A century-old crime menaces the present in this spine-tingling tale of supernatural suspense
Antiques dealer Nell West is valuing the contents of her late husband Brad’s childhood home, Stilter House. Set on the remote Derbyshire Peaks, there was once a much older property there, in which the notorious Isobel Acton committed a vicious crime.
Warned against visiting the house by an elderly aunt of Brad’s, Nell hears mysterious piano music soon after her arrival. It becomes clear that the music is tangled with Isobel Acton’s macabre fate more than a hundred years earlier. A fate whose consequences still menace the present.
After a convent education, which included writing plays for the Lower Third to perform, Sarah Rayne embarked on a variety of jobs, but - probably inevitably - returned again and again to writing. Her first novel appeared in 1982, and since then her books have also been published in America, Holland and Germany.
The daughter of an Irish comedy actor, she was for many years active in amateur theatre, and lists among her hobbies, theatre, history, music, and old houses - much of her inspiration comes from old buildings and their histories and atmospheres. To these interests, she adds ghosts and ghost stories, and - having grown up in the Sixties - good conversation around a well-stocked dinner table.
Ah, there's nothing like a British ghost story, set in an old house with the electricity off, fires and storms, and comforting post-trauma cups of tea, to really delight on a sunny day in the 90s. Nell has received a commission from a great-aunt of her dead husband to take inventory of a family home before it goes on the market. She's there to roughly appraise the furnishings and bric a brac in her professional capacity as an antiques dealer. And, because it's a home her late husband visited as a boy, it's lovely to take along their daughter, connect a little with each other and the past.
My beloved MIL loaned this to me after she finished it, because we share the Rayne/Barbara Vine/Minette Walters reading strain that makes us fans of psychological mysteries stretching back into the past. Let me just say that she was disappointed not to learn more about the furniture and such. (Not me, because I'm more interested in architecture and building than in furnishing).
I love in unreservedly. There's the strong sense of place, the chilling horror on a stormy night, digging up the past in layers, a light smattering of very mild contemporary romance, skeletons in closets, nasty things in woodsheds, and past horribleness than one can fit into forty pages of revelations. There's also what I think of as the distinctly Mary Stewart trick of taking a break from the creepiness to enjoy a cuppa and a delicious meal. Fans of Edwardian children's fiction will also be pleased.
Sarah Rayne is a gem, publishing genuinely mysterious spirit mysteries for adults. In “The Silence”, 2013, the authoress unravels a cluster of old cases, without the detracting tendency to tack on modern ones. Present day excitement derives from ghosts! This house was personal. Nell's husband enjoyed vacationing there. Appropriately, she brought Beth to acquaint her Dad's childhood. Unfortunately, I felt the rooms were hardly explored or described.
Books rarely portray the emotional meetings with spirits I want. I don't want evil. Beholding proof of spirits would be naturally spooky. I want characters to communicate with spirits in their awe. Beth did with a boy, a little bit. If a female ghost could endanger Nell, surely they could have talked. Nell's reluctance to believe in spirits is stupid and Michael wondering what to do upon received a warning from Brad's living Aunt. This is their third ghost investigation! It seemed odd that Nell & Beth took few mementoes from a house they were closing. A key document being in a book that they took home, only thanks to Michael, was overly convenient even for me. Every other way in which they strung the mysteries together was invigorating.
This was less riveting than “Property Of A Lady” but far less grotesque and entailed direct hauntings. These first and third volumes register five stars. There are other novels I love more but these are my favourite kinds nonetheless. I locate them in hardcover. Motive is usually my criticism. Murder is never justifiable. However when you read how bizarrely a boy interpreted a warning to clam up, why he didn't identify the killer to his father later, and why his mother died; you will consider the explanations exceedingly weak. What's clever is his identity, connecting with crimes spanning decades, that drifts to the forefront.
A chilling and fascinating ghost story. I actually read it in less than a day.
