan Universe by Esslemont

Check out my new youtube channel where I show my instant reactions to reading fantasy books seconds after I finish the book.

I was given a recommendation by someone that I should skip over this book and move right onto the next in the series -- that I won't miss anything vital and it will be more worthwhile for me as a reader. I'm glad I took that advice, because if I hadn't I might have given up on this series. This is the weakest book in the Novels of the Malazan Empire series, and misses the mark in numerous ways.

First, I need to point out that I did overall enjoy this book. The problem is that it doesn't hold a candle to the rest of the Malazan books. And given that this series is being done by an entirely different author, it sets a bad tone going into the rest of the books. But knowing that the books get better, it's always nice to see an author improve over time rather than decline.

It was fun to read more about some of the background that sets the stage for the main Malazan series, and takes part in a location (Malaz Island) that didn't get a lot of showtime in the other books. It also serves as an important piece of history, and sets the stage for numerous characters that show up in other books.

The scope of this story felt wrong though. Instead of a larger than life story with a crazy convergence at the end, you are left with a small scale plot that meanders at times. Esslemont's prose isn't to the standard that Erikson has set, and his cast of characters is far more limited.

Overall, I would advise people to move straight onto book 2, and go back to this one after you finish up the series.

[Mayim de Vries · Rating 2 out of 5]

This review is dedicated to
Ian
who stabbed the world in the back

“His victory will be sealed by his defeat.”

When I was a little girl, I wanted to be a ballerina and so I convinced my parents to send me to a professional ballet school. I loved it, down to the last drop of sweat and blood (ever wore pointe shoes?), and the last tear it cost me. But after a couple of years, as I started to change from the girl into an adolescent, it became apparent that the future woman-me is not going to be built of bones, sinews and flat plains, but is going to have breasts and hips and all sorts of curves. I was merely surprised at my body’s betrayal but my Russian teacher of classical dance positively grieved (not without reason we were laughing behind her back that her perfect pupil would be called Anorexia Sergeyevna). Very quickly, I understood why. In spite of all my hard work, the effects were average. At best. By the end of the school year, my tutor and my teacher took me aside and very gently they told me: “Look, you will never be a great dancer, you will never do solos on the stage, in fact, you will be very lucky if you find a spot in a dancing company at all. We could keep you here for a couple of more years, but we are letting you go early so you can find your path.” Needless to say, I thought them both heartless monsters and begged them to let me stay swearing all kinds of oaths that I will improve. Luckily, they didn’t listen and today I am not crippled by my childhood dream (although I still enjoy dancing).

The moral of this long story is that when it comes to arts sometimes it is not that we lack will or courage or determination, sometimes it is that we lack something both essential and elusive like a talent or a predisposition, that our own physical constraints doom us to mediocrity and it doesn’t matter how much we try we will never be an artist, we can only hope to be a craftsman.

And the “Night of Knives,” my friends, is not a piece of art, it is a crafted bauble of an average to poor quality. Written in a way that makes one’s spleen hurt which means that the book is only for the fans of the universe (and only those hungry for more of the world, the rest can safely reread the main series).

“Night of Knives” relates events leading to the ascension of Emperor Kellanved and his companion Dancer, that is to say, it roughly takes us back in time to the prologue of “Gardens of the Moon.” And even though there are readers who complain that Erikson’s opening volume is confusing, I admit to being more confused when reading “Night of Knives,” because even though I know the world and the main arcs, the book is badly written in terms of characters, storyline, flow of the story and ordinary writing style.

“Night of Knives” features one the most annoying female protagonist ever (also, if you believe that YA should be outlawed, don’t read the book). Kiska’s personality, motivations, decisions and overall place in the story is absurd. This girl is repeatedly caught, beaten, humiliated, kicked around, loses consciousness, recovers, runs in out and about for no other reason than to be a passive observer of unfolding events. I understand that the main idea was to have a leading character who is just a witness to what is happening, but this was badly done. Particularly because Kiska’s rationale is as coherent and transparent as Lehman Brothers investment policies and its results as disastrous. Out of boredom and angst, Kiska insists on participating in events that evidently overwhelm her in almost every respect, yet she pushes herself to be in the eye of the storm with the persistence of a Bambi wanting to impress hungry wolves.

The male leading protagonist is slightly better (but only because you can hardly go wrong with the seasoned warrior with hidden past trope). Unfortunately, Temper is not able to save the story because of the way it is designed. I had problems with visualising some of the scenes, others while persuasive seemed rather pointless. Half of the novel has both protagonists running in circles through the town without any sense in it whatsoever. They engage in random fights, they have bizarre encounters, they are alternately caught and released by different individuals. In the second half, things start to come together (when necessary, pushed forward by an edge-walking plot convenience) but the finale lacks both the ambiance and the sparks.

Overall, the book is bland and unimpressive. The plot is simplistic, new protagonists don’t dazzle and even familiar figures somehow feel shallow (at one point I was really happy that Whiskeyjack did not make an appearance!), the descriptions are stretched and the majority of them is uninteresting. In short, a booklet of a fanfic quality; useful for learning more about the world but absolutely unnecessary.

And if there is a victory in this defeat - I have not seen it.

Also in the series (still unsure if I'll read on):

2. Return of the Crimson Guard ★★★★☆
3. Stonewielder ★★☆☆☆
4. Orb Sceptre Throne ★★★☆☆
5. Blood and Bone ★★★☆☆
6. Assail ★★☆☆☆

[James Tivendale · Rating 4 out of 5]

This is a very good book!

Following two main character point of views. One being Temper - an old school elite yet uncredited serviceman for the Malazan empire and Kiska - a youth urchin spy with 'the talent' of magic somewhere within her. Kiska was very mysterious - a bit whiny and kept getting caught by people throughout her sneaking antics - but I think she was an omnipotent device to show the unfolding events. Temper was just a no fu*ks given veteran. The best parts for Temper was his lack of desire for recognition for the extraordinary feats that had been/ are accomplished by him - but also his flashback sections with Dassem Ultor (who people will know from the main series)

Some people do not rate this book compared to the Malazan: Book of the Fallen. I think if you miss this out then you are missing so many crucial layers that make the world the best envisaged in fantasy. I understand how it can knock Malazan die-hards off balance as they are used to going from 900+ page epics following 40+ point of views to a more linear story revolving around one chaotic night.

The mystique created by Dancer and Kellevand frequents throughout this novel and is truly fascinating. It is the story about one night, where magic, worlds, accession and races all discombobulate and at the same time collide. Hounds, warrens, zombies, storm-riders etc... This is a fast paced book. Well written. It might not showcase the linguistic acrobatics that Erikson sometimes presents - but does Erikson really know what all those complex synonyms and semantical equivalent words mean anyway?

