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Well Witched
When Ryan and his friends are stranded and penniless late one night, they steal some coins from a well for their bus fare home.Soon, they find they are cursed, and commanded to fulfil the wishes attached to each coin they stole. Released in the UK as Verdigris Deep
416 pages, Paperback
First published April 27, 2007
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3602 people want to read
About the author
Frances Hardinge
37 books2,751 followersFrances Hardinge spent her childhood in a huge, isolated old house in a small, strange village, and the two things inspired her to write strange, magical stories from an early age. She studied English at Oxford University and now lives in Oxford, England.
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Displaying 1 - 30 of 470 reviews
April 27, 2023
"We always find it difficult to forgive our heroes for being human."This is one of the best books I've read this year, despite it being a children's book. Here, I said it.
It has that amazing level of complexity and ambiguity, the brave tackling of difficult questions - friendship, loyalty, and the grey undertones of both right and wrong - that so many adult books lack.
And it does not talk down to children, its intended audience. Instead it assumes - and does so correctly - that children have the mental capacity to deal with the ambiguities of life without the need for sugar-coating and simplification.
In short, it's another addition to the ever-growing pile of books meant for my (future, hypothetical) daughter that I will be proud to give to her as a (future, hypothetical) parent.
------------
The hardest thing for me was to get past the silly American edition title - "Well Witched" - the title that just screams of silly unicorns and candy canes and perhaps a magical witching school somewhere. Well, from now on I'll think of this book by its original British title - 'Verdigris Deep' , the title that avoids the childish cutesy (that is really not a part of this book!) and instead suggests something more sophisticated and more sinister - exactly keeping up with the tone of this book.
Whoever those people are who decide to change the titles of books for American public, mostly succeeding in making them sound dumber or sillier or needlessly more sensational - those people need to be fired pronto.----------------
Idiots.
Frances Hardinge just may become my favorite children's book author if she keeps writing like this, with lovely phrases and apt descriptions, and dialogue that feels alive, and complex characters that become more and more three-dimensional as the story progresses, and her ability to cultivate and maintain suspense, and her ability to make even the adult readers gasp and choke up a bit, and have that funny feeling deep in their chests that makes them wistfully look back at their childhoods.
Her ability to make her young characters come to life reminds me of Pratchett and Gaiman and King - and for those who know me, that's saying something, indeed.
This story is about a trio of children who get caught in the web - or a well - of events they could not really anticipate. Having taken a few coins from an old wishing well - just to get enough for a bus fare, they suddenly find themselves way over their heads when they are not only forced to become wish-granters but have to endure their friendship bonds straining, their families fall apart, and innocent-seeming game turn into a true life-or-death scenario - all while seeing their childhood ideas crumble and their hero thrown off their pedestal.
Ryan is an 11-year-old boy who skipped a grade because of his cleverness, worried about school and bullies, and seeing things a bit differently from others - a bit upside-down.
"It had shown him that if you looked at things from a new angle, they could suddenly become unfamiliar and scary. It became important to see things in so many different ways as possible, so they couldn't catch you by surprise."Chelle is a 12-year-old timid asthmatic girl who can never stop talking despite nobody ever really listening to her, striving for some approval and understanding but always failing at it; a bland 'coleslaw' to her more colorful friends.
"Poor Chelle, always waiting to find out what she was allowed to think or feel. No wonder she had been so quiet when Ryan and Josh were arguing."And finally, Josh is a 13-year-old troublemaker adopted into a rich but cold family, who has taken the two misfits above under his wing and seems to understand Ryan's way of viewing the world upside-down; Josh to whom nothing ever seems impossible, who has an inexplicable way of always getting things to go his way; who always needs to be a center of attention and who can get a bit scary when he feels guilty or out of control.
"Josh was a firework and you never quite knew which way he was going to explode."
It is Josh who initially seems to be at the heart of this story, whose carelessness gets the friends in trouble, who goes down the wishing well to grab an ill-fated fistful of coins, who is the only one to initially take the strange happenings in stride and infuse them with his trademark brand of carefree energy. And it's also Josh who, because of all this, appears to be particularly susceptible to the power of the strange happenings, and who makes a journey from being the indisputable hero of Ryan and Chele's lives to... well, you just need to read on to find out.
"Josh had not understood that every wish came in two parts, including a secret part of which even the wisher was often unaware."
Together - and apart - these kids go through losing some of their innocence, and not in the way they ever expected. They learn the perils of power, and pain of revenge, and mystery of family ties, and the multi-layered nature of wishes which can hide many unexpected dangers. Including the dangers of wanting something so much that it takes over you completely.
"Josh, nobody's child, nobody's Chosen One, and now nobody's hero. The nurses bustling through the ward have no idea that a god had given up her power just to give him a chance at happiness. Right now, even that chance seemed pretty slender."This is one of those books that can stir up some deep unexpected feelings when you get through it, the feelings that are greyer and murkier than you'd expect to be brought up by a middle-grade book.
"I think I hated him for a bit," he said after a moment. "Just for, you know, not being everything I wanted him to be. But... even with all the bad stuff, he was still my friend. And if your friend's drowning, even if he's *trying* to drown and struggling to shake your hand off his sleeve, you don't let go, do you?"Easy five stars for this book, along with yet another wave of frustration at ridiculous publishing decision to hide the awesomeness of this story behind a silly title that is bound to turn away quite a few potential readers, robbing them of the experience Verdigris Deep can be. Frances Hardinge, I plan to read the rest of your books, just hoping that they will be just as good as the two I've read so far.
"As he read them out one by one, he imagined his words drifting down through the brown water into the green water, to where a gold-robed god sat by a silver fire in her lonely hall, handling a pair of yellow-tinted sunglasses as gently as if they were a living thing."
January 16, 2019
At first I wasn't too sure about this one. Was this really going to be all about three kids who run around granting various wishes to different people? I wasn't too down with that. Also wasn't very excited about a book that features a bunch of warts. But the novel turned out to be interestingly layered, and I was happily surprised by it. Many things eventually absorbed me.