Nell West is a widowed antiques dealer with a young daughter, Beth. Her late husband's aunt asks her to evaluate the contents of Stilter House, an old house that has belonged to the family for more than a century. It is situated on the Derbyshire Peaks and is built on the remains of an older home owned by the Actons. Nell is drawn to the house because her late husband spent time there as a child. However, unbeknownst to Nell, the property is the site of horrific crimes, some of which predate Stilter House. Although Stilter House looks empty, it is most definitely not - as Nell and her daughter soon discover.
Ms Rayne does a good job of combining history and horror. Old journals, news accounts, and even confessions play an integral part in the story. However, there is plenty of action as well, most notably in a nail-biting scene when Nell and Beth encounter a truly horrifying specter. This is not a book you want to read late at night.
I like Nell, Beth, and Nell's boyfriend, Michael Flint, a professor at Oriel College and author of the "Wilberforce" stories (children's books about his real-life cat). Ms Rayne does a very good job with her characters. You really come to care for them. I like the little jokes about Michael's cat, who has a penchant for getting into trouble that reminds me of my cats. It's funny to think that a professor who teaches Swinburne and Tennyson to college students is also the author of a children's series about a rambunctious cat.
The sense of place and setting, the gothic atmosphere, is outstanding. It's the best part of this novel.
This is one of those stories with dual timelines - In the present day, characters deal with their own personal demons while seeking to unravel a historical mystery, then that mystery unfolds during the historical timeline. I enjoy this story structure. One of my favorites to do it is Kate Morton. This is the other good part of this novel.
Everything else, well, not so much.
In this story, an antiques dealer is asked to inventory the contents of an old mansion. In doing so, she and her daughter are terrorized by ghosts, or by the manifestation of dead people reliving their own traumas. Or something. This antiques dealer has encountered similar phenomena in two prior novels, but for some reason stubbornly refuses to believe that anything supernatural is happening, then well, okay, it's something supernatural, but not ghosts, because she doesn't believe in ghosts. She's annoyingly stupid, to be honest, and this keeps me from feeling any empathy for her or even caring much what happens to her. I wonder how many more books she will do this through?
Her daughter and college professor boyfriend are much more interesting characters and probably saved this book from a DNF.
The historical mystery is revealed in epistolary fashion, as they uncover reams of memoirs and legal statements that explain it all. Unfortunately, the epistolary stylings were not very well written. The various historical characters didn't have unique voices that distinguished them from one another, or write in a style consistently in keeping with the era or with their characters, or even with the style of someone writing out their recollection of events. It was just a change in the author's voice from third person to first person.
The mystery itself was compelling enough to keep me reading. I did want to find out what happened, and once events were revealed, they were mostly satisfying. Mostly.
Hardcover, picked up on a whim at Half Price Books, because it's so uncommon to find hardcover horror written by female authors not named Anne Rice or Charlaine Harris.
I have grown to think that there are supernatural novels that work for casual readers of the genre and those that work for those readers that concentrate on horror and dark fiction. This novel was for the former. Is there such a thing as a horror “cozy” like there are for mysteries? If so, this is a horror cozy. If it was a movie it would be rated PG. Rayne is a good writer and I didn’t dislike the book. I don’t really have a complaint other than this story was too bland for my tastes.
2.5*, not a bad story, but the ending was disappointing. And Nell's constant disbelief became tedious.
Writing style: 2.5*didn't drag, was short enough that i could read it in one sitting. There were a few "funny" parts, such as one of the aunts seeming to be addicted to holistic medicines, and the characters from the past being such busy bodies.
Plot: 2.5*the story starts off really good. The author didn't drag it, everything flowed nicely until towards the last few chapters, when it became a little silly with the "clues" turning up. Also, I wasn't aware that this was part of a series. It's only when you go on Goodreads that I noticed that there were other books featuring this couple. However, that explains the few references to past events. But doesn't explain Nell's constant dismissal of all things Supernatural considering she's experienced this previously. Her constant disbelief, even when things appear right before her eyes, was tedious.
Horror level: 2.5*
Mystery: 2.5*was massively disappointing. As other reviewers mentioned, the clues (letters) conveniently "appeared" to provide explanations. It went from an engrossing mystery to meh.
