Brian Azzarello (born in Cleveland, Ohio) is an American comic book writer. He came to prominence with 100 Bullets, published by DC Comics' mature-audience imprint Vertigo. He and Argentine artist Eduardo Risso, with whom Azzarello first worked on Jonny Double, won the 2001 Eisner Award for Best Serialized Story for 100 Bullets #15–18: "Hang Up on the Hang Low".
Azzarello has written for Batman ("Broken City", art by Risso; "Batman/Deathblow: After the Fire", art by Lee Bermejo, Tim Bradstreet, & Mick Gray) and Superman ("For Tomorrow", art by Jim Lee).
In 2005, Azzarello began a new creator-owned series, the western Loveless, with artist Marcelo Frusin.
As of 2007, Azzarello is married to fellow comic-book writer and illustrator Jill Thompson.
What is consistently good in Rorschach is Bermejo's art. This issue has the least words so far, and I devoted a significant amount of time appreciating the illustrations in all its dirty details and gritty realism.
I enjoyed reading the third issue way more than the first two, which I found awful. My enjoyment here is more of a guilty pleasure experience than a fan service happiness.
I absolutely cannot stand how they characterized Rorschach in this comic. Like, honestly. I felt they made him weak, the waitress love interest was highly unnecessary as was the serial killer, (You could have told the story without them both), and I didn't like how they made the big bad this powerful person able to take down Rorschach, but then weak enough that he could be taken down by common street thugs.
The art style felt 'extra' as it were, and really didn't feel like it was doing Dave Gibbon's original art justice, and the paneling also didn't feel right.
There are problems with this comic all around, and I can't consider this story part of Watchmen canon.
You can tell we're getting to the climax here, but like the second one, it had a ton of filler. I still enjoy the art immensely, so that is why I can't give it less stars. I am interested in what will happen with the waitress and if we'll get any sort of conclusion with The Bard's killings, which continue to be touched on but not resolved or seemingly even pursued by Rorschach. One thing I enjoyed here was the nod to Robert De Niro's character in "Taxi Driver" as the, you guessed it, taxi driver in this comic. That was neat.
Probably closer to 4.5 stars, but whatever. Just a solid single issue of Rorschach kicking ass and dropping cool narration. I’m sure many will get mad at the…crossover, but what can I say? I dig it. Maybe hinting at some fuckery on Doc Manhattan’s part? I guess we’ll see. To me, this is what Before Watchmen should be, if it’s gonna be anything at all.
The Bard strikes again. Tension flares. Rorschach goes to the diner and asks Nancy, the waitress who took him to the hospital the night he got jumped, he asks her out for dinner to thank her. She gets off at eleven. In the street, Rawhead and crew change strategy, they resolve to bait Rorschach into coming to them. Rorschach doesn't bite, until a city wide Blackout forces him to storm the gang's club. He runs late and Nancy, alone in the middle of a Blackout, waiting for him, is easy prey for the Bard.
Steady improvement. Although you start to see how Rorschach ignores the good he sees because he is so focused on everyone being sick and depraved. He has a very twisted and pessimistic view of the world--I wish this prequel would have shown more of why. We know he had a crappy childhood, but more development would be nice.