- An understanding of people and wishes: what wishes could actually mean, the transient desires and hidden emotional needs that often create wishes, how most wishes should never come true
- The image of ghostly dream snakes writhing from people's chests was unexpected and a perfect analogy for wishes
- A sidekick for a hero and a character who would perhaps normally be the hero being... well, something else, something a lot more complicated
- Annoying girl character turns out to be the cleverest and most resourceful of all, yay!
- Increasingly excellent prose. Hardinge has a way with words: by turns clever, thoughtful, or jarring, depending on the scene, and often describing thoughts and situations in unexpected ways
- A surprising darkness at the heart of one of the antagonists, an elderly woman with a tragic backstory
- A bizarre attack in a home and a very strange flood were really gripping sequences
- Realistic parents
- A smart and clear explanation of how gods turn into saints and what those saints eventually turn into: namely, a barely-understood name whose history has been forgotten
- A certain lack of closure for one of the leads, a character who remains complex and whose fate remains ambiguous - I love how the author didn't back away from that because sometimes life isn't too kind to kids
- Those horrible little warts turn into SPOILER amazing little eyes! I'm still quite sure I don't want them growing on my hand, but they did turn out to be pretty handy
- An understanding of people and wishes: what wishes could actually mean, the transient desires and hidden emotional needs that often create wishes, how most wishes should never come true
- The image of ghostly dream snakes writhing from people's chests was unexpected and a perfect analogy for wishes
- A sidekick for a hero and a character who would perhaps normally be the hero being... well, something else, something a lot more complicated
- Annoying girl character turns out to be the cleverest and most resourceful of all, yay!
- Increasingly excellent prose. Hardinge has a way with words: by turns clever, thoughtful, or jarring, depending on the scene, and often describing thoughts and situations in unexpected ways
- A surprising darkness at the heart of one of the antagonists, an elderly woman with a tragic backstory
- A bizarre attack in a home and a very strange flood were really gripping sequences
- Realistic parents
- A smart and clear explanation of how gods turn into saints and what those saints eventually turn into: namely, a barely-understood name whose history has been forgotten
- A certain lack of closure for one of the leads, a character who remains complex and whose fate remains ambiguous - I love how the author didn't back away from that because sometimes life isn't too kind to kids
- Those horrible little warts turn into SPOILER amazing little eyes! I'm still quite sure I don't want them growing on my hand, but they did turn out to be pretty handy
February 13, 2008
I’ve been around the block when it comes to loving first time authors, if you know what I mean. That pretty little debut novel comes out and suddenly you can’t stop talking about it. You proselytize “your” find to the high hills in an attempt to convince the world around you that what you have here is pure unadulterated gold. Then the author’s second book comes out and inevitably the crush fades. You notice flaws in the new book. It could never live up to the pristine glory that was the author’s first title, so you swallow your disappointment and move on with your life. Now in 2006 there was a little novel by the name of Fly by Night that came from first-time writer Frances Hardinge. People who know me know that I was head over heels for that title. And when I received her second book to be published in America, Well Witched I knew that I was either going to see lightning strike twice or be deeply disappointed. And what I found made me reevaluate my take on Hardinge’s writing, but in a good way. A very different beastie from her first outing, Well Witched has a slow start but once the action starts hopping it becomes a heady examination of power, wishes, and whether or not it’s fair to label something evil if it's merely misunderstood or out of place.
Well what would you have done? Here they were, stranded in a small village that they were NOT supposed to be visiting in the first place, and Ryan, Josh, and Chelle had just missed the cheap bus out. Now they’d have to scrounge up some money for the heftier fare, and where on earth were they supposed to do that? Really, when you think of it, it was only logical rob the wishing well. Right? I mean, it’s not like it was going to miss the dough. But then, soon after, strange things start happening to the three kids. Josh seems to affect everything around him electrically. Chelle starts speaking the thoughts of certain people she’s near. And Ryan’s got these warts on his hands. Innocent at first and then... less so. It soon becomes clear that the three are under the thrall of the spirit that lives deep inside the well and they have a job to do. For each coin they took they must make that coin’s wish come true. At first it’s fun stuff like getting someone a motorcycle or helping them fall in love. Soon, though, it becomes clear that even if the wishes are death and dismemberment, they must help the wishers achieve their desires. And when one of the three starts taking the job a little too seriously, there are consequences involved that none of them could foresee.
At first, you’re not sure why you’re getting everything from the point of view of Ryan. It’s like reading a Harry Potter book and finding that you’re inside the brain of Ron the entire time. Ryan is Josh’s right-hand man. He’s not particularly brilliant or funny. He's just a normal guy and it's JOSH that's the star of the show. As the story continues, however, it becomes clear that Ryan has a streak of good old-fashioned decency that will get him through this experience with a lot less damange than Josh.
I admit to you right now that when I began reading the book I was disappointed by the plodding pace. Maybe “plodding” is too strong a term. Let’s call it “purposeful” then. It takes a while to get going. I liked learning about Ryan’s family and that kind of stuff, but the other two main characters didn’t gel for me. Even the powers the three receive were okay, but I didn’t really get into them. It wasn’t until the characters started to get proactive, going out there, finding wishers, and making wishes come true that the pace picked up. And when the villains of the piece started showing their true colors and the morality of what they were doing was called into question, then I found I couldn’t put it down. The story’s basically a roller coaster ride. If you can sit through the slow trip upwards, the downhill plunge is worth your hard earned cash.
Technically it’s a fantasy novel but you might also be able to call it a horror. There elements in this book that screenwriters would kill to rip-off if they knew about them. I mean, what would happen if you opened your eyes in front of the mirror and found that your reflection had kept its own closed? And what’s more, when those eyelids DID open, what if they released gushing torrents of murky water? Consider too the warts on Ryan’s hands. I don’t want to give anything away, but imagine waking up in the middle of the night, looking at your hands, and seeing lines of hairs running through the center of each wart. I’d have nightmares about that, if my brain was smart enough to think it up on its own. Mind you, I don’t think that these elements make the book inappropriate for children. Just bear in mind that there are psychological elements that play on our fears rather than our fantasies in this story.