I actually think if prior fans hadn't already ascertained the diamond tinted loving of, and egotistical disgust of anything that isn't Erikson Malazan - they may enjoy this story more as a new-comer.

Esslemont has recently released Dancer's Lament which is reveled by all Malazan fans and carries on with the structural devices initiated here. I think this is a great first book from Esslemont and can't wait to read the rest. He works the Malazan world well and creates wonder - let's hope it continues. Peace x www.youandibooks.wordpress.com

[Markus · Rating 3 out of 5]

Well, this seems incredibly underrated...

Night of Knives, first volume in the Novels of the Malazan Empire by Ian C. Esslemont, is not a huge brick of equal parts amazement and confusion like the doorstoppers of his friend Steven Erikson. It's a decidedly more standard fantasy novel, and it doesn't distinguish itself in the way of the Malazan Book of the Fallen. That does not mean, however, that it is any less impressive.

Esslemont's style is more simple, both in language and in plot, and in many ways he appears to be less ambitious than his co-author. But this book gives off the Malazan vibe more strongly than anything since Deadhouse Gates, and unlike reading an Erikson book, you don't have to work for it. Some people would probably argue that's a bad thing, but I found this book more engaging than the main Malazan books, despite lacking in a few of the qualities which have made the series so outstanding.

Overall though, Esslemont lured me fully into the Malazan universe once again, and I'm very excited about continuing this epic.

[Choko · Rating 4 out of 5]

*** 4 ***

"...“The Malazan way,’ he breathed. ‘The murderer’s touch. A brush of cloth. A sip of wine. The gleam of a blade as fine as a snake’s tooth. Your name whispered just as you fall into sleep.”..."

This is the world of Malazan, just as dark and bloody as ever, only told by a different bard. He is not either better or worse than the bard who tells us the story of the Malazan, Book of the Fallen, he just has his own voice and his own way of telling us a story, and I truly appreciate that. Just as I love the Flight of the Bumble Bee played by a heavy metal band, or played by a violinist, I can enjoy either not only for their similarity and basic theme, but because of their differences as well. The world would be a very dull and boring place if all artist, writers and musicians expressed themselves exactly the same way.

Unfortunately, in the case of the Malazan World, I feel the need to start with the previous paragraph, because the works of the two creators of this world, Steven Erikson and Ian C. Esslemont, are intricately connected and a comparison between the two is almost inevitable. They are different, no question about it, and I guess it is up to the personal preferences of the readers to decide which stile fits their tastes batter, but for me, and I hope most readers approach this series in the same way, the two compliment each-other perfectly. Where SE is edgy and at times heavy on the prose, ICE tends to go about telling a story in a more traditional way, softer around the edges and with more moody and spooky details in the world-building. SE overwhelms with his innate power of emotion he can bring out of the debts of your soul, while ICE sneaks up on you insidiously, but still potently.

"..."Why are you killing us???"..."

I still get goose-bumps thinking about that sentence...

If you plan on taking on this series, I have to say that it would be a loss not to read the books written by ICE. Not only do they give a background and feel in gaps of the mythology, but they would be just as good if read as The Malazan Empire Series on its own. In this first book of the series, all the action takes place in the span of one Shadow Moon Night, when the Warens (something like magical dimensions) can coalesce, and creepy creatures of different worlds could roam the streets of the magically heavy Isle. The local residents know not to leave their homes and huddle in fear behind locked doors, only the uninformed or those who look for trouble dare step outside. This is the night we are introduced to the old, grizzled elite soldier Temper, who is hiding in plain sight, as just a veteran waiting to retire on a bedraggled post on Malaz Island. The other protagonist is Kiska, a young girl who fancies herself a spy, although she is not working for anyone, since the local Fist, which is like a General in the Empire Military, is refusing to give her a chance and higher her. She is naive and dreams of a future away from the Island, adventures and anything where she could get an adrenaline rush. Temper is not of the locals and Kiska is just looking for adventure, thus they both end up involved in the perilous activities strangling the life out of the Island on that fateful night.

It so happens that four of the familiar to us characters of the Book of the Fallen have major roles with their political and devious machinations. Emperor Kellenved and his partner Dancer have been missing for the past year, leaving Surly to the Imperial Regency. Many think that this night will be the one Kellenved returns to reclaim his throne, while Surly and her Claws are there to make that impossible. We also have the High Mage Tayschrenn and he is much more interesting here than in any of the books of the Fallen I have read up to now. We also get a good idea who Edgewalker is, and I love how all the peaces are falling into place of the overall picture!!!

"..."Kiska fairly wailed: ‘But what of Kell – the throne?’
‘I am sorry. That is a minor concern given everything at stake this Conjunction.’
‘Minor! ’
Kiska believed she could hear the dried flesh at its neck creak as the head turned to her. ‘Yes. In the larger picture. I am sorry. Now, you must go.’
‘But wait! I have so many questions. I—......"..."

So, if you are like me and just need to know all about the Malazan World, or are just looking for a good darker Fantasy, this is a very good way to go! I know I just can't get enough:):):)

Now I wish you all Happy Reading and may you find what you Need in the pages of a Good Book!!!

[Overhaul · Rating 3 out of 5]

En primer lugar para comenzar esta reseña debo decir que Erikson es un escritor único en su tipo y estilo, lo que significa que Ian Eslemmont no debería compararse con él. Sí, hablamos del mismo mundo, de personajes similares, otros compartidos y una historia sinérgica, sin embargo, creo que debe leerse desde una perspectiva diferente y entendiendo que Steven Erikson y su saga Malaz tiene una importante o digamos esencial diferencia y es esa epicidad que como escritor alcanza Erikson. Para mi cada momento, cada personaje, hasta cuando entra de lleno en conversaciones filosóficas, me encanta, es épico. Erikson es único y un maestro en lo que crear y narrar respecta.

Personalmente me encantó este libro. Claro, no fue perfecto, pero creo que, al ser su primera novela de Malaz, es de esperar que no se logre la perfección. Este es su mundo compartido que crearon juntos. Estoy seguro de que Erikson le dio su sello verbal al libro. Respeto el trabajo de este autor y lo que con ello nos regala a los lectores de Malaz.

Ian Eslemmont no es Steven Erikson, nisiquiera para los lectores más fanáticos. No se pueden comparar, solo valorar lo que Eslemmont nos aporta, no regala un enriquecimiento del mundo de Malaz. Un forma de completar los huecos.

Con respecto a este libro, entre con la mente abierta. Lo encontré bien escrito y bastante fácil de seguir. Es muchísimo menos denso que Erikson, y este primer libro son 300 páginas con las más de 800 que tienen los libros de Erikson

Disfruté de una perspectiva diferente del mundo que tanto disfruto leyendo. Creo que definitivamente se suma y complementa a la historia del mundo ficticio dentro del imperio de Malaz. Claro, no me encantó cada momento o resultado, pero presencie y fui testigo de no pocos momentos y aclaraciones estupendas.