Characters: 2.5* Elderly Spinster Aunt Wests': the author relied heavily on stereotypes such as the elderly spinster aunts who still wrote to each other using snail mail. Which is fine but their writing style wasn't quite so convincing, e.g. it's "pay you a visit" not "visit me" etc. They seemed like a fun bunch Nell West: antique shop owner, widow and mother to Beth West. She was on the annoying side. The type of character typical of the horror genre who refuses to believe that there is DANGER up ahead and continues to sallies forth into aforementioned DANGER with her young daughter in-tow. Beth West: a preteen, daughter to Nell. Michael Flint: an academic who teaches Swinburne and Tennyson and writes stories featuring his rambunctious pet cat Wilberforce. And boyfriend to Nell West. Wilberforce: Michael's cat, the most interesting character in the book after Edmond. Esmond West: a ghostly apparition of a boy. The most interesting character in the book, with whom I felt the most sympathy. Ralph West: Esmond West's father, who commissioned the building of Stilter House.
This is the third in a series, but the author makes the story easily accessible to readers who've not read found the first two.
Nell West, widowed mother of a daughter, goes to Stilter House, in Derbyshire, England, to catalogue antiques in a house recently left vacant after the death of one of her deceased husband's aunts. Nell and her daughter, Beth, go on the journey together, staying at Stilter House--and, of course, the power is out--so that Beth can share in what, long ago, was a place her new-dead father enjoyed as a boy, during school vacations. Almost immediately Beth meets Esmond, a young mute boy who plays upon the grand piano in the drawing room and communicates with Beth, and only Beth, silently . . . and Nell gradually realizes her husband, as a child, also knew Esmond.
Swirling around this main story are letters between the surviving aunts of Nell's husband, one of whom is convinced Nell should not stay in the house, tho' her objections are cryptic. Other letters comprise whole chapters, these written by the man who designed and built Stilter House, early in the 20th century. All these are critical to Nell's eventual understanding of the mysterious sounds and frightening images that fill Stilter House and, in fact, appear to menace her and Beth.
I love ghost stories, but this one doesn't work for several reasons. First, while Rayne produces some very nicely creepy moments, particularly a dark figure seen by Nell outside the house on several occasions, her attempt to tie the ghosts together in a meaningful, emotionally satisfying manner, is unsuccessful; the denouement feels clunky, almost forced, and throughout the story I had the impression Rayne was never able fully to embrace any of her ghosts, and I as reader thus never cared deeply about the ghosts or what caused them to be bound to Stilter House.
Second, epistolary novels can be a great deal of fun, when done well. Rayne, however, doesn't succeed here. NO ONE writes letters such as the ones Rayne constructs for her House builder, and the enormous swathe of letters in The Silence left me feeling Rayne simply could not figure out any other way of introducing the backstory to her readers. These long and unlikely letters (actually, records of interviews between the builder and his doctor) hit the reader over the head and, ultimately, are dull.
Third, Nell is properly skeptical at first of the strange happenings at Stilter House. Do ghosts reside here? Are she and Beth experiencing auditory and visual hallucinations? Yet long after everyone else has begun to suspect (if not know) that Stilter House is lousy with ghosts, Nell persists, illogically, in questioning the supernatural possibilities, and here Rayne stumbles again. After all, this is a character who has already experienced the supernatural (despite a healthy skepticism) in two previous books. Would she really be as slow to consider she has done so again? I was perplexed that Rayne asked readers to accept such an obdurate, if not downright stupid, protagonist who becomes the equivalent of the idiot who hears mysterious sounds in the attic and, despite warnings from others and ample evidence that what's up there is definitely not mice, insists on plunging upward armed only with a flashlight and not a lot of smarts.