Hardinge is the queen of the description. Nobody matches her in this respect. Nobody. Listen to some of these lines as they appear throughout the story:
“Chelle was biting her lower lip, her upper lip pulling down to a point, like a little soft beak.”
“I hate scars and things, they make my stomach feel like it’s unpeeling...”
“. . . and it’s tricky because she always makes me feel like, well, you know what it’s like, when somebody’s watching you and you can feel it like dead leaves down the back of your sweater. . . “
“She had big, vague eyes and a big, vague smile, and was always very busy in the way that a moth crashing about in a lampshade is busy.”
“There was a pause while his brain hopped back and actually heard what Ryan had said.”
“... this was different, and this was hate. This had brewed itself to a blackness like ink.”
Regarding shopping carts: “Ryan had always thought that carts had far too much body language for objects with no heads or limbs.”
Harding is also able to point out things about a person that we recognize without having thought of them before. Like when you pray to God in such a way that you hope that God would be impressed by your bravery. She gets people and the little crazy things that make us human. It makes her inhuman water spirit all the more frightening when you couple that kind of pitiless sense of black and white against humans and their charming flaws. The spirit doesn’t care if people make bad wishes or want to take them back later. All she cares about is granting them. I like books where human characters encounter someone alien and you feel that distance and that strangeness.
The redemption of Chelle is one of the finest things about this book. In fact, when you think about it, the whole novel is about redemption. Nobody in this story is really “evil” even though incredibly evil things occur or almost occur. And I was as gung-ho to see the bad guy get it as anyone, but Hardinge doesn’t play by those rules. This isn't a book that's going to merrily kill a character for sport. Death is a desperate dangerous thing, and everyone in this book knows it.
There are things that don’t make sense, a slow start, and some lines that don’t work with the rest of the text, but on the whole Hardinge’s book is captivating reading. The central idea is that when we wish, we aren’t wishing for what we really want. We’re wishing for the outer shiny layer, not the nut of the wish. Hardinge prefers nuts, and by the end of this book you will too. A scintillating tale worth discovering.
Well what would you have done? Here they were, stranded in a small village that they were NOT supposed to be visiting in the first place, and Ryan, Josh, and Chelle had just missed the cheap bus out. Now they’d have to scrounge up some money for the heftier fare, and where on earth were they supposed to do that? Really, when you think of it, it was only logical rob the wishing well. Right? I mean, it’s not like it was going to miss the dough. But then, soon after, strange things start happening to the three kids. Josh seems to affect everything around him electrically. Chelle starts speaking the thoughts of certain people she’s near. And Ryan’s got these warts on his hands. Innocent at first and then... less so. It soon becomes clear that the three are under the thrall of the spirit that lives deep inside the well and they have a job to do. For each coin they took they must make that coin’s wish come true. At first it’s fun stuff like getting someone a motorcycle or helping them fall in love. Soon, though, it becomes clear that even if the wishes are death and dismemberment, they must help the wishers achieve their desires. And when one of the three starts taking the job a little too seriously, there are consequences involved that none of them could foresee.
At first, you’re not sure why you’re getting everything from the point of view of Ryan. It’s like reading a Harry Potter book and finding that you’re inside the brain of Ron the entire time. Ryan is Josh’s right-hand man. He’s not particularly brilliant or funny. He's just a normal guy and it's JOSH that's the star of the show. As the story continues, however, it becomes clear that Ryan has a streak of good old-fashioned decency that will get him through this experience with a lot less damange than Josh.
I admit to you right now that when I began reading the book I was disappointed by the plodding pace. Maybe “plodding” is too strong a term. Let’s call it “purposeful” then. It takes a while to get going. I liked learning about Ryan’s family and that kind of stuff, but the other two main characters didn’t gel for me. Even the powers the three receive were okay, but I didn’t really get into them. It wasn’t until the characters started to get proactive, going out there, finding wishers, and making wishes come true that the pace picked up. And when the villains of the piece started showing their true colors and the morality of what they were doing was called into question, then I found I couldn’t put it down. The story’s basically a roller coaster ride. If you can sit through the slow trip upwards, the downhill plunge is worth your hard earned cash.
Technically it’s a fantasy novel but you might also be able to call it a horror. There elements in this book that screenwriters would kill to rip-off if they knew about them. I mean, what would happen if you opened your eyes in front of the mirror and found that your reflection had kept its own closed? And what’s more, when those eyelids DID open, what if they released gushing torrents of murky water? Consider too the warts on Ryan’s hands. I don’t want to give anything away, but imagine waking up in the middle of the night, looking at your hands, and seeing lines of hairs running through the center of each wart. I’d have nightmares about that, if my brain was smart enough to think it up on its own. Mind you, I don’t think that these elements make the book inappropriate for children. Just bear in mind that there are psychological elements that play on our fears rather than our fantasies in this story.
Hardinge is the queen of the description. Nobody matches her in this respect. Nobody. Listen to some of these lines as they appear throughout the story:
“Chelle was biting her lower lip, her upper lip pulling down to a point, like a little soft beak.”
“I hate scars and things, they make my stomach feel like it’s unpeeling...”
“. . . and it’s tricky because she always makes me feel like, well, you know what it’s like, when somebody’s watching you and you can feel it like dead leaves down the back of your sweater. . . “
“She had big, vague eyes and a big, vague smile, and was always very busy in the way that a moth crashing about in a lampshade is busy.”
“There was a pause while his brain hopped back and actually heard what Ryan had said.”
“... this was different, and this was hate. This had brewed itself to a blackness like ink.”
Regarding shopping carts: “Ryan had always thought that carts had far too much body language for objects with no heads or limbs.”
