Seit sein Vater vor einundzwanzig Jahren starb, lebt Oliver zurückgezogen in seiner eigenen kleinen Welt. Wie besessen montiert er die Vergangenheit anderer zu Videofilmen, erweckt sie so zu neuem Leben. Er selbst verharrt im Gefühl des Verlusts. Doch als er Miranda kennenlernt, die nachts fremde Menschen in ihren Häusern fotografiert, spürt er eine Verbundenheit und Nähe, wie er sie zuvor noch nie erlebt hat. Zwei Außenseiter erkennen sich als verwandte Seelen - eine zarte Liebe entsteht. Doch ist sie stark genug, um die beiden aus ihrer Isolation zu befreien?
"my book club is reading mullins's first novel, the rug merchant , this month. liking her sophomore effort so far. very different setting, similar themes."
that was my status update while reading. the theme here was not the same- ushman's story was all about loneliness while this novel resonates the theme of loss. what i admire about mullins's writing is her ability to chose a theme and to craft a story around it. i believe that craft is in her case the correct word. this is a writer i'd love to meet, to interview, to observe "in process," because it seems to me that both novels revolve around their central themes like precisely-tuned and crafted machines.
i've read a few negative reviews of this novel, several readers particularly critique it for "beginning well, then losing steam." i disagree. i will allow that a reader who needs, primarily, story or plot in a book, who will say that, at the end of the day, it's plot that makes a book worth the effort or not, will more than likely find the type of craftsmanship i'm extolling less than fully satisfying. perhaps he or she will not "find" it at all. i simply state there is substance here and skill, too. i'm looking forward to what she'll give us next.
Oliver is a character obsessed--with his father's death when Oliver was very young, with the subsequent "return" of the baby they had adopted, with finding this brother and somehow acknowledging him. At times, I can imagine a reader growing tired with this story...obsession can be the same story over and over again. It is the other characters, as foils for Oliver, who make the story work. There is Oliver's mother, Mrs. Finley, Mr. Nice-guy, his replacement father, Oliver's girlfriend, Miranda, who is a photographer like he is, his sister, Mary, and Jared, the boy he thinks may be his lost brother. These characters interrupt his obsession but many of them also provide a wonderful insistence, in an odd way, on life and presence. My favorite part of the book was the photography--Nonny's flower on her tongue, Miranda's anonymous appointments with strangers she photographs from the dark yards outside their homes while they are inside. This is the second book I've read this summer where photography is a major theme. Wonderful.
Auf Deutsch gelesen. Leider konnte dieser Roman nicht halten, was er, meiner Meinung nach, versprach. Oliver, der seinem Vater hinterhertrauerte und auch Miranda, die ungewöhnliche Bilder von fremden Menschen machte - dies wären sehr interessante Protagonisten gewesen. Doch Meg Mullins schaffte es nicht, sie mir näher zu bringen. Ich hatte nicht das Gefühl, sie gut kennenzulernen, sie blieben auf Distanz und ihre Handlungen oftmals geradezu unverständlich. Auch wäre es nicht nötig gewesen, zusätzlich die Sichtweisen von Olivers Mutter, Stiefvater und Schwester mit einzubringen, das war für so ein schmales Buch ein wenig zu viel des Guten. Die doch eher kühle Sprache tat ihr übriges, um es mir zu erschweren, mich irgendwie emotional in die Handlung einzufühlen. Oftmals kam sogar ein Gefühl von Langeweile aufgrund unnötiger Längen auf und ich möchte noch einmal betonen - dies war kein Wälzer. Allerdings war die Grundidee durchaus eine gute, es war eher die Umsetzung, an der es deutlich haperte und die mich zu diesem eher negativen Fazit bringt.
I had trouble getting into this at first because you have to wait a bit to understand who the characters are and what their relationships to each other are, but worth persevering through.
The book "Dear Strangers" by Meg Mullins is an interesting romantic yet suspenseful novel. This book is for anyone whose stared at strangers before, become curious at how their lives might be. This one is for those who look at windows and wonder what is inside that room. Meg Mullins depicts a family in such a realistic and natural light. The son, looking for his long lost adopted brother. The daughter, an alcoholic and sex addict. The new girlfriend of the son, a photographer of strangers.
We meet an ensemble of characters who paint a portrait of a seemingly normal family in the United States.
Characters long for the past, nostalgia is in the air. The characters are so intertwined with each other, that they reflect aspects of each other. Have you ever wondered why someone close to you begins to pick up on your catch phrases and starts to like your favorite foods?
Meg Mullins dissects her characters and shows the sides that the characters want to hide, but cannot. Their interactions prove that they are not only characters, that they are so humanistic, they feel real. I recognized these characters, because I know people like them. I recognized my fiance in the son. I recognized myself in the girlfriend, her curiosity always winning and helping her lose her battles.
I really enjoyed the realism and the sadness in these characters. Everyone of them is longing for the past, but they just cannot capture the high that the past once gave them.
I guess I was mislead by the cheerful cover and intriguing description on the book jacket. This book had interesting characters and is told in flashbacks the tragedy of Oliver’s childhood. It wasn’t a bad book, but just a lot more depressing than it was marketed as. Decent plot, good flow so if you are in a melancholy mood this might suit you.
The story was interesting but took a while to develop, spending a lot of time delving into long flashbacks. It was emotionally full fleshed out, but felt slow on action until really far into the book. The characters' traits were distinct but once the story delved into their thoughts, it all started to merge into the same cloudy, emotional narrative that could be hard to follow.
A rather strange book - had a hard time getting into it but read it while traveling. It is a book about grief so related a bit - sometimes seemed disjointed but as you read you could understand the reasoning. Not sure I would recommend it?
I found this book dreadfully depressing. I forced myself to finish it. I kept going, because I was curious how all the characters finally meshed with one another.