When Cameron Daltrey gets in trouble with a judge for using too much force on a bail skipper he'd apprehended, he is banned from bringing in such men. but Daltrey specializes in super-human bail notes, and it's difficult for regular folks to bring them in. Plus, he likes beating people up. So what does Daltrey do? He dons a barcode mask and hunts them down himself. Codeflesh feels like a comic that planned to have a broad understory -- some explanation of the genetic engineering that some of the characters mention, some rhyme or reason for the protagonist's costume or the comic's title, and perhaps a big bad for Daltrey to fight against. But in the short run of the comic there's not much for the reader to grab onto - Daltrey is neither noble enough to admire nor delightfully vicious enough to admiringly hate, he's just grubby, like a two-bit side character from the dark hero ages of 1990-2004. I picked this up because I think Automatic Kafka is amazing, and I can see a similar interest in disrupting the normal "hero = amazing person" trope, but where AK hit, I think codeflesh misses. There is one exception, though -- the villain "Rotor," who has many body parts, including his genitals, replaced with flamethrowing apparatus. If only the series had included more moments like that.