Harding is also able to point out things about a person that we recognize without having thought of them before. Like when you pray to God in such a way that you hope that God would be impressed by your bravery. She gets people and the little crazy things that make us human. It makes her inhuman water spirit all the more frightening when you couple that kind of pitiless sense of black and white against humans and their charming flaws. The spirit doesn’t care if people make bad wishes or want to take them back later. All she cares about is granting them. I like books where human characters encounter someone alien and you feel that distance and that strangeness.
The redemption of Chelle is one of the finest things about this book. In fact, when you think about it, the whole novel is about redemption. Nobody in this story is really “evil” even though incredibly evil things occur or almost occur. And I was as gung-ho to see the bad guy get it as anyone, but Hardinge doesn’t play by those rules. This isn't a book that's going to merrily kill a character for sport. Death is a desperate dangerous thing, and everyone in this book knows it.
There are things that don’t make sense, a slow start, and some lines that don’t work with the rest of the text, but on the whole Hardinge’s book is captivating reading. The central idea is that when we wish, we aren’t wishing for what we really want. We’re wishing for the outer shiny layer, not the nut of the wish. Hardinge prefers nuts, and by the end of this book you will too. A scintillating tale worth discovering.
August 10, 2023
This was my third read from Frances Hardinge, after Deeplight and Fly by Night, and nothing like either of those books in setting or tone. It also seems to be the least popular of her novels, at least if GR ratings and the friends who urged me to pick a different title for my next Hardinge read are anything to go by. But having decided I liked her after Deeplight and bought all the rest of her books, I've defaulted to reading in publication order it seems.
While the other two books are set in invented worlds, the setting here appears to be contemporary England. The main character, Ryan, has skipped a grade and is eleven, his friend Chelle twelve, and the third of our trio, Josh, who the former two idolize is, I believe, supposed to be a year above them in school so thirteen?
The kids feel much younger than in Deeplight, and while I wouldn't call the tone "light" exactly, it's distinctly calmer, and less tense than that book. In fact if anything specific here disappointed me, it's that Verdigris Deep did not go anywhere near as far down the road with the toxic friendship angle as I expected, primed by Deeplight and lines like this near the opening:
Both Ryan and Chelle read to me as flavors of neurodivergent, both socially awkward with odd traits, and both targets of bullying at school before Josh took a liking to them, and it's never really explained why he did. This is somewhat unfortunately one of those books where my anticipated explanations for things were sometimes more interesting than the ones we eventually get. (Though not everything, like Josh's friendship, is explained.)
In comparison to Fly by Night I found the prose here much more restrained, or under control, though there are still any number of fantastic lines like this one:
While this doesn't quite measure up to Deeplight for me, it's more to my taste than Fly by Night and definitely earns the fifth star.
While the other two books are set in invented worlds, the setting here appears to be contemporary England. The main character, Ryan, has skipped a grade and is eleven, his friend Chelle twelve, and the third of our trio, Josh, who the former two idolize is, I believe, supposed to be a year above them in school so thirteen?
The kids feel much younger than in Deeplight, and while I wouldn't call the tone "light" exactly, it's distinctly calmer, and less tense than that book. In fact if anything specific here disappointed me, it's that Verdigris Deep did not go anywhere near as far down the road with the toxic friendship angle as I expected, primed by Deeplight and lines like this near the opening:
“Shush,” Ryan said with more urgency. Josh was almost within earshot. Whenever Josh felt bad about something he had done, he got angry with the whole world, became playfully vicious. Ryan did not want to be stranded in Magwhite with an angry Josh.
“Ryan, you’re our eagle eyes, find us a cart,” said Josh, and Ryan felt an uncomfortable swell of pride and doubt. He was never sure if Josh was making fun of him.
Both Ryan and Chelle read to me as flavors of neurodivergent, both socially awkward with odd traits, and both targets of bullying at school before Josh took a liking to them, and it's never really explained why he did. This is somewhat unfortunately one of those books where my anticipated explanations for things were sometimes more interesting than the ones we eventually get. (Though not everything, like Josh's friendship, is explained.)
In comparison to Fly by Night I found the prose here much more restrained, or under control, though there are still any number of fantastic lines like this one:
She had big, vague eyes and a big, vague smile, and was always very busy in the way that a moth crashing about in a lampshade is busy.
While this doesn't quite measure up to Deeplight for me, it's more to my taste than Fly by Night and definitely earns the fifth star.
October 29, 2009
Another Great Book Fallen Victim To The Average American Reading Level...
... which they say is around the 8th grade. Which I blame on dumb adults thinking kids aren't smart enough to read beyond their "expected" reading level. How the heck are kids going to learn to read higher than they already are if they aren't challenged? When I was a kid, I didn't let the prospect of unfamiliar words or concepts deter me from reading, oh no, I carried a little dictionary around with me, and what I didn't understand, I just waited until I was old enough to ('cause there are just some things that you won't get until you've lived a certain amount of experience).
Coming back to this book, the original title (in the UK) is Verdigris Deep. An utterly lovely, intriguing, mysterious title. Had I seen THAT title, I would've been all over this book like a monkey on a banana. Well Witched on the other hand, an inane pun if I may say so, made me roll my eyes and almost pass over it. Luckily I was bored so I took the time to read the inside blurb. Intrigued me enough to take it for a spin. LOVED IT.
Hardinge has a wonderful way with words, but most importantly, her characters are real. They're flawed, they're complex, they change through the course of the book, and they're not perfect. They're interesting. Unique.
Verdigris Deep a.k.a Well Witched (blechh) is a story about the power of wishes, the truth about wishes, the terrible, horrific, self-destructive consequences that wanting them can cause. It's at times deliciously creepy, vividly poetic, and satisfyingly complex (despite it being a "children's" novel). I think people underestimate children's ability to grow in terms of comprehension and literacy. We aren't doing them any favors simplifying literature, dumbing things down so that they're interested, so that they're more comfortable reading at "their level." Shouldn't we be challenging them to always keep growing, improving?
In any case, this book is a wonderful example of what children should be reading: writing that fires the imagination, inspires thoughtfulness, and encourages a love of words and the wonderful things you can do with them.