I would have given this book 2.5 stars for the occasional nice creepy moment. Fans of good ghost stories don't have many solid writers to whom they can turn, particularly if they want a touch of romance that doesn't involve the hero/heroine falling in love with a ghost. Rayne, alas, isn't going to fill the void. One would do better to seek out Yrsa Sigardardottir's I Remember You (2014), John Harwood's The Seance (2010), or, better still, reread the delightful--and very creepy--ghost stories written by Barbara Mertz (under the pen name, Barbara Michaels), such as Ammie, Come Home, The House of Many Shadows, The Crying Child, and so on. Any one of Michaels' books, despite dated cultural references, runs rings around the ghost stories written by Sarah Rayne.
Disappointing. Creepy ghosts in a creepy setting, but a protagonist almost "too stupid to live." (If you were alone in a house with no power and no phone and an apparently crazy woman broke in and terrorized you, would you really keep going back there - even though the woman hasn't been a apprehended? Would you bring your little girl along each time???) I have read and enjoyed other books by Sarah Rayne, so I'm just going to put this one down to her having an off day.
Nell West returns in another historical mystery. In this novel Nell is invited to Stilter House to catalogue its contents. Nell takes her daughter Beth along with her as it was Beth’s deceased fathers childhood summer home. Immediately Nell gets entangled in uncovering the past and the truth about the mysterious Isobel Acton. This story is the third in the Nell West series and differs from the previous Nell West novels in that the historical plot is mostly revealed through the use of old documents, letters, diaries and the odd newspaper cutting. I think this format worked really well and was very intriguing as a reader to follow. For me, Rayne’s writing really shines during the historical timeline. Edmund and his relationship with his father is brilliantly described and very believable. The characters Jack and Samuel were also really interesting and how each character’s story knitted together was brilliantly tantalising right the way through the story. As with all Sarah Rayne’s books I have read, the settings and atmosphere are excellently written and the reader can’t help but be absorbed into the dark and mysterious environments. The only minor downside in this novel was the modern storyline takes a very minimalist approach with Nell only really being there to discover the historic story. I do think Nell and Michael are both really great characters and would have liked a little more of them in this book (particularly Michael who was so interesting in the Sin Eater). Overall I thoroughly enjoyed this novel. As a few others have mentioned it did take a little longer to get into that previous books by Sarah Rayne but I think that was mostly due to the historic storyline being revealed in a different manner. Once you get into it though, it is really intriguing and I must say I really enjoyed the outcome. For those that haven’t discovered the Nell West collection, I would suggest these novels are quite similarly written to Phil Rickman’s work; old story exposed, great characters and slightly eerie. Please leave a like if you think my review/feedback of the item was helpful to you. Alternatively, please contact me if you want me to clarify something in my review.
I stumbled on this author by chance and had to read one of her books. The Silence is the third to feature Nell West and Michael Flint. I do prefer to read in order but my local library didn't have the first one, so I jumped straight in with the third. My way of thinking is that if I don't enjoy this one I probably won't like the rest of the series.
Enjoy it I did. This book for me was a really enjoyable read. Nell West is invited by an aunt to catalogue valuables in Stilter House in Derbyshire. The house however has plenty of residents ghosts, and a few legends to go with it. Nell and Michael together uncover the history of the house and try to lay the ghosts to rest, although Nell is sceptical about all of that.
A lot of the story about the house and past residents is uncovered in diary, letter, journal form with varoius characters giving their accounts. I really enjoyed this and theses were my favourite part of the book.
The story is a ghostly tale, classic haunted house. The story however was dark and fearsome but did have some creepy moments.
I liked Nell and Michael and will get around to getting more books in the series. If I don't read them in order I really don't think it will make much difference.
This book was spooky and fun to read. A light easy read with plenty of creepy moments. Glad I have discovered this author.
This is the third book in the Nell West/Michael Flint ghost series, even though Nell has a hard time believing in ghosts, and I loved it just as much as the other two. Although this is classed as horror, it's not in a gory sense. More in a scared out of your wits sense at things that go bump in the night, and in this case play eerie music that haunts the house and anyone who inhabits it. I had to read something else before I went to bed, something not so scary.
I have a soft spot for old-fashioned ghost stories, which I think this is. At first we don't know anything about the ghosts (for there are more than one) but gradually over the course of the book we find out about Stilter House's past and its past residents. What I loved and what is lacking in a lot of books in the genre, is that we find out things at the same time as the character's do. The reader is more involved that way I think than if they knew things beforehand that the characters didn't.