La historia se cuenta principalmente desde el punto de vista de dos nuevos personajes. Kiska, una joven aspirante a espía que está decidida a demostrar que merece un lugar en el Ejército Imperial o la Garra. Y Temper, un veterano de guerra cansado del mundo. Una vez sirvió bajo el mando de la Primera Espada, Dassem Ultor pero ahora mantiene la cabeza gacha y solo trata de escapar de todo su pasado. Obtuvimos algunos puntos de vista y todos sirvieron para darle más profundidad a la historia.

Creo que si te pierdes esto, te estás perdiendo muchas capas cruciales que hacen que el mundo sea mucho más rico y el mejor imaginado en la fantasía. Entiendo cómo puede desequilibrar a los fanáticos, ya que están acostumbrados a pasar de épicas de más de 800 páginas que siguen más de 20 puntos de vista a una historia más lineal que gira en torno a una noche una sola noche caótica y tan importante.

El misterio y las sombras que crea Eslemmont con respecto a Danzante y Kellanved a lo largo del libro es realmente fascinante. Y eso que al principio me molestó un poco que la historia no se centrase más en ambos. Es la historia de una noche, donde las sendas, la adhesión y las razas se desmoronan y al mismo tiempo chocan. Y los aullidos de los temibles Mastines resuenan como una melodía, una promesa de sangre y muerte en la noche.

Las obras de los dos creadores de este mundo, Erikson y Esslemont, están intrincadamente conectadas. Son totalmente diferentes, no hay ninguna duda al respecto, supongo que depende de las preferencias personales de los lectores decidir qué estilo se adapta a sus gustos, pero para mí, y espero que la mayoría de los lectores se acerquen a esta serie de la misma manera, los dos se complementan perfectamente. Sea cual sea tu favorito. Además valoro que aquí el señor Esslemont me dio entretenimiento puro ni más ni menos. Con la cierta seguridad de que irá puliendo y mejorando su estilo. Pues algunas cosas han flojeado.

La noche de la Luna de Sombra. Es una noche donde convergen mundos y reinos. También es una noche que nos hará testigos de un regreso profetizado. Son muchos los que así esperan que el emperador Kellanved, y su fiel Danzante ausentes durante mucho tiempo, regrese por su trono. Pero la suya no es la única batalla que tendrá lugar en esta oscura noche de sendas y tronos, ya que una Convergencia atrae a todo tipo de criaturas poderosas a la ciudad. Toda la terminología usada y los personajes familiares ayudan a que esta primera entrega me hiciera sentir como en casa.

Me gusto la historia, todo lo que aquí se narra. Es estar en Malaz, distinto narrador, punto de vista e historia. Pero Malaz. Incluso careciendo de esos diálogos ingeniosos y esa épica que hace que leer los libros de Erikson sea inigualable. Me ha gustado. Eslemmont completa los huecos y enriquece este mundo único. Aunque espero que mejore en algunos aspectos. Hay que leerlo.. ⚔️

[Krell75 · Rating 3 out of 5]

La notte di Shadowmoon è giunta, di nuovo.
Circa un paio di volte ogni secolo sull'isola di Malaz avviene una Convergenza chiamata Notte delle Ombre che sovrappone e collega l'isola con la Casa dell'Ombra. Agli abitanti dell'isola non rimane altro che rinchiudersi nella tenue protezione offerta dalle mura domestiche, uscire equivale a rischiare la vita e la propria anima.

In questa unica notte due persone, la giovane aspirante spia Kiska e il veterano Temper, saranno testimoni di eventi di coltelli e magia che determineranno il futuro.
Due forze contrapposte sguinzaglieranno i loro agenti e giocheranno le loro carte in questa unica notte di sangue.

La tensione che si respira e l'azione continua che si percepisce nella lettura del romanzo è un vero magnete, difficilmente ho trovato la forza di staccarmi dalla lettura.
Lo stile di Esslemont in questo suo primo romanzo è molto più lineare e semplice rispetto allo standard dei romanzi Malazan di Erikson e i soli due punti di vista dei protagonisti facilitano la comprensione della trama. Esslemont tende a dare una mano al lettore, Erikson no.

Molti si sono lamentati che Esslemont non raggiunge le vette di Erikson e che questo romanzo è forse mediocre, invece sono rimasto piacevolmente sorpreso dalla trama avvincente e dall'atmosfera nebbiosa e mortale.

Mi raccomando leggetelo solo dopo il secondo romanzo Malazan: Deadhouse Gate (La Dimora Fantasma) per evitare spoiler fastidiosi.

Bentornati tra le ombre.

--------------------------------
The night of Shadowmoon has come, again.
About a couple of times every century, a Convergence called the Night of Shadows occurs on the island of Malaz, overlapping and connecting the island with the House of Shadow. The inhabitants of the island have nothing left to do but lock themselves away in the tenuous protection offered by the home walls; going out is equivalent to risking one's life and soul.

On this one night two people, the young aspiring spy Kiska and the veteran Temper, will witness events of knives and magic that will determine the future.
Two opposing forces will unleash their agents and play their cards in this unique bloody night.

The tension that you breathe and the continuous action that you perceive when reading the novel is a real magnet, I hardly found the strength to tear myself away from reading.
Esslemont's style in this first novel is much more linear and simple than the standard of Erikson's Malazan novels and the only two points of view of the protagonists make it easier to understand the plot. Esslemont tends to lend the reader a helping hand, Erikson does not.

Many have complained that Esslemont does not reach Erikson's heights and that this novel is perhaps mediocre, but I was pleasantly surprised by the gripping plot and the foggy, deadly atmosphere.

Please read it only after the second novel Malazan: Deadhouse Gate (The Ghost Mansion) to avoid annoying spoilers.

[Scott Hitchcock · Rating 4 out of 5]

Reread Read

First read: 3*
Second read: 4*

I enjoyed this so much more the second time around. ICE does have a weird way of wording things but having read all 8 books published to this point I'm used to it and was able to enjoy the story a lot more. This book still unlike any of the others is more like a fantasy mystery blend with a good dose of horror to give it a truly eerie feeling. While still not SE's level or prose and layers I still think it's well worth reading. The introductions to Temper and Edgewalker alone make it worth it then you throw in learning about the old empire and a lot more about Daseem and it really complements BotF so well.

First Read
Going into this book I tried to clear my mind of any expectations. The reason being a lot of the reviews by other Book of the Fallen lovers were so varied.

The prologue was excellent and has that foreboding tone but is not the epic overtone that Erikson has in some of his works. Really Erikson is the king of the prologue in my opinion so NOK being good spoke well for this start.