Side Note: Another book title fallen victim to dumbification: Harry Potter and the Philosopher's Stone a.k.a Sorcerer's Stone.
... which they say is around the 8th grade. Which I blame on dumb adults thinking kids aren't smart enough to read beyond their "expected" reading level. How the heck are kids going to learn to read higher than they already are if they aren't challenged? When I was a kid, I didn't let the prospect of unfamiliar words or concepts deter me from reading, oh no, I carried a little dictionary around with me, and what I didn't understand, I just waited until I was old enough to ('cause there are just some things that you won't get until you've lived a certain amount of experience).
Coming back to this book, the original title (in the UK) is Verdigris Deep. An utterly lovely, intriguing, mysterious title. Had I seen THAT title, I would've been all over this book like a monkey on a banana. Well Witched on the other hand, an inane pun if I may say so, made me roll my eyes and almost pass over it. Luckily I was bored so I took the time to read the inside blurb. Intrigued me enough to take it for a spin. LOVED IT.
Hardinge has a wonderful way with words, but most importantly, her characters are real. They're flawed, they're complex, they change through the course of the book, and they're not perfect. They're interesting. Unique.
Verdigris Deep a.k.a Well Witched (blechh) is a story about the power of wishes, the truth about wishes, the terrible, horrific, self-destructive consequences that wanting them can cause. It's at times deliciously creepy, vividly poetic, and satisfyingly complex (despite it being a "children's" novel). I think people underestimate children's ability to grow in terms of comprehension and literacy. We aren't doing them any favors simplifying literature, dumbing things down so that they're interested, so that they're more comfortable reading at "their level." Shouldn't we be challenging them to always keep growing, improving?
In any case, this book is a wonderful example of what children should be reading: writing that fires the imagination, inspires thoughtfulness, and encourages a love of words and the wonderful things you can do with them.
Side Note: Another book title fallen victim to dumbification: Harry Potter and the Philosopher's Stone a.k.a Sorcerer's Stone.
July 25, 2017
Ryan is introverted and young for his grade. Chelle talks in a never ending stream of babble. They feel humbly grateful when the new kid, rich, self-possessed, impossible to embarrass or discomfit, takes a shine to each of them. Together they form an inseparable trio, having what seem like thrilling adventures (hiding away a teacher's bike helmet, taking a bus to a bad part of town, etc). But these low-stakes shenanigans take a darker turn after Josh steals money from a wishing well to get bus fare. The spirit of the well grants each of them powers and demands they grant all the wishes left behind in the well. Josh, Chelle, and Ryan try, but some people's wishes aren't really what they want, or were never what they wanted, or should never ever be granted. Enthused by his purpose and new poltergeist-like powers, Josh intends to grant every wish, no matter how dangerous, but for the first time, Ryan and Chelle stand up to him. But the well spirit will not be denied...
This was fabulous. Ryan, Chelle, and Josh each felt fully realized, just like kids I've been or known, and their relationships with each other were wonderfully believable and recognizable. There are all these wonderful little details about who calls who, and the kinds of jokes they habitually tell, and that sort of thing, that made their friendship feel almost like a character itself. Even their families are fleshed out, particularly Ryan's. Characters are introduced as those witty one-sentence descriptions that Roald Dahl or JK Rowling are so good at (Of Ryan's father: "You often got the feeling that he was sharing a clever joke with somebody you couldn't see, picking the words most likely to amuse them." Or "Miss Gossamer always reminded Ryan of a mummified cat he had once seen in a museum...The cat had looked half starved, but with a shocked, sleepy, supercilious look."). But they don't remain one line characters, and I loved seeing behind the curtain for each of them.
The magic is strange, mysterious, and creepy. Figuring out what the well witch wants, and what to do to about it, requires elliptical thinking, grit, and research into old myths and old hurts. All my favorite things! This felt like a modern Edward Eager or Diana Wynne Jones story. I was so happy to read it.
This was fabulous. Ryan, Chelle, and Josh each felt fully realized, just like kids I've been or known, and their relationships with each other were wonderfully believable and recognizable. There are all these wonderful little details about who calls who, and the kinds of jokes they habitually tell, and that sort of thing, that made their friendship feel almost like a character itself. Even their families are fleshed out, particularly Ryan's. Characters are introduced as those witty one-sentence descriptions that Roald Dahl or JK Rowling are so good at (Of Ryan's father: "You often got the feeling that he was sharing a clever joke with somebody you couldn't see, picking the words most likely to amuse them." Or "Miss Gossamer always reminded Ryan of a mummified cat he had once seen in a museum...The cat had looked half starved, but with a shocked, sleepy, supercilious look."). But they don't remain one line characters, and I loved seeing behind the curtain for each of them.
The magic is strange, mysterious, and creepy. Figuring out what the well witch wants, and what to do to about it, requires elliptical thinking, grit, and research into old myths and old hurts. All my favorite things! This felt like a modern Edward Eager or Diana Wynne Jones story. I was so happy to read it.
July 30, 2017
3.5
“Making a wish is like saying, 'I can't deal with anything, I give up, somebody bigger come along and solve it all instead"
This was one creepy read! Hardinge puts together one hell of a story, using usual horror tropes as well as creating her own ones. Who ever thought that trolleys could be menacing!!!! Although the plot was sound, and the characters interesting, it took me half the book to finally get involved. Not entirely sure why that is either. However, after that point, I couldn't stop. This did coincide with Ryan's behaviour to a certain extent.
On the other hand, Hardinge's writing style was of course spellbinding. She has a very unique way of seeing the world and translating this into her writing, crafting descriptions that are both beautiful and arresting. After seeing the same metaphors and similes used time after time into cliches, it really makes you stop and re-appreciate the world when an author succeeds at giving you a new way to see. I shall definitely be reading more of her books.