The writing is brilliant, it draws you in from the very first page and doesn't let up until the last page is turned. I devoured the book in two days, I needed to know what happened and the secrets just kept on coming. While Nell and Michael find out things from letters and deeds, it might have seemed a bit contrived, but here it worked and all the loose ends were tied up very satisfactorily.
Like with nearly all of Ms. Rayne's books, old buildings play a significant part and Stilter House almost becomes a character in its own right, the setting is so vividly drawn. You can almost imagine seeing the house yourself, or its spectral inhabitants.
An excellent read for those looking for an old-fashioned ghost story with enough twists and turns to keep you guessing right to the end.
This was the third installment of the Nell West & Michael Flint series, all involving old homes, angry ghosts, centuries-old mysteries… I didn’t love the second book, which is why I took a bit of a break between that and this, but I had barely begun this novel when I realized I was entirely captured. The story is this – Nell’s deceased husband, Brad, had spent childhood summer with his Aunt Catherine at her home, Stilter House, in Derbyshire. Brad’s aunt asks Nell to come and look over Stilter for sellable antiques after Catherine’s death. After arriving at Stilter House, Nell and her daughter, Beth, encounter eerie, inexplicable piano music, the faint, slightly blurry ghost of a young, mute boy named Esmond, and the spirit of a frighteningly thin woman who bangs on the outside glass in the music room, scrabbling to get in late at night. The aunt who asked Nell to go there has left a VM at her home telling her to be sure NOT to stay overnight in the house; Michael intercepts the message, has difficulty reaching Nell by phone, and decides to go to Stilter himself. The number of ghosts seemed daunting for the writer, but she interwove them and explored each’s connection to the other, putting them all in perfectly situated places in the narrative, and ending with a fantastic conclusion. I had no inkling who the ultimate killers would be, and so this was attention-gripping until the last page.
Acton House in Derbyshire, England, was the site of a murder. Then that house was torn down and Stilter House built with many claiming it was haunted. Nell West is an antiques dealer who goes to Stilter House with her daughter, Beth, Beth, to evaluate and catalog the antiquities. It is also the house where her now deceased husband and Beth's father had grown up. It doesn't take long for them to hear piano music where there could be none and for Beth to form a friendship with a young boy who may or may not really be there. Those who said the house was haunted had no idea of the sad history of the place or the number of people who were "living" in the house. A really fun spooky romp through the history of the two houses and the tragedies which took place there. Recommended for anyone who likes a fast-paced spooky read.
An excellent book. Rayne's books can be overwhelmingly grisly, while beautifully written...also her plots can drag. In this novel she is back in form, all the squares are checked! The ghost story lover, the mystery buff, the historian, the antiquarian - each will find a draw! So will anyone who likes a well-written book compelling enough to turn the next page. Surprise ending! As is seen in other books by this author the evil is done by the living, not by the dead. But the ghosts are not explained away by "oh, it was just a kid with a sheet over his head" bromides, which irritate those readers who expect the ghosts to be ghosts! Run, do not stop go, to your bookseller. AAA+++!
Nell is asked by her deceased Husband's aunt to go and evaluate the things in Stilwater house which she plans to sell. Nell is interested in this jaunt because her husband lived there years ago and she is curious about the old place. As they decide the spend the first night there without electricity, etc. right away your senses are awakened that something strange will be happening. A past murder, a boy who may or not be there, strange music and other things contribute to the sinister aspect of the home.
I would probably give this book a 2.5. I enjoyed the first half of the book; however I felt a bit disappointed with the ending. However, overall it was a fun read.
Creepy spooky fun! Ms. Rayne continues the relationship with the main characters from "Property of a Lady' and "The Sin Eater' in this book. It provides nice development to the characters and a chilling traditional ghost story that had me looking over my shoulder more than once.
Home alone on a dark night? Might not want to read this if you have a sensitive disposition. Save until daylight.