Moving into the start of the book, and really throughout, I struggled with Esslemont's sentence structure. I'm hardly an English lit major but generally you pick up an author's cadence and once you have it figured out most stories flow from that point. His continued to be awkward and lacked Erikson's elegance. For better or worse there's no way to avoid the comparisons.

The story itself I really enjoyed. Still if you're looking for this to be Deadhouse Gates or Memories of Ice it isn't. It lacks that epic scale. But it's not meant to be either. Everything takes place in one earth shattering night. I loved guessing at who characters really were. I loved learning more about characters who aren't the main focus of the main series but are still important.

This book read more like an action, horror and war story all at once. The action was mostly fast and furious and I enjoyed it. I do wish there was more direct access to Dancer and Kellanved but the author went for more cloak and dagger action seen through the eyes of two characters on the peripheral edge of events and really it worked so I won't quibble.

If you love the main series you need to read this but don't think of it as the main series. The gaps it fills are invaluable and enjoyable.

[J.P. Ashman · Rating 4 out of 5]

Listened to this on Audible.

Great to delve back into the Malazan world. Massive fan of the original series. This certainly felt the part and the narration was excellent. Action, fairly fast-paced, cinematic, brutal and humorous where you would expect for the setting. I'd give it a 5*, but I felt myself drifting off here and there. Now, that could be me - busy and tired of late - and I still recommend this. There's no need to know the Malazan world before reading this, although it was nice to hear familiar characters. The characters I didn't know were cool, as were the beasts and setting. The book is short and set in a single night, and that worked for me. The ending was satisfying. Again, I'm only a whisker off a 5* and Malazan fan or not, you should check this out!

[Emma · Rating 3 out of 5]

The first few times I did a Malazan reread, I stuck with Erikson, thinking that the books by Esslemont were unnecessary. It felt a bit mean to be picking up a book that someone has worked hard to produce and being completely certain that it would be an average read, or worse. In reality, I consider Erikson to be best there is in fantasy writing means everybody comes worse off in comparison and Esslemont has a very different style.

It's a relatively short book, and easy to read. It only took me half a day. And no, Esslemont isn't Erikson (I'm pretty sure he's sick of people pointing this out). Of course I was aware that there would be differences in style, but the fact that Esslemont explains things was a serious shock to the system. There would be a comment about something mysterious like the Shadow Moon or the Return, and i'd stop reading, tip my head back, close my eyes and try to remember if it had come up before in this book, or in Erikson's. What connections could be made? What could it be? What does it mean? Maybe the TOR reread will pick up something I didn't. Once i'd thought it through, i'd return to the book. Then....next paragraph...the answer. WHAT IS THIS SORCERY? Are you telling me what's going on? Now, I realise it is a bizarre situation when a reader is complaining about their questions being answered. But it's precisely what I like about Erikson's work- I use it as a kind of brain training exercise.

Yet for all that, I enjoyed the book. There were some great characters. Temper reads very much like the quintessential Malazan soldier so vital to this world, and he made a welcome break from Kiska's teen angst. The representations of characters already well known from Erikson were handled well, they were part of the action but still retained mystery.

While I didn't love it, it was good enough to make me read the next. Hardly an enthusiastic review, I know, but I see the potential for improvement. And next time, I'll know better what to expect.

[Gavin · Rating 4 out of 5]

I thought this was a worthy addition to the Malazan world. Esselmont's writing style is a bit different to Erikson's but his story did retain the feel of a Malazan book. The plot was suitably entertaining and complex and Esselmont also did a great job with the characters, both the new and familiar ones.

The whole story took place in one city over the course of a single night. The city was Malaz City. Once it was the heart of the Imperial Malazan Empire but in the present day it is little more than a backwater. Not this night! The night of the Shadow Moon. A night where worlds and realms converge. Also a night that will see the prophesied Return. Many expect the long absent Emperor Kellenved to return for his throne. Surly, the Imperial Regent, means to see that never occurs. Theirs is not the only battle that will take place on this night of magic as a Convergence draws in all sorts of powerful creatures to the city.

The story was mainly told from the POV of two new characters. Kiska, a young would be spy who is determined to prove she deserves a place in the Imperial Army. Temper, a world weary war veteran. Once Temper served under the First Sword, but now he is keeping his head down and just trying to escape the notice of the Claw. We got a few others POV's and all served to give the story more depth.

I liked the story. It really did have the feel of Malazan story even if it did lack the witty dialogue that makes reading Erikson's books so much fun. I liked both Kiska and Temper. They were complete opposites but both were likeable and easy to root for. It was great to get a glimpse of the moment that Surly became Empress Laseen and to see both Dancer and Kellenved spin their own plots and seize another sort of power.

We got to meet the usual cool assortment of memorable human and non-human characters and I'm hoping we meet some again!

This was a good story that fell only slightly short of being as good as Erikson's own contributions to the Malazan world. All in all I was happy and impressed by Esselmont's first book and look forward to reading more of his books with the knowledge that he is a capable contributor to this great series.

Rating: 4 stars.

Audio Note: This was narrated by Jonathan Banks. He had large boots to fill as I think both Page and Lister were excellent in narrating Erikson's Malazan Book of the Fallen, but I thought he did a decent job with the audio of this one.

[Deborah Obida · Rating 4 out of 5]

3.5 stars

This book turned out way better than I expected. That was because my expectations were low. I totally understand why some people didn't like this, the plot and world building was okay but the writing was just not it. The author picked two new characters that we know almost nothing about to narrate this great event in the Malazan world. If any of these characters would have narrated this book it would have been way better.

-Dancer
-Kallenved
-Surly
-Tayschrenn

But no he had to pick Kiska and Temper. This is the biggest thing that happened to that realm since its shattering. The ascension of Cotilion and Shadowthrone wasn't even narrated by them, if Surly the betrayal would have narrated it, it would have been manageable.The fight between the Claws and Dancer wasn't even in the book, Kiska one of the narrators arrived when it ended. I kid you not.

World building and Writing
The world building is amazing which is not surprising, he co create the world with Erickson. So the depictions were great.

It was Dancer, Kellanved’s co-conspirator, bodyguard, and the top assassin of the Empire.
This could be it for him. No one could match Dancer. The man was an artist at murder. In fact, so subtle was he that many had forgotten that Kellanved had a partner. The worst kind of killer: the kind no one notices. And the slippery bastard was supposed to be dead, too.


Characters
Kiska is an arrogant teenage girl who wants to join the claw, so when Imperial guests came to Malaz isle where she lives she thought its best she audition by messing with things she has no business with, it was through this she witnessed the event.

Temper is a more interesting character, he was once a bodyguard of Dassem, he was there when Dassem was betrayed, he knows what happened. His flashbacks to the events made things more interesting in this book.

