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Unmade
The wall is thick enough that it feels like plastic, spanning the entire breadth and separating both rooms.
Word Count: 16,000 - Complete
Fandom: Heroes, Peter/Sylar (can be interpreted as pre-slash)
Word Count: 16,000 - Complete
Fandom: Heroes, Peter/Sylar (can be interpreted as pre-slash)
- GenresFan Fiction
ebook
First published January 1, 2008
5 people want to read
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Displaying 1 - 2 of 2 reviews
April 16, 2021
AU, after season 2. Peter's brother is dead and Peter wakes up locked in cell. He is drugged and his powers are gone. A glass wall separates him from Sylar who is also imprisoned. For months they are together without another human contact. Once the experiments begins both men realises that their lifes here are not of importance .
Slowly Peter changes as he becomes more desperate and more determined to survive and revenge Nathan's murder.
Apparently its pre-slash however I fail detect romantic feelings between these two. But it doesn't matter anyway. It's well written psychological horror and character study.
The day drags on impossibly slowly, slower than any that came before.
Peter doesn't stray far from the wall, doesn't pass it without leaning into its cold surface, a press of fingers that leave prints and warmth behind. Because bringing Sylar back once does not mean they don't intend to take him again, or kill him, or move him.
Sylar moves little but when he does it's slowly, painfully, like he's been hollowed out and put back empty and drugged.
Peter eventually stays by the wall, leaning in the same spot where Sylar's narrow back rests, watching the walls and the slow unhappy pulse that jumps in Sylar's neck.
He's too paranoid to sleep.
But then, they took away that choice weeks ago.
Slowly Peter changes as he becomes more desperate and more determined to survive and revenge Nathan's murder.
Apparently its pre-slash however I fail detect romantic feelings between these two. But it doesn't matter anyway. It's well written psychological horror and character study.
The day drags on impossibly slowly, slower than any that came before.
Peter doesn't stray far from the wall, doesn't pass it without leaning into its cold surface, a press of fingers that leave prints and warmth behind. Because bringing Sylar back once does not mean they don't intend to take him again, or kill him, or move him.
Sylar moves little but when he does it's slowly, painfully, like he's been hollowed out and put back empty and drugged.
Peter eventually stays by the wall, leaning in the same spot where Sylar's narrow back rests, watching the walls and the slow unhappy pulse that jumps in Sylar's neck.
He's too paranoid to sleep.
But then, they took away that choice weeks ago.
February 3, 2013
Why does it stop when it's only just getting interesting? :/
Displaying 1 - 2 of 2 reviews