`Tangier doesn't make a man disintegrate but it does attract people who are going to disintegrate anyway' Paul Bowles
Eyes wide open, promises kept. After reading Josh Shoemake's debut novel, this reviewer wrote the following: `The talent inherent in Josh Shoemake is staggering. If this novel PLANET WILLIE is indicative of what we can expect from this young, movie star handsome writer then watch out! The literary world could just be set back on its heels. This is experimental writing at its finest - novel in concept, droll in delivery, packed with double entendres, and yet for all of its literary display of skill it remains a novel that is fascinating as a story - from page one to the end. So what do we know of Josh Shoemake? It is tough to find much biographical information, so that little bit must be quoted: `Josh Shoemake was a reader in English at Columbia University. He has lived in Morocco since 1996. He spent three years in Tangier, where he taught literature and formed close friendships with Paul Bowles, Mohamed Choukri, and other local artists and writers. He then served for five years as headmaster of The American School of Marrakech and has published stories about Tangier in The Threepenny Review and elsewhere.' Born in Virginia in the United States, Shoemake is making his life along the lines of the other famous ex-pat writers - good company, good experience, good influence, and it definitely shows.'
The above bears repeating because this, his second foray into the literary scene, is even more impressive than that first novel. TANGIER: A Literary Guide for Travelers is as fragrant as the lotus blossom that apparently originated in this locale. Shoemake takes us on an imaginary trip of sorts, combining all of the impressive writers and poets who spent time in this exotic Moroccan city that looks from the northern most tip of Africa toward the far different climes of Gibraltar and all of Europe. His characters are drawn from acquaintances and for the powerful and decadent cortege of writers who have Tangier such a seductive locale: Ibn Battuta, Samuel Pepys, Alexandre Dumas, Mark Twain, Edith Wharton, Walter Harris, Jean Genet, Paul and Jane Bowles, Tennessee Williams, William Burroughs, Brion Gysin, Patricia Highsmith, Jack Kerouac, Truman Capote, Gore Vidal, Allen Ginsberg, Alfred Chester, Joe Orton, and Mohamed Choukri. But it is the manner in which Shoemake makes these giants interrelate - his weaving particular places with events and memories or myths that keeps the reader stunned. This is surely on of the best books of the year -at least for readers who thrive on literary history. Josh Shoemake has firmly arrived.
Grady Harp