‘I thought we had an understanding. You and I. We were gonna hang around long enough to piss on all their graves.’ He waved the skin up to the ceiling.
Temper laughed. ‘And I still mean to.’'

Dancer and Kallenved were barely in this book, I can count on one hand the few appearances they have in a book that is supposedly about them. I was so disappointed cause I wanted to get to know them before the whole debacle with Surly and Kurald Emurlahn.

‘We’re not here for a lark; you know that. But even from the beginning we didn’t want such an unwieldy entity. A kingdom, an Empire. These are just symbols. Kellanved and I see much further. We’ve always been after greater things.’

Same goes for Surly, she has only one appearance.

[Molly · Rating 4 out of 5]

Everything could change in just one night...



“He stared out into the lazy wisps of mist and the strangely dull stars, and he remembered that other night. The night close to a year ago when he and Dassem died.”

You know you are deep into the Malazan Book of the Fallen, when you buy all the books before reaching the series half point, add Forge of Darkness (because the new trilogy is sort of a prequel, duh), and then for good measure you make sure you have Esslemont's books too ...(Because, who knows, you might run out of Malaz material.) and of course you have to read them in order.
So here I am, reading Esslemont's Night of Knives (as advised by other readers) after Erikson's Midnight Tides. Does it belong here? Chronologically, no. If you want to read it that way you should start with Gardens of the Moon and then after the prologue read this one ... and than go back and read the rest of "Gardens". Don't do it this way though, or you'll go mad. It's impossible to read (at least Erikson's) books this way ... the books overlap chronologically as they often happen on different continents, often with a whole new set of characters .... and the crazy thing is, I don't mind. It's messy, but I love it that way.

So this is by almost everyone's opinion the weakest book in the combined series (Erikson + Esslemont). I didn't read all the books, (and I can't judge to that account) but it is the weakest one I've read. This isn't a bad book. It has it's great moments (a fair number) On the other hand had I not read a few of Erikson's books first (getting into the world, history and characters of Malazan) this book wouldn't be as half as good for me.

I know Erikson is Erikson and Esslemont is Esslemont, and I went into it with that in mind, but it was a bumpy ride all the same.

What I liked:

“Kiska nodded, glanced to the ceiling. ‘It’s quiet.’
Tayschrenn’s shoulders tightened at that. ‘The Malazan way,’ he breathed. ‘The murderer’s touch. A brush of cloth. A sip of wine. The gleam of a blade as fine as a snake’s tooth. Your name whispered just as you fall into sleep.’ He shook his head as if sad or regretful.”

*There was more back story of past events and we met some characters we already know. Parts featuring Dassem Ultor, (the return of) Kellanved and Dancer...

“No one could match Dancer. The man was an artist at murder. In fact, so subtle was he that many had forgotten that Kellanved had a partner. The worst kind of killer: the kind no one notices. And the slippery bastard was supposed to be dead, too.”

... Surly (and her Claws) and Tayschrenn were a treat. Who would know Tayschrenn could be an interesting character, with a different side to him.

*The descriptions of Malaz City before during and after the haunting night of the once-in-a-generation event, known as shadow Moon. Esslemont should try and write horror...I would read it. I could almost feel that mist and fog, and hear the howling of the hounds.

*Great descriptions of the ice and stormy seas ... and the dusty, desolate Shadow Realm.



*Loved some of the new characters (I've read just five Erikson's books, they are new for me) like Edgewalker, Agayla, Obo and Temper. I liked The Fisherman's scenes (and his wife).

*Liked the final part of the epilogue with the Stormrider.

*Loved that the the book begins with Mock's Vane (as in Gardens of the Moon)

“On it's pike at Temper's side, Mock's Vane, the winged demon-shaped weathervane, shook and hummed as if caught in a steady gale. Temper frowned at the old relic; the winds were calm this evening.”

and ends with it (and I hear it closes the Malazan Empire of the Fallen series too... I'll confirm it for myself ...just five 900+ pages books ...easy-peasy)...

“He rubbed his shoulder and flexed his leg, all the time grimacing. At least he was in no danger of falling asleep, what with half his body yammering its pain at him. Down the wall, Mock’s Vane stood silent on its pike. Temper eyed it – the damn thing appeared frozen athwart the wind. He turned away from the day’s glare to ease into what always got him through the day: watching the sea.
Down below, the bay glimmered calmly. The Strait seemed to be holding its breath.”

It could have ended then and there. Great. ( well, I admit the epilogue was pretty good, especially the closing part)

Favorite part.... probably the fateful encounter in Mock's Hold ... loved it. Heard (more guessed) but not witnessed. All there, and still a mystery.

“Tayschrenn raised a finger to his lips. ‘Listen.’
Kiska strained to penetrate the quiet. The subtle throb of the surf shuddered through the rock. Dust falling and the stones losing heat to the night brought ticks and trickled motes from the walls.
Then she heard it. A distinct tap and faint shush – tap-shush, tap-shush – crossing the ceiling, side to side.
Kellanved."...

“The limestone blocks of the ceiling jerked then, like child’s toys, and dust showered down. The soundless impact drove Kiska down into her chair and popped her eardrums. The candles snuffed out. Metal rang from the stones above. Weapons, Kiska imagined. A thumping and clatter as of bodies falling. A shout – a wordless roar of rage – that faded into silence. In the charged calm that followed, she barely breathed.”

Perfect!



What I liked a little less:

*I'll admit I love Erikson's convoluted way of storytelling more. He makes you work for it, and I love a challenge and the layers. Esslemont basically doesn't make scratch your head, he is more straightforward with his writing. This is not a bad thing, and someone else may prefer this style. I like my "Ah-a" moments, when everything falls in place (even if it takes three books to do so)



*The Stormriders didn't convince me much. They were described so grandly ... and then we learn they have... wands. Wands? Am I reading Harry Potter? The wands almost ruined them for me. Nice save in the epilogue, and I hope I hear of no wands in this books anymore. They are so anticlimactic after all those great magic battles described in some of Ericson's books. I love my wands where they belong ... in the HP books (I like them there).

*Kiska. What to say about Kiska. I get it she is a teenager, and so she acts accordingly. In that sense (of a no-sense teenager) she was well written. She doesn't really know what she want's (besides getting as far away from the forgotten place Malaz Isle has become), she is stubborn, reckless and doesn't know when and with whom to hold her tongue, be it a ghost, a great powerful mage or a creature from the Shadow Realm...

“Kiska fairly wailed: ‘But what of Kell – the throne?’
‘I am sorry. That is a minor concern given everything at stake this Conjunction.’
‘Minor! ’
Kiska believed she could hear the dried flesh at its neck creak as the head turned to her. ‘Yes. In the larger picture. I am sorry. Now, you must go.’
‘But wait! I have so many questions. I—......”

