As acclaimed for his poetic vision as for the beauty of his language, in these poems Okri captures bot the tenderness and the fragility, as well as the depths and the often hidden directions of our lives. To him, the 'wild' is an alternative to the familiar, where energy meets freedom, where art meets the elemental, where chaos can be honed. The wild is our link to the stars...
Ranging across a wide variety of subjects, from the autobiographical to the philosophical, from war t love, from nature to the difficulty of truly seeing, these poems reconfigure the human condition, in unusual light, through their mastery of tone and condensed brilliance.
Poet and novelist Ben Okri was born in 1959 in Minna, northern Nigeria, to an Igbo mother and Urhobo father. He grew up in London before returning to Nigeria with his family in 1968. Much of his early fiction explores the political violence that he witnessed at first hand during the civil war in Nigeria. He left the country when a grant from the Nigerian government enabled him to read Comparative Literature at Essex University in England.
He was poetry editor for West Africa magazine between 1983 and 1986 and broadcast regularly for the BBC World Service between 1983 and 1985. He was appointed Fellow Commoner in Creative Arts at Trinity College Cambridge in 1991, a post he held until 1993. He became a Fellow of the Royal Society of Literature in 1987, and was awarded honorary doctorates from the universities of Westminster (1997) and Essex (2002).
His first two novels, Flowers and Shadows (1980) and The Landscapes Within (1981), are both set in Nigeria and feature as central characters two young men struggling to make sense of the disintegration and chaos happening in both their family and country. The two collections of stories that followed, Incidents at the Shrine (1986) and Stars of the New Curfew (1988), are set in Lagos and London.
In 1991 Okri was awarded the Booker Prize for Fiction for his novel The Famished Road (1991). Set in a Nigerian village, this is the first in a trilogy of novels which tell the story of Azaro, a spirit child. Azaro's narrative is continued in Songs of Enchantment (1993) and Infinite Riches (1998). Other recent fiction includes Astonishing the Gods (1995) and Dangerous Love (1996), which was awarded the Premio Palmi (Italy) in 2000. His latest novels are In Arcadia (2002) and Starbook (2007).
A collection of poems, An African Elegy, was published in 1992, and an epic poem, Mental Flight, in 1999. A collection of essays, A Way of Being Free, was published in 1997. Ben Okri is also the author of a play, In Exilus.
In his latest book, Tales of Freedom (2009), Okri brings together poetry and story.
Ben Okri is a Vice-President of the English Centre of International PEN, a member of the board of the Royal National Theatre, and was awarded an OBE in 2001. He lives in London.
2.5. I hate the fact that I'm giving this one such a low rating; after all, there are fantastic lines that stand out every now and then. But I'm really not a fan in general of this sort of rhymed poetry, so I went ahead and rated it based solely on its personal enjoyment factor.
Reflections and lessons learned: “It turns out the great sleep Is a giant wall that’s made Of inverted flowers...”
Mmmm... sleep... I read whilst quite close to Bedfordshire time so this was a lovely quick collection with a combination of short pre sleep clarity reflection and prediction thoughts alongside sumptuous dreamlike descriptions and darkness - a strange but working mix of fantasy, mythology, nature and love (wow for Carpe Diem:a love song and Modena), all told from a modern perspective, with a feeling of the present - with nods to the influencing literature, a great insight into an author that I look forward to reading more from
“Because we’re outsiders. We are all born into The labyrinth”
Ben Okri combines African mysticism with London smarts to forge pithy, thought-provoking and beautiful poetry. Serendipity played a part in my reading this wonderful volume of poems. I am looking forward to my godson’s wedding and I cam across ‘ A Wedding Prayer’ - the words are so apposite I will steal them wholesale (attributed, of course) and pass them on as an additional wedding gift.
“Be something Rare in this much misunderstood Tale of life: may your love Help you find that hidden Gold in the unfinished hours, That your life together, long In years, rich in stories, May yield the tranquility of flowers.” - ben okri
Okri, with a dozen books to boast of, has done very well here at combining his intense mastery of poetic imagery with "true lucidity" so that he can "stand simply" (the goals he states in the preface to this book). I melt over lovely ideas such as birds that "speak now with / Voices of stone" or "We had / Been in the dark age of iron." The poems from the Olduvai Gorge are amazing.
Unfortunately, this search for direct expression sometimes ends up dragging along conventionalities, and resorting too easily to rhyme. I find rhyme effective in "Dark Light." And also there's a noble simplicity to: "But then a melody of light / Transforms the night."
Many poems touch on politics and social issues, oftne subtly and usually with a positive, uplifting spin. Okri's imagery can be very positive: "Tomorrow's music sleeps / In undiscovered orchestras / In unmade violins / In coiled strings." Or this: "libraries yield / New books in the charged / Margins of the old." But in one powerful poem (the longest in this book) Okri reflects agony triggered by an attack in the West Bank of Palestine.
There are no words to describe how much Okri's words blew me away. Each poem was succinct and raw, beautiful as it draws on emotional imagery. The poetry takes on different subject matters, and all of them convey the depth of human pain and perseverance. This is a short book that needs to be savored, and it was well worth the emotional journey.
Though this is the first work I've read by Okri, I'm determined to read more of his beautiful writing.
A poet must have a way with words. Ben Okri has his way that is enlightening, enchanting and disarming. Highlights for me were A Wedding Prayer, More Fishes Than Stars, Carpe Diem: A Love Song and the indelible Clouds. There were lines I loved like "while clouds do drift above our heads And dreams do flit above our beds" from As Clouds do Drift and "I say the world is rich with love unfound" from The World is Rich.