After a few disappointing efforts by serial authors that have been churning novels out for a long time, it’s Barbara Nadel that demonstrates that originality is possible even whilst utilizing a familiar formula to give the audience exactly what they want.
Deadline, her 15th installment of the Cetin Ikmen series, mixes it up by giving us an adventure that is more elaborate and theatrical than her usually reality grounded, cold hard investigations.
A common Nadel mantra throughout her novels is to divert into the lives and perspective of what is a stellar cast of characters to explore the streets, the culture, the political landscape, the history and tradition of one of the most ancient cities on earth to bring alive the atmosphere of our setting.
This time around however, Nadel puts a new spin on a fairly tried and true concept… the old murder mystery party that ends with an actual murder… The twist, the hotel is taken over by masked gunman, and our participants are held hostage and given less then 8 hours to figure out who dunnit or else they and the rest of the guests get blown away.
The intrigue is of course that not only do we not know who committed the murder or whether our detectives can actually solve the crime, what will actually happen when the clock strikes 0700, who are the gunmen, why are they recording?
One of the first things that the avid Inspector Ikmen fan notices, is that we jump a little bit around the timeline, with the novel actually starting at the story’s climax, reverting back to the beginning after we get a taste of what’s to come, and then the count down starts. Though she has dabbled with this type of thing once or twice before, Nadel diverges from her traditional format and hammers into the audience that we’re in for a show tonight.
And as if this were not enough to build up the excitement, the reader simply cannot fail to notice the Agatha Christie’ness of it all. Ikmen as a protagonist has on several occasions expressed fondness for the author, Miss Marple, Hercule Poirot, Murder on the Orient Express etc with some gentle prods from the author used to guide both new readers as well as long standing fans of the series towards this conclusion.
Barbara Nadel, who clearly derives some inspiration from arguably the greatest crime fiction author of all time, has allowed Ikmen to indulge in this passion before going all the way back to Dance with Death where he instigates a real Poirot like ‘gather everyone one into the room and show off the grand deduction’ scene.
With a key part of the setting choice involving the room in which Agatha Christie once stayed in… well it’s fun, it’s themed, it’s theatrical, and even if it all is a little elaborate, it fits together nicely.
The mystery itself is unspectacular. There is enough reminiscing and references to Muhammed Ersoy to let the reader in on his greater involvement, and kudos to Nadel for digging up an antagonist all the way back from book 2 in the series Chemical Prison. One could forgive the reader for not putting two and two together but for some reason I made the connection to a book I read once over 5 years ago right away. This really speaks highly of the author and perhaps of my love for the characters.
The murder of the young actor is a bigger head scratcher and requires more of the cold, hard detective work that Nadel’s novels are renowned. The characters are interviewed, and interviewed again after the crime scene is examined, and then they’re interviewed a third time once our detectives find some loose strings to tug on. And whilst there is much unraveling, this process unlike a traditional Ikmen thriller has an air futility about it.
Not only does the task at hand seem too great within that time frame set, there are hints that the gunmen are going to open fire on our heroes regardless of the outcome. Furthermore, we know from the first chapter of the book that in the early hours of the morning the whole thing turns into a bit of a siege with Ikmen left fighting to stay alive – we know the destination, and the reader can’t get there via the detectives promptly solving the mystery and it all going down smoothly.
Naturally though, it’s the characters, the relationships, their interactions with one another, and the impact of the main story on their lives, that makes this a gripping read. Despite the plethora of innovation, elaboration and theatrics that she has introduced into this series of novels, Nadel makes sure that her faithful readers still get that which they most desire from her novels: respect for the past, and progression of the story. It’s very Ottoman.
Yes we see references to an old Ikmen villain and some prominent past characters, old themes such as the respective heritages and habits of our main protagonists, and we’ve already spoken about the love for Agatha Christie but it’s the presence of a few tried and true themes that bring the story forward in a big way.
We all knew that despite her engagement to the gentle, caring, and devoted Izzet Melik, Ikmen’s deputy Ayse Farsakoglu still has an infatuation for the handsome and debonair Mehmet Suleyman. These not only lead her back to the hotel where she stumbles upon the siege, but acts as an instigator for Ayse to thrust herself into harms by heading into the thick of it.
The breakdown of their relationship as Izzet slowly realizes that Ayse isn’t ready or can’t let go of the man that treated her so poorly, is so painful it’s palpable. And his pure hatred for Suleyman by the end makes for an incredible level of discomfort. Especially when you consider Suleyman was almost unwittingly brought into this fray without any reciprocation on his part. The slow death of the professional relationship between Izzet and Suleyman, when reflecting that at one time they expressed a professional admiration for each other, is almost just as tragic.
Especially when you consider that even Ayse herself identified that there is no future for her and Suleyman. That path seemingly does not lead anywhere positive. So where the hell is this going? When it all boils day, it appears we say goodbye to the rough around the edges, sensitive, educated, and devoted Izzet Melik who cancels the wedding plans and heads home. Having to nothing to prove to any one but himself, it appears he is destined to continue his quest for equality and belonging on his own.
And whilst we wait with baited breath for the next chapter in that story, the big news of course is the bombshell that drops in the final pages of the novel as it is revealed that Ikmen himself is retiring. I think I speak for the collective when I say NOOOOOO… but at the same I can’t wait to see where this goes as we know there is at least one more Ikmen novel on the shelf.
An update on the relationship between Cetin and Fatima and a check in on his plethora of children is certainly well overdue and wait with keen interest to see how the big news will impact on Ardic, Suleyman and the rest of the Istanbully police force.
Like any great edition to an ongoing series one adventure is completed, the loose ends are tied, yet the reader is left only to anticipate the things to come. And the next installment cannot come quickly enough.
All in all, I give Deadline 5/5 stars. It was not only everything you would want and expect from a Barbara Nadel/Inspector Ikmen novel, but it gave us even more of what we didn’t anticipate. And when it was finished, a surge of anticipation for the next installment is left, with thoughts that Barbara Nadel has proven she is creative and versatile enough to make it even better.