Another terrific English ghost story for Sarah Rayne. I have one caveat but will not mention it here because it would be a spoiler. Still it was a great read and I enjoyed every bit of it.
I am sorry but if this is the third book in a series and you have already solved two mysteries involving the supernatural then you just sound stupid when you refuse to believe in ghosts. Sheesh. I still enjoyed the story even if I really had to suspend disbelief in a few places. There was a darkness to this one, with the death of a child, that will pester my brain for a bit. But there was also some sweet moments with the ghost of said child. I did grin when the last book I read referenced Dumfries, a small Scottish village where some of my ancestors came from and this book referenced Stoke-on-Trent, a town where another branch of ancestry lived. I have to share one passage because it made me laugh out loud as it made light of the stupidity of people in scary books/movies!
"The sensible action, if you happened to find yourself in a dark old garden with the ghost-tales of former occupants threading through your mind and vague shapes flitting across the terrain, was to make sure the house's occupants were safe, then go for help, after which a search of possible intruders could be made. If said intruder got away during these preliminaries, that was your bad luck and the intruder's good, but it was still the sensible course of action. What you did not do - what no on in his right mind would do - was go in instant pursuit of the amorphous figure. Michael cast a glance at the unlit bulk of Stilter House again, gave the equivalent of a mental shrug, and went in pursuit of the amorphous figure."
I find this haunted house series to be a compelling combination of creepiness and cosiness (regarding the latter, I wish Michael's cosy stories about Wilberforce the cat really existed; I would so read them!) This one was of particular interest as it's set in my neck of the woods ie. around Bakewell in Derbyshire and I could easily visualise the village and Stilter House, a place with a macabre history. It's a spooky read with Rayne's trademark gruesome touches including the use of a scold's bridle.... what a dreadful invention. Michael and Nell remind me of Mulder and Scully although I don't understand why Nell still has such a disbelief in the supernatural when she's witnessed so much evidence for it!
I absolutely love books that span through various eras and tells a tale that intrigues you to read on. The silence was just right up my alley. A book dedicated to a haunted house and the darkness that unrests within it. A wife returns with their daughter back to her deceased husbands summer vacation home which he frequently visited, a home owned by his aunt along with ghosts that lurks in the house. Nell, an antiques dealer is intrigued to find out what happened in Stilter House and unfolds the mystery surrounding deaths and disappearance along with her second husband Michael. Esmond was the one character that you would remember in this book with a sadness. I love reading a good, well written ghost tale and this did not disappoint. A light haunted read!
The Silence by Sarah Rayne is the 3rd book in the series featuring Michael Flint and Nell West. There's a similar basic thread running across all the 3 books that I have read so far but each of them have been different in varied ways.This was more of a murder mystery unraveling thru letters and notes of previous occupants or builders of the Stilter House. Nell and Michael are more like spectators in this story with things happening to them without serious effect. Esmond's background story was painful but for a horror thriller, the horror chills were lacking.
I really enjoyed this. It had so many elements that I love in Haunted House story. We had scary ghosts (obviously) 👻 a small English village 🏘️ an old creepy house 🏚️ lots of investigating to solve the mystery 📃 I also found one of the characters so quirky and funny. And there was a cat! 🐈 Perfection. However, I have just seen this is book three in a series. I am hoping I haven’t spoiled the earlier ones. 🤷🏻♀️
I liked this book a lot, but one thing bothered me. The character's last names! It's as though Ms. Rayne looked for the most mundane inanimate objects and made them into last names. Here's a sample: Hatfull Stump Brodworthy Burlap Bundle Pursefoot Bracegirdle
It's a little thing, but I found them distracting. :-)
This is my third in the series, and I finished it in one day. Is it any good? I should say so. Excellent read. There is a lot of tension in the story, but in the latter half of the book, things are extremely disturbing and some readers may find it uncomfortable. Still, it is a good story with a shocking end.
Wasn't keen on this because I struggled with the time period related to the characters. I also didn't find the plot exciting enough to keep my attention & in fact I didn't finish the book. Disappointing for me.