Pastýřka putující k dubnu

by Robinson Jeffers

Genres: Poetry

Unknown Binding

About the author

Collections of American poet John Robinson Jeffers, who sets many of his works in California, include Tamar and Other Poems (1924).

He knew the central coast and wrote mostly in classic narrative and epic form. Nevertheless, people today know also his short verse and consider him an symbol of the environmental movement.

The Harry Ransom humanities research center at the University of Texas at Austin and the libraries at Occidental College, the University of California, and Yale University collect many manuscripts and materials of Jeffers. Survivors published a collection of his letters posthumously as The Selected Letters of Robinson Jeffers, 1887–1962 (1968). Jeffers wrote other books or criticism and poetry: are: Poetry, Gongorism, and a Thousand Years (1949), Themes in My Poems (1956), Robinson Jeffers: Selected Poems (1965), The Alpine Christ and Other Poems (1974), What Odd Expedients" and Other Poems (1981), and Rock and Hawk: A Selection of Shorter Poems by Robinson Jeffers (1987).

Stanford University Press recently released a five-volume collection of the complete works of Robinson Jeffers. In an article titled, "A Black Sheep Joins the Fold", written upon the release of the collection in 2001, Stanford Magazine ably remarked that due to a number of circumstances, "there was never an authoritative, scholarly edition of California’s premier bard" until Stanford published the complete works.

Biographical studies include George Sterling, Robinson Jeffers: The Man and the Artist (1926); Louis Adamic, Robinson Jeffers (1929); Melba Bennett, Robinson Jeffers and the Sea (1936) and The Stone Mason of Tor House (1966); Edith Greenan, Of Una Jeffers (1939); Mabel Dodge Luhan, Una and Robin (1976; written in 1933); Ward Ritchie, Jeffers: Some Recollections of Robinson Jeffers (1977); and James Karman, Robinson Jeffers: Poet of California (1987). Books about Jeffers's career include L. C. Powell, Robinson Jeffers: The Man and His Work (1940; repr. 1973); William Everson, Robinson Jeffers: Fragments of an Older Fury (1968); Arthur B. Coffin, Robinson Jeffers: Poet of Inhumanism (1971); Bill Hotchkiss, Jeffers: The Sivaistic Vision (1975); James Karman, ed., Critical Essays on Robinson Jeffers (1990); Alex Vardamis The Critical Reputation of Robinson Jeffers (1972); and Robert Zaller, ed., Centennial Essays for Robinson Jeffers (1991). The Robinson Jeffers Newsletter, ed. Robert Brophy, is a valuable scholarly resource.

In a rare recording, Jeffers can be heard reading his "The Day Is A Poem" (September 19, 1939) on Poetry Speaks – Hear Great Poets Read Their Work from Tennyson to Plath, Narrated by Charles Osgood (Sourcebooks, Inc., c2001), Disc 1, #41; including text, with Robert Hass on Robinson Jeffers, pp. 88–95. Jeffers was also on the cover of Time – The Weekly Magazine, April 4, 1932 (pictured on p. 90. Poetry Speaks).

"Jeffers Studies", a journal of research on the poetry of Robinson Jeffers and related topics, is published semi-annually by the Robinson Jeffers Association.

Reviews

[Sylva Vodickova · Rating 5 out of 5]

Moje kniha mĕsíce, roku i rokŭ. Dlouho jsme se míjely, dlouho jsem na ni čekala. Smutná, temná, ale i bojující a nadějná. "Utři si slzy, usměj se uplakanýma očima, každý den něco končí, každý den něco překrásného začíná."

[janpalach02 · Rating 5 out of 5]

"Nešťastná pastýřko,
ty se zkřehlýma nohama a rukama i s tváří,
zastřenou horečkou:
ty miluješ, což není nejhorší úděl,
ale miluješ nikoli jedince, nýbrž všechny, může tě to zahřát v tomto tvém mrazivém chladu?"

Něžnost. Liduplná naděje v tragédii. Příběh sebeobětování.

[Kateřina Junáková · Rating 3 out of 5]

Jefferse zbožňuju, ale Pastýřka mě přes krásné obrazy a hlubokou poetickou tesknost místy iritovala natolik, že jí musím dát jen 3 hvězdy.
Dle doslovu je to na Jefferse dílo psané neobvykle ženskýma očima. Nesouhlasím. Kláru voyeuristicky pozoruje čtenář i ostatní postavy, její ctnost je popisována atraktivností jejího těla, které Klára odevzdává k sexuálnímu uspokojení komukoliv na potkání. Tak dává najevo lásku k bližnímu. Kláru máme litovat a toužit po ní.
Ke konci krátkého příběhu jsem byla z jejího přístupu k vlastnímu životu bohužel natolik frustrovaná, že jsem k ní ztratila vztah.