OK, she wasn't so bad... it's just ... even if in a way it was interesting to see the contrast between young Kiska and the chiseled veteran Temper (especially those few alternating POV), it felt somehow like I was reading two books. One epic fantasy ... the other YA fantasy with an annoying bratty heroine. Somehow they don't mix in my opinion, and that has made it a bumpy ride.

I thought to rate it 3 stars, but after thinking about it a few days I'll up it to 3.5 and round it on 4 (I'm a Malazan fan after all)

I'll be reading the Return of the Crimson Guard after The Bonehunters.

“Ware the cold, human. ‘Ware the ice that grips. The frost that silences.”

[Anna [Bran. San. Stan] · Rating 3 out of 5]

This novel takes place before the events in Gardens of The Moon, during the so-called Shadow Moon, a single, eventful night, when “every portal, every gateway, every fault between Warrens, all open a crack“ and “[e]very ghost, revenant or god can touch the world“. Essentially, we witness a night where anything is possible.

We follow the action mainly through two viewpoint characters: veteran Temper, who used to be part of Dassem Ultor‘s First Sword, and teenaged Kiska, who dreams of becoming a Claw, a group of assassins. It was so strange to encounter a mostly dual PoV (plus two minor ones) after the viewpoint insanity that is the Malazan Book of the Fallen; it sure made for easier reading – that and the fact that Esslemont’s prose is lighter, more straightforward than Erikson‘s more poetic, philosophical, and complex prose.

I will say I tried hard not to compare the two authors, but I clearly failed. However, I do believe it is an unfair comparison that does both writers a disservice. They are simply different, as one would expect, and if not for both of them writing books in the Malazan world, no one would think to compare them. But hey, Esslemont’s books get a chance because of Erikson, so a comparison is to be expected. I shall still try to do better during the next book.

What I especially enjoyed were the flashbacks to the Battle of Y‘Ghatan and Dassem Ultor as well as the plot surrounding Surly, Kellanved, and Dancer because they tie into events that are mentioned in the main series. As for Temper and Kiska, I would have liked to see some deeper characterization, especially for Temper, as the novel was more focused on delivering action sequences. And yet, Temper‘s PoV was immersive in general and I really liked his competence. As for Kiska, the teenage girl often annoyed me and her motivations were hard to relate to.

All in all, this was an average book with flaws, a Malazan light experience. To be honest, I read this book because of my love for the main Malazan books. I don’t think I would have picked it up or enjoyed it otherwise. Even acknowledging, as I did above, how unfair a comparison to Erikson‘s prose is, it is natural to do so. I have read great things about the next books so here‘s to hoping I will be able to enjoy them for their own sake.

Onward!

[Stefan · Rating 2 out of 5]

It is my opinion that long lasting debate when a person should read this book is finally coming to an end.
As soon as Ian finishes his Path to Ascendancy trilogy, I see no reason why anyone shouldn’t read this book before Gardens of the Moon.
That is, if you have already started Malazan journey with Path to Ascendancy series. Which I highly recommend for people to do.

Now, the main argument why readers are recommending that this book should be read in-between Bonehunters and Toll the Hounds, which are books 6 and 8, is to make sure you have avoided major spoilers. Even though, the story of this book is chronologically happening before first book of the MBotF series.
But the thing is, if you have already started series with PtA trilogy, and you have read 6 books of the main series, I think it’s quite futile to try dodging spoilers. Actually, I’m quite certain there won’t be anything to spoil story for you at that point.

Night of Knives should work as a great introduction to the main series, while also serving as a continuation of the prequels. Which means it should be a connecting bridge between the two.

As for my impression of the novel: it’s not a stellar piece of literature, for sure. You can actually see this is someone’s first attempt at writing, but not yet knowing should this be a novella or a full grown novel, only to settle, in the end, somewhere in-between.

Although I had a lot of fun following two major POV characters – Kiska, desperate wannabe participant in any major plot out there in the world, be that as a spy, informant, thief, assassin or basically anything to make her life not just thrilling but also significant;
and Temper, grizzly, retired Malazan veteran, troubled with nightmares of his past and not being able to find his place in future that Empire is set to provide for him – story itself and how the world works in it, are confusing at times.
(confusing as that paragraph there, one might say)

As I’ve said, if you have started Malazan read with Path to Ascendancy series, or if you are reading this in the middle of Malazan main series, you will have no problem following this story.
But, if for some reason you never heard of Steven Erikson, and you wanted to try Ian’s first book, I think you’ll end up confused.
And that’s, of course, a big problem. This book doesn’t work as a standalone. It’s expected that you already know much of the characters that are taking their part in this story.
But, that’s something where Ian, luckily, vastly improved in his most recent books.

All in all, entertaining and fun, with problems that aren’t as big as to ruin anyone’s enjoyment while reading.



2.33/5

Kharkanas Trilogy:
Forge of Darkness
Fall of Light

Path To Ascendancy Trilogy:
Dancer's Lament
Deadhouse Landing

Ultimate Malazan Chronological Reading Order

[Fabiano · Rating 4 out of 5]

“Notte dei coltelli” di Ian C. Esslemont, romanzo attesissimo da tutti i fan di Malazan che va ad approfondire e ampliare la mastodontica storyline della decalogia principale, “Il Libro Malazan dei Caduti”, scritta da Steven Erikson. Questo volume, riprendendo e sviluppando il prologo de “I Giardini della Luna”, rappresenta un ottimo punto di partenza per tutti i lettori curiosi.

Il mondo creato dai due soci e autori è uno dei più variegati, profondi e complessi che abbia mai letto, costituito da tanti archi narrativi intrecciati tra loro, uno più bello dell’altro. Verrete presi e buttati malamente in mezzo agli eventi, privi di qualsiasi background, trascinati nel pieno dell’azione. Inizialmente la sensazione sarà molto straniante, poi, pagina dopo pagina, verranno forniti gli elementi necessari a orientarvi e, soprattutto, innamorarvi della storia.

“Notte dei coltelli” non fa eccezione, Esslemont catapulta il lettore tra i vicoli di Città di Malaz, durante una notte d'ombra e sangue. Seguiamo il punto di vista di Kiska, ragazzina prodigiosa nello spionaggio, e Temper, incallito veterano ritiratosi dal fronte. Quest’ultimo è sicuramente il più riuscito, i flashback che ne descrivono il passato delineano una personalità forte e profonda, determinata e pronta all’azione. Inoltre, grazie a essi, verrà fatta luce su alcuni misteri della saga principale e verranno mostrati alcuni vecchi eroi nel pieno delle loro gesta.