“Making a wish is like saying, 'I can't deal with anything, I give up, somebody bigger come along and solve it all instead"
This was one creepy read! Hardinge puts together one hell of a story, using usual horror tropes as well as creating her own ones. Who ever thought that trolleys could be menacing!!!! Although the plot was sound, and the characters interesting, it took me half the book to finally get involved. Not entirely sure why that is either. However, after that point, I couldn't stop. This did coincide with Ryan's behaviour to a certain extent.
On the other hand, Hardinge's writing style was of course spellbinding. She has a very unique way of seeing the world and translating this into her writing, crafting descriptions that are both beautiful and arresting. After seeing the same metaphors and similes used time after time into cliches, it really makes you stop and re-appreciate the world when an author succeeds at giving you a new way to see. I shall definitely be reading more of her books.
October 7, 2020
According to Goodreads, I read and rated the American-titled edition, Well Witched, several years ago. My personal spreadsheet that goes back to 2002 has no record of it, and I have exactly no memory of the plot (more on that later), but I can't imagine I'd mark it read in GR if I hadn't read it. So that's a mystery.
And the plot is crazy. Seriously. I've read a number of Frances Hardinge's other books, but all of them were secondary world fantasy, and this is set in our world and is very different. It's like The Time of the Ghost if Diana Wynne Jones had no filters and recurring nightmares about The Ring. I told my kids some of what happens (specifically, the little warts that turn into eyeballs on the back of the main character's hands) and none of them believed me that this is a children's book.
The thing is, it's actually a pretty good children's book. Crazy plot aside, it has a lot to say about sideways bullying and friendship and the way people can talk themselves into going along with almost anything if it means the respect of someone more powerful. And Hardinge is always good with characterization even when she's writing books that otherwise don't work (not this one; it works fine). The three children at the heart of the story are breathtakingly real, and the side characters have great solidity.
The title is unfortunate mainly because this is a children's book: Verdigris is an off-putting word for a kid, even though "Verdigris Deep" sounds sufficiently creepy and sells the concept of the book. (The American title "Well Witched" along with the cover illustration makes it sound like a much lighter, much less creepy story than it is, and I wonder how many people picked it up thinking they were getting something cute and were then horrified.)
My actual rating is closer to 3.5, I think, but I'm rounding up because the ambience was so good. It's one of those rare books, for me, where I think the movie of the book might be better than the book itself simply because much of the horror here is visual. It's not going to be my favorite of Hardinge's books, but I'm not sorry I picked it up. (I'm also reminded that I own at least one other Hardinge book I haven't read, but I own over 2000 books I haven't read, so that one can get in line.)
And the plot is crazy. Seriously. I've read a number of Frances Hardinge's other books, but all of them were secondary world fantasy, and this is set in our world and is very different. It's like The Time of the Ghost if Diana Wynne Jones had no filters and recurring nightmares about The Ring. I told my kids some of what happens (specifically, the little warts that turn into eyeballs on the back of the main character's hands) and none of them believed me that this is a children's book.
The thing is, it's actually a pretty good children's book. Crazy plot aside, it has a lot to say about sideways bullying and friendship and the way people can talk themselves into going along with almost anything if it means the respect of someone more powerful. And Hardinge is always good with characterization even when she's writing books that otherwise don't work (not this one; it works fine). The three children at the heart of the story are breathtakingly real, and the side characters have great solidity.
The title is unfortunate mainly because this is a children's book: Verdigris is an off-putting word for a kid, even though "Verdigris Deep" sounds sufficiently creepy and sells the concept of the book. (The American title "Well Witched" along with the cover illustration makes it sound like a much lighter, much less creepy story than it is, and I wonder how many people picked it up thinking they were getting something cute and were then horrified.)
My actual rating is closer to 3.5, I think, but I'm rounding up because the ambience was so good. It's one of those rare books, for me, where I think the movie of the book might be better than the book itself simply because much of the horror here is visual. It's not going to be my favorite of Hardinge's books, but I'm not sorry I picked it up. (I'm also reminded that I own at least one other Hardinge book I haven't read, but I own over 2000 books I haven't read, so that one can get in line.)
October 26, 2012
Making a wish is like saying, ‘I can’t deal with anything, I give up, somebody bigger come along and solve it all instead.’
Ryan, Josh, and Chelle miss their last bus home when hanging out in Magwhite, the village they only frequent because it is forbidden by their parents. They’ll do just about anything to make it home without having to call anyone, even if it means wrangling up some extra change to buy tickets for another bus line. Short on money and options, Josh descends into the local wishing well and crawls back out carrying enough change to pay their way home. Soon the kids learn they’ve done anything but take the easy way out as each of them begins to take on some unsettling powers. Unsure if they’re radioactive, crazy, or just plain unlucky, they realize that they didn’t just take change from the well, they took people’s wishes, and those wishes need granting.
My initial notes for Well Witched state how whimsical and jaunty it feels–how different from Gullstruck Island. And then this happened:
That’s when I remembered that behind the veneer of charming metaphors and the unexpected personification of shopping carts lies Frances Hardinge’s ability to dig under your skin and inject you with emotions you never anticipated when picking up this book. I’ve read Frances Hardinge before, and she still manages to blindside me–and yes, creep me out just a bit. I feel I was lulled into complacency by the cutesy US title ‘Well Witched‘ when the slightly ominous and mysterious ‘Verdigris Deep‘ suits the story much better. I suppose the publishers thought young American children wouldn’t pick up a book containing a word in the title they had little to no chance of knowing, but I like to think that young readers are attracted to the challenge of the unknown. I, for one, will now never forget that the term ‘verdigris’ applies to that bluish tarnish that will appear on copper, brass, or bronze after a period of time. Like the Statue of Liberty, or, like coins down a wishing well.
Well Witched is, at its core, a story of human nature. I was astounded as I read, realizing just how well Frances Hardinge understands people. Who they are, what they want, what they really want under all of that wanting…And, of course, it is a story of wishes. I don’t think it’s outrageous to assume we’ve all heard the expression ‘Be careful what you wish for.’, and that we also could all recount a handful of tales demonstrating the truth of those words. Well Witched, however, isn’t the story of wishers, it’s the story of those who make them come true.
