" Postage Due is a dazzling series of necessary utterances. Wade uses the language of Christianity to section her book, fraught with joy and pain, to explore what we owe and to whom. She employs postcards, letters, and literary and pop culture heroines—most notably Oz's Dorothy—to tell and retell of the dreamlike past. In Postage Due , you will meet the (post-confessional) young lady who fell from a star."—Denise Duhamel Postage Due is a sometimes ekphrastic, often epistolary scrapbook of poetic artifacts documenting an odd girl's coming of age. Julie Marie Wade is the author of two collections of lyric nonfiction, A Memoir in Fractures and Small Fires .
Born in Seattle in 1979, Julie Marie Wade completed a Master of Arts in English at Western Washington University in 2003, a Master of Fine Arts in Poetry at the University of Pittsburgh in 2006, and a PhD in Humanities at the University of Louisville in 2012. She has received the Chicago Literary Award in Poetry (2004), the Gulf Coast Nonfiction Prize (2004), the Oscar Wilde Poetry Prize (2005), the Literal Latte Nonfiction Award (2006), two Dorothy Sargent Rosenberg Poetry Prizes (2006, 2010), the AWP Intro Journals Award for Nonfiction (2009), the American Literary Review Nonfiction Prize (2010), the Arts & Letters Nonfiction Prize (2010), an Al Smith Artist Grant from the Kentucky Arts Council (2010), the Thomas J. Hruska Nonfiction Prize (2011), the Lambda Literary Award for Lesbian Memoir (2011), the Bloom Nonfiction Chapbook Prize (2012), a grant from the Barbara Deming Memorial Fund (2012), and seven Pushcart Prize nominations. Julie is the author of two collections of lyric nonfiction, Wishbone: A Memoir in Fractures (Colgate University Press, 2010) and Small Fires (Sarabande Books, 2011); two collections of poetry, Without (Finishing Line Press, 2010) and Postage Due (White Pine Press, 2013); the creative nonfiction chapbook Tremolo: An Essay (Bloom Press, 2013); and the forthcoming When I Was Straight: Poems (A Midsummer Night's Press, 2014). She lives with her partner Angie Griffin in the Sunshine State and teaches in the creative writing program at Florida International University in Miami.
This was a solid work, although I did not love it the same way I did with some of her newer work. This work, I felt, struggled with trying to be deliberately deep and in that way reminded me of a lot of contemporary poets I've read whose works are not bad but I won't think of them again after I return the book to the library.
This collection of poems feels full of contradictions. They are somehow both literary and personal, obscure and filled with striking clarity, reassuring and devastating.