Another from the vaults. I think I must have mentioned to an editor how much I admired Joseph Hansen’s mystery novels, so of course I got assigned to review this one… which bears no remote resemblance to Hansen’s work. (Was it for Lambda or Out or The Advocate? And will I never learn to keep my mouth shut?) “Thai Died” was the second novel by William Maltese to feature his Stud Draqual character, underwear couturier and amateur sleuth. At the merest perusal, pornographic paperbacks disguised as spy novels (once a staple of kiosks that catered to adolescents) leap to mind. So do comic books. Bad ones. There’s a reason for this, something of a tradition in fact.
Over the course of a couple of weeks in the late 1940s, Mickey Spillane churned out the first in a series of potboilers about a character developed from his Mike Danger comics. This “new” hero, name changed to Mike Hammer, waved the flag at every opportunity, slaughtered commies and dark-skinned thugs with glee, and always bagged the babe, frequently just before shooting her. Socially regressive, even for the 1950s, these novelettes exploited a market in need of a product. Bored military personnel had discovered comic books in a big way, but ex-servicemen were embarrassed to be seen buying them, much less reading them. Paperbacks like these at least resembled actual books. Plus there was all that subtext: the misogyny of the plots reflected (and distorted) postwar gender tensions. Having gotten a taste of independence, a lot of erstwhile homemakers had proved reluctant to relinquish their jobs to the returning GIs, and from then on females in “men’s fiction” inevitably turned out to be treacherous, even perverse. It's possible American culture has never fully recovered.
Were these really mystery novels? Though nominally a gumshoe, Hammer displayed no relationship with soulful loners like Dashiell Hammett’s Continental Op. There was no hint of individualistic ethics, no outsider perspective. And what does any of this have to do with gay fiction? With its pervasive focus on unconventional heroes – characters who seemed to have no real connection to the prevailing society – the mystery/detective genre has always exerted a powerful attraction for gay readers (and writers). And so we come to this hot mess.
“Thai Died” is narrated in a style long considered mandatory for private dicks, a sort of unrelentingly facetious colloquialism, and the appeal for a lazy author is immediately apparent... since the fruity-tough-guy tone eliminates any need for well-wrought descriptive passages or believable dialogue. The male characters pretty much all have “handsome faces” and “hard bodies,” though an unlucky few are merely “ruggedly good-looking.” (Bored yet?) On the other hand, the text does strive to be colorful. In spasms. The book is set in Bangkok, and Thai characters are depicted as exotic in the most offensive sense: barbaric, corrupt, indistinguishable. Spillane would have approved. The plot turns out to involve something about stolen antiquities. Things explode, shots get fired, throats get slashed, masked assassins creep up behind the hero, who dispatches them with karate chops, and Asian callboys keep popping up in his bed.
It’s the kind of novel you just want to chuck in a wastepaper basket after a few pages. So why am I still going on about it? And why does it obviously annoy me so much? Hear me out.
There’s an aspect.
Despite all the throbbing members and devious cross-dressers, despite even the fashion industry background, Stud is not a gay character, though he does sometimes fantasize about men, usually while he’s having sex with some “gorgeous dame” or other. (This is about as deep as the author’s psychological insight penetrates.) The men who continually proposition Stud, gifted as he is with a “handsome face” and a “hard body,” are just as continually rebuffed. It’s as though readers were expected to derive some sort of thrill from having this “straight” male and his permanent erection thrust into suggestive situations with other males, even though nothing sexual ever happens. (Well, a transvestite does get raped and beheaded, but Stud only watches.) Annoyed yet? Neither truly gay nor actually a mystery (unless the reader invests energy in trying to work out who the target market might have been), “Thai Died” remains decidedly D.O.A.
Must finish clearing off this bookcase…