DISCLAIMER: I received a free copy of this book for review purposes.
A fun and funny romp through the early days of Hollywood. Turnbull has created a world rich in accurate historical detail for his characters to wander through and populated it with real life stars and studio bigwigs, writers and reporters. His knowledge of the period is impressive. Vivid little touches like F. Scott Fitzgerald’s addiction to sugary soft drinks really show off the author’s ability to turn obscure factoids into compelling insights into character. This humanizes people we otherwise tend to see as a famous name and list of accomplishments.
Turnbull introduces us to this world through the struggles of three aspiring wannabes, as they try to break into acting, writing, and reporting respectively. Each of them is likeable in their own way. Gwendolyn is spunky and bull-headed. Marcus has a softness to him and a craving to prove himself. Kathryn wears the reluctant cynicism of every newshound both before and after her. Classic underdogs all. If you can’t see glimpses of yourself in one of them, then you’ll at least find yourself rooting for them to overcome the staggering odds aligned against them.
The tone of the book resembles a sitcom or screwball comedy with characters leaping from one humorous situation to the next. This keeps the pace lively, but leads to one of the flaws of The Trouble With Scarlett. First, the need to put Kathryn, Marcus, and Gwendolyn into the middle of big events, like the burning of the King Kong set for Gone With The Wind, can lead to odd jumps in time. It’s a bit jarring to realize that several months have gone by since the last chapter.
Second, when you know that some important plot point or funny bit of slapstick or critical encounter is always going to occur whenever the narrative shifts to a different character, it removes any sense of surprise you might enjoy when an unexpected event blindsides you as you read.
Lastly, and most importantly, the lack of down time means that the focus is mostly on “Things Happening” and not on “Characters Being.” To be fair there is the odd bit of introspection from the main three, but for the most part, Marcus, Gwen, and Kathryn are the same people they were at the start of the story. We know how they behave and how they react to situations, but we don’t always get to know who they are on a deeper level. We don’t see them change. And given how much potential these characters have to transform into fully-fledged three dimensional people despite their start as strings of words on a page, this is disappointing.
However, as a comedy the book succeeds, and as a glimpse of a vanished world built on dreams and back-stabbing, The Trouble With Scarlett is exceptional. Whatever flaws it has are structural, and not every book has to be a serious examination of existential man. Enjoy it as a light-hearted frolic through the sets and spotlights of old Hollywood.