Lo stile di Esslemont, pur essendo acerbo, è semplice e diretto, fatto da frasi brevi e concise che danno impatto e risalto a un’ambientazione già di per sé molto suggestiva. La narrazione gode di un ritmo serrato e incalzante, capace di trasmettere la calma prima della tempesta, la tensione palpitante, l'adrenalina, pronte a esplodere in una notte d'incubo e violenza.

Mi sono divertito a leggere questo romanzo, è stato come tornare a casa dopo tanto tempo, come rivedere un amico d’infanzia. Una sensazione bellissima!

[Veronica · Rating 3 out of 5]

This is a short book set in the Malazan world. It takes us back to a single night sometime after the events of the Prologue for Gardens of the Moon (but before chapter one). The setting is once again Malaz Island on a night of the rare Shadow Moon, when all people of good sense stay in their homes with doors and windows locked. Even so, there are some people moving about playing a high stakes game of power.

There are only two POV characters to take readers through the events of this crazy night. There is Temper, a weathered and battle weary veteran, and Kiska, a young woman who wants something more than her boring life on a small island. I enjoyed Temper's POV, especially since it helped to fill in some blanks on characters and events that have been mentioned in the main Malazan books. Kiska's POV, on the other hand, became a chore to read. She may too stupid to live. I can't for the life of me explain her idiotic choices in this book. If she survives to resurface again I can only hope that she'll have grown a brain by then.

Overall, I think the book is definitely worth reading for Malazan fans. It's not Steven Erickson's layered prose - and there were, admittedly, some awkwardly constructed sentences here and there - but it was better than I was expecting. And for telling the story of one, single night - an extremely important one in the mythos of this world - it did its job competently enough.

[Jenna Kathleen · Rating 4 out of 5]

I had no expectations (seems to be a trend for me these days) from this installment of the Malazan series as it was the first ICE book I read and there are mixed reviews among my friends with 3 stars being the most common rating, but I really liked it. No, it's not on the same epic scale as the main series, but it's not supposed to be.

Temper was a character who took awhile to grow on me, but I enjoyed his story and it was it interesting to see two vastly different POVs as he is an old veteran and Kiska is a young...well, she's Kiska. Kiska had a fantastic story. Right from the beginning, meddling in the Warren of Shadow, I knew she would just be sticking her nose everywhere she shouldn't. Of course, she just had to get herself involved with Tayschrenn, Surly, Dancer and Kellanved.

Artan's identity wasn't all too surprising along with most of the plot reveals, but the action was well-paced and it was refreshing to have a major Malazan story in such a compact book. The two POVs (with the occasional POV from the fisherman) was a format that was well suited to the story and set Esslemont apart from Erikson as an author writing in the same universe.

As a note, it should be said that I am fascinated by the backstory of the Malazan throne and the Shadowthrone. Seeing the history of such a well-developed world from a different perspective was just so cool and like I always say after reading something Malazan: I didn't believe this world could get bigger, but it just did.

[SAM · Rating 2 out of 5]

*After reading Return of the Crimson Guard i'm downgrading my score for this. The two books are worlds apart.

After the critical acclaim and outright genius of the Malazan Book of the Fallen i went into Book 1 of Ian C. Esslemonts series with slightly lesser expectations. Not because I’ve read poor reviews but i just doubted anyone could equal Steven Erikson.

Set before Gardens of the Moon, Night of Knives tells the story of Kellenved and Dancers entry into the Shadow Realm to lay claim to the Shadow Throne. There isn’t any background to why or how they managed to accomplish this feat (we’ll probably find out in the Path to Ascendancy series), this book purely focuses on the night they achieved it as told through the eyes of Kiska, a wannabe claw and Temper, an ex-Malazan soldier.

It isn’t ground breaking and i’m wondering if it was necessary. It’s a pretty short book, covering events we learned about in the Book of the Fallen and unless you’ve read the Erikson series you’ll be very confused. In fact, the vague mentions of the ‘Kellenved & Shadow realm’ events in the main series intrigued me more than this book did. Sometimes it’s what isn’t said, which is more interesting. For me the best part of the story was Temper looking back on his time in Y’Ghatan with Dassem Ultor, without this it may have been a lower score.

[Jody · Rating 4 out of 5]

Knight of Knives is Ian Esslemont's first book in the Malazan Empire series. I was a little wary going into this first book due to some of the negative reviews I have seen. But, that was not the case for me. I thoroughly enjoyed it, and can't wait to continue the series.

Esslemont does have a very different writing style than Erikson. So, if you go into this thinking your diving right back into another Malazan Book of the Fallen you may be disappointed. Luckily, I've had several people inform me of the differences between the two series, and it helped me to keep my mind open that this very well could be very different. While it's easy to compare the difference between the two authors, I was surprised that I tended to have the same feel as when reading Erikson's series.

The terminology and even some familiar characters helped this first installment make me feel right back at home in the Malazan Empire. The main difference in this book is everything happens in one rare night on Malaz Isle knows as the Shadow Moon. There is a great convergence that is brewing and most inhabitants of the isle have locked themselves indoors for the night. Great forces are set to collide and battle for supremacy over realms and the empire itself.

"This is a night for long-awaited vengeance and desperate throws. A rare chance for the settling of old scores when the walls between this world and others weaken.....when shadows slip through."

There are only two main POV's, and both are very well done. Temper is a deserted Malazan soldier trying to go unnoticed, and Kiska is a former thief hoping to one day join the imperial army as a mage. The storyline flips back and forth between both Temper and Kiska throughout the book, and both were very fun to read. The story is fast paced, full of action, and heavily character driven. All three of these characteristics are high on my list of what makes a really good fantasy novel. I doubt the entire series will be like this, but it is a very smart way to draw readers in and get them hooked back into this world.

"The Malazan way," he breathed. "The murderer's touch. A brush of cloth. A sip of wine. The gleam of a blade as fine as a snake's tooth. Your name whispered just as you fall into sleep."

Well, it looks like I'm back in for the long haul. I already have the next two books in the series and they are much larger than Knight of Knives, but I look forward to diving into book 2, Return of the Crimson Guard right away.

Actual Rating: 4 stars ****

[Lee · Rating 4 out of 5]

As a re-read I am changing my original rating for this and giving it an extra star. On my first read of these, I had just finished reading Malazan Book of the Fallen for the first time and was amazed by Eriksons story telling. I constantly compared ICE to SE and whilst it is fair to compare the way they tell the story, you have to allow them to be different in writing style. They are two different blokes after all.
So 2 years after my second read of MbotF I am absolutely loving being back on the Isle of Malaz and seeing those names that are big part of my fondest reading memories.

Yes, it is a short book. Yes, it isn't as good as it could have been, but it is his first book and plenty of people complain about Gardens of the Moon. So the extra star is all about me loving being back in Malazan :)

Fener's hairy balls, its great to back!