There is Chelle, helpless, cowardly, and lacking the ability to stay quiet. She looks to her two friends for everything, including permission to form whatever thoughts and opinions will be approved of. There is Josh, who was their salvation. He is a year older, with a humor and fearlessness that would leave him in charge of any situation with all those around him seeking his approval. And then, there is Ryan. Ryan who has always seen the world in an “upside-down” sort of manner, and seeks to see things in as many different ways as possible so as to never be taken by surprise. Chelle wants to be helpful and needed, Josh wants to be in control, and Ryan mostly just wants to understand.
Well Witched is told in the third person over the shoulder perspective, entirely from Ryan’s point of view. Through him we see the chilling horror of lines blurring between nightmare and reality, and the desperation to hold onto what you care about. Even when holding on means changing so much of who you let yourself be, growing, and seeing the reality in others. I love that nobody really changes throughout the course of Well Witched, they only become more on the outside who they were on the inside–or maybe we’re slowly infected with Ryan’s upside-down way of viewing the world and can begin to see everyone differently. We realize that parents are just people too, and that our heroes are only human, and that it can be very confusing trying to determine what a person really wants when they make a simple wish.
Well Witched was a harrowing adventure story, but it is the underlying feeling it gave me that I will remember long after I’ve returned the book to its shelf. It focuses on friendship, child-parent relationships, and the darker side of people in ways that are rarely examined in Middle Grade literature. It is fun, fantastical, and unexpectedly chilling.
Frances Hardinge has a way of hooking together words from the English language that makes me feel as if everyone else has been doing it wrong. Quite frankly, I couldn’t recommend her books more.
Originally reviewed at Bunbury in the Stacks.
Ryan, Josh, and Chelle miss their last bus home when hanging out in Magwhite, the village they only frequent because it is forbidden by their parents. They’ll do just about anything to make it home without having to call anyone, even if it means wrangling up some extra change to buy tickets for another bus line. Short on money and options, Josh descends into the local wishing well and crawls back out carrying enough change to pay their way home. Soon the kids learn they’ve done anything but take the easy way out as each of them begins to take on some unsettling powers. Unsure if they’re radioactive, crazy, or just plain unlucky, they realize that they didn’t just take change from the well, they took people’s wishes, and those wishes need granting.
My initial notes for Well Witched state how whimsical and jaunty it feels–how different from Gullstruck Island. And then this happened:
That’s when I remembered that behind the veneer of charming metaphors and the unexpected personification of shopping carts lies Frances Hardinge’s ability to dig under your skin and inject you with emotions you never anticipated when picking up this book. I’ve read Frances Hardinge before, and she still manages to blindside me–and yes, creep me out just a bit. I feel I was lulled into complacency by the cutesy US title ‘Well Witched‘ when the slightly ominous and mysterious ‘Verdigris Deep‘ suits the story much better. I suppose the publishers thought young American children wouldn’t pick up a book containing a word in the title they had little to no chance of knowing, but I like to think that young readers are attracted to the challenge of the unknown. I, for one, will now never forget that the term ‘verdigris’ applies to that bluish tarnish that will appear on copper, brass, or bronze after a period of time. Like the Statue of Liberty, or, like coins down a wishing well.
Well Witched is, at its core, a story of human nature. I was astounded as I read, realizing just how well Frances Hardinge understands people. Who they are, what they want, what they really want under all of that wanting…And, of course, it is a story of wishes. I don’t think it’s outrageous to assume we’ve all heard the expression ‘Be careful what you wish for.’, and that we also could all recount a handful of tales demonstrating the truth of those words. Well Witched, however, isn’t the story of wishers, it’s the story of those who make them come true.
There is Chelle, helpless, cowardly, and lacking the ability to stay quiet. She looks to her two friends for everything, including permission to form whatever thoughts and opinions will be approved of. There is Josh, who was their salvation. He is a year older, with a humor and fearlessness that would leave him in charge of any situation with all those around him seeking his approval. And then, there is Ryan. Ryan who has always seen the world in an “upside-down” sort of manner, and seeks to see things in as many different ways as possible so as to never be taken by surprise. Chelle wants to be helpful and needed, Josh wants to be in control, and Ryan mostly just wants to understand.
Well Witched is told in the third person over the shoulder perspective, entirely from Ryan’s point of view. Through him we see the chilling horror of lines blurring between nightmare and reality, and the desperation to hold onto what you care about. Even when holding on means changing so much of who you let yourself be, growing, and seeing the reality in others. I love that nobody really changes throughout the course of Well Witched, they only become more on the outside who they were on the inside–or maybe we’re slowly infected with Ryan’s upside-down way of viewing the world and can begin to see everyone differently. We realize that parents are just people too, and that our heroes are only human, and that it can be very confusing trying to determine what a person really wants when they make a simple wish.
Well Witched was a harrowing adventure story, but it is the underlying feeling it gave me that I will remember long after I’ve returned the book to its shelf. It focuses on friendship, child-parent relationships, and the darker side of people in ways that are rarely examined in Middle Grade literature. It is fun, fantastical, and unexpectedly chilling.
Frances Hardinge has a way of hooking together words from the English language that makes me feel as if everyone else has been doing it wrong. Quite frankly, I couldn’t recommend her books more.
Originally reviewed at Bunbury in the Stacks.
October 18, 2012
So, this book.
My last Frances Hardinge (woe).
Kind of blew my mind away.
But at first, it totally threw me. I started reading it and was all like what is this? Because this is the only Hardinge that is not set in a secondary world. It is the only Hardinge set in our own contemporary world. It is the only Hardinge that has a boy protagonist. It is the only Hardinge that is more Horror than Fantasy:
Three friends Ryan, Chelle and Josh find themselves without their bus fare home and daredevil Josh climbs down the local Wishing Well to collect some of its coins to pay for their journey. Then weird things start to happen. Ryan gets warts on his hands – warts that turn out to be eyes that give him second sight. Chelle starts to broadcast other people’s thoughts, uncontrollably babbling out loud what they are thinking. Josh affects the magnetic fields around him giving him power over metal and electronics. In the meantime, Ryan also starts dreaming about a terrifying figure and that’s when it hits them that what they stole were wishes and now the spirit of the well expects them to grant those, aided by their new powers.
