ROGUES GALLERY, Ellery Queen's superb 1945 anthology, centered around “modern” criminals (circa 1945) as protagonists
One of Queen’s earliest, and best, collections of short-stories-with-a-theme, plus lovely (and sometimes extensive) introductions to each. The best, IMO, are “Accident”, Agatha Christie, 1934; “Portrait of a Murderer”, Q. Patrick, 1942; “Blood Sacrifice”, Dorothy L. Sayers, 1939; “The Infallible Godahl”, Frederick Irving Anderson, 1913; “The Quagg Peerless Sciatacata Co.”, George Randolph Chester; “The Cablegram”, T.S. Stribling, 1932; “The Willow Walk”, Sinclair Lewis, 1918.
Also includes stories by Grant Allen, H.C. Bailey, Arnold Bennett, Fredric Brown, John Dickson Carr, Everett Rhodes Castle, Leslie Chateris, Charles J. Finger, R. Austin Freeman, Dashiell Hammett, “Pat Hand”, Ben Hecht, O. Henry, William Hope Hodgson, E.W. Hornung, Eric Knight, Maurice Le Blanc, Johnston McCulley, Thomas McMorrow, Melville Davisson Post, Ellery Queen, Howard Spring, Roy Vickers, Edgar Wallace, H.B. Marriott Watson.
Grant Allen, Colonel Clay in “The Diamond Links”, 1897
— smooth little nifty con job
Frederick Irving Anderson, “The Infallible Godahl”, 1913
— an author’s culpability in a locked room theft, nuanced and edgy, superb
H.C. Bailey, “Mr. Bowley’s Sunday Evening”
— death of a lout, at the hands of a big baby
Arnold Bennett, Lomax Harder in “Murder!”, 1931
— quiet tale of a lover (and murderer) who, maybe, gets away with it
Fredric Brown, “Jimmy” in “Town Wanted”, 1940
— moralistic little bit about racketeers, but tightly written
John Dickson Carr, “Mr. Markham, Antiques Dealer”, 1943
— elegantly old-fashioned radio tale of blackmail and murder, with a twist
Everett Rhodes Castle, Colonel Humphrey Flack in “The Colonel Gives a Party”, 1943
— smoothly genteel and old-fashioned betting scam
Leslie Chateris, Simon Templar in “The Blind Spot”, 1933
— smooth and gentle swindle, with heart
George Randolph Chester, Get-Rich-Quick Wallingford in “The Quagg Peerless Sciatacata Co.”, 1910
— the perils of good business, or maybe almost good business, practices
Agatha Christie, Mrs. Merrowdene in “Accident”, 1934
— a scheming woman with poison, and a plan
Charles J. Finger, “Adventures of Andrew Lang”, 1924
— thoroughly bad lad in South America, old fashioned tale a.la Jack London
R. Austin Freeman, Danby Croker in “The Brazen Serpent”, 1916
— forgery, and avarice, potent lures for a collector
Dashiell Hammett, Guy Tharp in “Ruffian’s Wife”, 1925
— lovely “lost” story, about a “man for hire” and his little woman
Pat Hand, Careful Jones in “The Showdown”, 1944
— poker sharpies on a boat, interesting but a tad too esoteric
Ben Hecht, The X Club in “The Fifteen Murderers”, 1943
— sentimental story of an odd doctors association
O. Henry, Jeff Peters in “A Personal Magnet”, 1908
— contrified con games, well-done but a mite cutesy
William Hope Hodgson, Captain Gault in “The Red Herring”, 1917
— classic smuggler switcheroo, nicely crafted
E.W. Hornung, Raffles in “A Trap to Catch a Cracksman”
— nice Raffles outing, with Bunny as hero
Eric Knight, “Sam and his Yankee Allies”, 1943
— another coy “dialectical” flimflam about the combative Yorkshireman Sam Small
Maurice LeBlanc, “Edith Swan-Neck”, 1913
— smooth Lupin tale, but somewhat predictable, about stolen tapestries, sort of
Sinclair Lewis, Jasper Holt in “The Willow Walk”, 1918
— sublime tale of an embezzler who gets both more, and less, than he’d hoped
Johnston McCulley, “Thubway Tham, Thivilian”, 1943
— sweetly patriotic tale of a pickpocket who “makes good”
Thomas McMorrow, Ambrose Hinkle, Esq, in “The People vs. Kelleher”, 1929
— political shenanigans, in the old-fashioned way; vote early, and often...
Q. Patrick, Martin Slater in “Portrait of a Murderer”, 1942
— superb Grand Guingol set in motion by a scheming schoolboy
Melville Davisson Post, Randolph Mason, Esq, in “The Men of the Jimmy”, 1896
— sly but ultimately confusing tale of crooked lawyering and Masterminds
Ellery Queen, “Ellery Queen, Swindler”, 1942
— nifty but sentimental bit about a swindling jeweler, radio play
Dorothy L. Sayers, John Scales in “Blood Sacrifice”, 1939
— an author gets even after his play is reworked by A Great Thespian
Howard Spring, Herbert Milner in “Murder by Mail”, 1938
— tricky timetable poisoning, psychological overtones
T.S. Stribling, Dr. Xenophon Quintero Sanchez in “The Cablegram”, 1932
— excellently twisted smuggling tale, nicely confusing
Roy Vickers, “The St. Jocasta Tapestries”, 1935
— smooth Felicity Dove wins again, rather subtly
Edgar Wallace, Smith, The Mixer in “The Seventy-Fourth Diamond”, 1927
— a thief steals from another thief, lots of twists
H.B. Marriott Watson, Richard Ryder in “The Salisbury Assizes”
— a highwayman’s escapades
February 2007