[Joshua Thompson · Rating 4 out of 5]

It was refreshing to read a Malazan book that wasn't 900 pages and demanded so much of the reader! This was a nice change of pace in this world, and it was also great to read this story-set before the events of the main series-with characters whom I already know, and perhaps a few that will be in the greater series (from what I've been told). A pretty fast-paced and tight narrative of a momentous night on the Isle of Malaz. 3.5/5

[Chris Haught · Rating 3 out of 5]

This is a good book. It isn't a great book. It sorta falls in the middle.

What I liked: the pace of the action. It's pretty steady throughout the book. I also like how the plot is centered around a single night in Malazan history, a very important night indeed. I liked the main characters (Temper and Kiska) and thought they were explored fairly deeply. The ending was satisfactory on the whole, seeming to wrap everything up nicely. I absolutely loved Temper's backstory, and his relationship to the Malazan Empire as revealed through the tale.

What I disliked: too often I found myself going, "do what?" There seemed to be a lot of moments in the story that seemed random and mismatched. Some of the encounters and Kiska's travels through the warrens seemed unnecessary to tell her tale. I was often confused whenever someone reached out and snatched her from behind and tied her up. What side are they on? Who are they? Why are they here? There wasn't a definite Side A vs. Side B struggle going on here; it often seemed like pure chaos, and it was hard to keep track of. And yes, I think Kiska got captured more times than a Robert Jordan novice smoothes out her skirts in a single volume.

That aside, there can be a positive said about the confusion. It was a confusing night, the Shadow Moon. Kiska was clueless, and so were the readers that followed from her perspective. As she learned what the hell was going on, so did we. So ultimately, that worked out. Esslemont just isn't as intriguing a writer as his co-conspirator in the Malazan world, Steven Erikson. Steven confuses us too, but his narrative makes it forgivable, most of the time.

So all in all, I enjoyed it and it was a quick read. If you're a Malazan fan, it's a must read. If not, skip it......

[Terence · Rating 3 out of 5]

As anyone who's looked at my "Read" bookshelf will be aware, I really, really like Steven Erikson's Malazan series. I've had his collaborator's book on my shelf for a long time unread because I was afraid of disappointment.

I'm happy to say that I wasn't.

I wish we had half-stars or more stars to rate these books because this one is really a 3.5, an 8 on a scale of 10.

Esslemont doesn't write with the easy confidence or skill that Erikson exhibits but he does write well; and (unlike Erikson in his one arguable fault) he writes concisely -- Night of Knives comes in at less than 300 pages in the UK edition I have, and it's fairly large type.

The most interesting character, in my opinion, was Temper but considering the ending I don't know if we'll be seeing more of him. Hopefully, Esslemont will find a compelling character(s) to anchor future volumes.

I'm not so nervous about the appearance of The Return of the Crimson Guard this August.

[TS Chan · Rating 2 out of 5]

2.5 stars. As much as Kellanved and Dancer intrigue me, this is a prequel that didn't work for me. I was quite bored throughout the entire book, which thankfully is short. It also did not help that one of the two POVs in this book annoyed me. Temper is definitely the more interesting half of the book, especially with his backstory being connected to Dassem Ultor. As for Kiska, the annoying cocky young woman who is determined to prove herself, who then landed herself into trouble time and time again for not listening, I was not impressed.

Esslemont's prose is straight-forward compared to Erikson's more poetic, contemplative style. I noticed that the later Malazan Empire books are better rated so hopefully it gets better from here as I do enjoy geeking out in this world.

[Jeraviz · Rating 3 out of 5]

La Noche de los Cuchillos abre la saga del Imperio de Malaz, la cual se enmarca dentro del mundo de Malaz creado por Steven Erikson y Ian Esslemont.
Esta saga la considero una especie de ampliación a la saga principal de Erikson donde se nos cuenta más detalles de mitos, personajes y acontecimientos anteriores a los libros de Erikson.
Es por esto que, a pesar de que La Noche de los Cuchillos sea un buen libro, con acción de principio a fin y personajes atractivos, no llega al tono épico y de profundidad que crea Erikson en sus libros.
Esslemont hace un buen trabajo, y el mundo que han inventado es de lo mejor que he leído, pero su prosa no me ha atrapado tanto como la de Steven Erikson.

[Amanda · Rating 3 out of 5]

Not bad. A much easier read than Erikson's tomes.

Reread: Temper reminds me of Fid. Note to self: Artan....*wink wink*

[Kitty G Books · Rating 2 out of 5]

So this is the first book I've read by Ian Esslemont and it kind of acts as a prequel book for the Malazan book of the Fallen Series by Erikson. There were a few problems I had with the book, but overall I still liked the hints and messages which we were given in terms of adding to the Malazan books and world. This story focuses on two main characters, a young lady called Kiska, and a man called Temper. Both of these characters were just 'okay' characters in my opinion and so even though the book felt faster-paced and more full of action I wasn't as connected as I would have been had it been another Malazan character I already knew.

This story focuses in on a single night of blood, betrayal and chaos which involves ascension, murder, slaughter and warrens of magic. There's action, suspense and character development, all good things, but somehow this still feels clunky as a read. I am going to give Esslemont the benefit of the doubt and assum that becuase this is his debut book it will take him time to develop. I feel like some scenes were more rushed than I'd have liked whilst others that should have been gripping were more dull or slower paced for me.

All the above negatives still don't make this a bad book and as a standalone single book it may well have been a good read. The major issue from my pov was that whilst I enjoyed that we're still in the Malazan world and we are gaining new insight into some of the characters and plot threads already laid out by Erikson, it's just not up to the quality of Erikson's first book. This is a lot shorter, it's a very different vibe, and therefore it really is only worth reading from a 'fleshing out the story' point of view. It gives cool ideas and insight, but it's a little tedious in places, whilst being intriguing in others.

Overall I would say that this is a bit of a mixed bag. I didn't hate it or even strongly dislike it when I was reading it, but it was a hard one for me to find the motivation to pick up. I enjoyed moments, and I had issues with elements, all of this combines together to mean that this can only be a 2.5* read for me. Middle of the read, dead centre with just an ok-ish rating. Nothing too fancy or special, nothing particularly mind-blowing or terrifying, just an add on to the story which was, at times, interesting.

I'd love to hear if you've read the two series and if so how you'd compare Erikson to Esslemont. For me, currently, they're very different writers and cearly Erikson got a big head start as an author so it's understandable that Esslemont's book wouldn't necessarily be up to parr, but equally I have heard that Esslemont gets a lot better as he goes too. Let me know what you thought :)

[Alex W · Rating 4 out of 5]

I think taking months away from the Malazan world after finishing the main ten did me a lot of favors because I had an absolute blast reading this one.