At first, things seem easy enough. A guy wants a Harley Davidson, let’s get him one. A girl wants to hook up with the person she is in love with, let’s get them together.
But soon the kids realise that wishes are not as straightforward as that because sure, the guy might wish for a Harley Davidson, but what he really wants is to be cool. And how can they possibly ascertain those different layers? And what happens when someone wishes for something negative to happen to their enemies?
Just then, things get really out of hand when Josh starts to enjoy his powers a bit too much.
Verdigris Deep might sound like the Odd One Out among Hardinge’s bibliography but it’s not really. There is the awesome concept, just like her other books. There is the cleverness of the plot, the creativity of the story and the refusal to pander to children. The love for language shines through and oh my God, how could I not be completely head over heels in love with how language finds new highs in her books:
Some ten yards away, Ryan stood there stupidly holding a carrier bag full of canned sweetcorn while he watched the continents of his world collide and the stars fall out of the sky. Almost involuntarily he started counting through the Fibonacci sequence in his head to keep himself sane. One, two, three, five, eight…Today the numbers failed him. The way they built up only seemed an echo of what was happening before him, where every bitter sentence added to the last to make something bigger and worse.
Bliss.
Although in a way this does feel like more of an internalised story. Her other books deal with characters growing up in the middle of revolutions or in grandiose, extravagant settings and as such, internal and external conflicts develop side by side.
In Verdigris Deep , the story is informed by the three characters and the powers they gain are granted according to their personalities.
Popular, energetic but unloved Josh gets the most flashy of the powers, the one that allows him to ascertain more control over those around him. Both Ryan and Chelle worship Josh to the point of blindness even as he is cruel and unsympathetic.
Chelle is insecure and shy and kind of the outsider in the group, always babbling away even though the others never pay attention to what she says. At one point, Josh cruelly refers to her as the coleslaw of the group – a side dish that you eat up but don’t really care for.
Ryan is the focal character and he is quiet and lonely, never saying what he really wants or means. His narrative starts off as unsympathetic, detached and even a little bit callous when describing the people around him.
The story progresses as the powers they have gained help Ryan developing a great degree of self-awareness. The realisation about the hero-worship behind his relationship with Josh as well as his own capacity for cruelty (after all, doesn’t he also think of Chelle as the coleslaw?) are only part of how the relationships and the characters are deconstructed, pulled apart and then built up again with sympathy and compassion.
In spite of all of the hijinks, the fear and the creepy factor of the novel as the kids get more and more involved with the Spirit of the Well, this is much more of an understated, quiet novel. Because this is a book that is much more about the microcosm than the macro, it doesn’t end in Revolution or Change with capital letters in quite the same way that Hardinge’s other books do. But it is still in many ways, a book about revolution and change just as much because in the end, the kids’ lives have been altered, bettered and they have grown up. It is a very emotional, touching and humane story.
So basically, what I am saying is: Frances Hardinge is right now, my favourite writer. Let her career be a long and prosperous one.
My last Frances Hardinge (woe).
Kind of blew my mind away.
But at first, it totally threw me. I started reading it and was all like what is this? Because this is the only Hardinge that is not set in a secondary world. It is the only Hardinge set in our own contemporary world. It is the only Hardinge that has a boy protagonist. It is the only Hardinge that is more Horror than Fantasy:
Three friends Ryan, Chelle and Josh find themselves without their bus fare home and daredevil Josh climbs down the local Wishing Well to collect some of its coins to pay for their journey. Then weird things start to happen. Ryan gets warts on his hands – warts that turn out to be eyes that give him second sight. Chelle starts to broadcast other people’s thoughts, uncontrollably babbling out loud what they are thinking. Josh affects the magnetic fields around him giving him power over metal and electronics. In the meantime, Ryan also starts dreaming about a terrifying figure and that’s when it hits them that what they stole were wishes and now the spirit of the well expects them to grant those, aided by their new powers.
At first, things seem easy enough. A guy wants a Harley Davidson, let’s get him one. A girl wants to hook up with the person she is in love with, let’s get them together.
But soon the kids realise that wishes are not as straightforward as that because sure, the guy might wish for a Harley Davidson, but what he really wants is to be cool. And how can they possibly ascertain those different layers? And what happens when someone wishes for something negative to happen to their enemies?
Just then, things get really out of hand when Josh starts to enjoy his powers a bit too much.
Verdigris Deep might sound like the Odd One Out among Hardinge’s bibliography but it’s not really. There is the awesome concept, just like her other books. There is the cleverness of the plot, the creativity of the story and the refusal to pander to children. The love for language shines through and oh my God, how could I not be completely head over heels in love with how language finds new highs in her books:
Some ten yards away, Ryan stood there stupidly holding a carrier bag full of canned sweetcorn while he watched the continents of his world collide and the stars fall out of the sky. Almost involuntarily he started counting through the Fibonacci sequence in his head to keep himself sane. One, two, three, five, eight…Today the numbers failed him. The way they built up only seemed an echo of what was happening before him, where every bitter sentence added to the last to make something bigger and worse.
Bliss.
Although in a way this does feel like more of an internalised story. Her other books deal with characters growing up in the middle of revolutions or in grandiose, extravagant settings and as such, internal and external conflicts develop side by side.
In Verdigris Deep , the story is informed by the three characters and the powers they gain are granted according to their personalities.
Popular, energetic but unloved Josh gets the most flashy of the powers, the one that allows him to ascertain more control over those around him. Both Ryan and Chelle worship Josh to the point of blindness even as he is cruel and unsympathetic.
Chelle is insecure and shy and kind of the outsider in the group, always babbling away even though the others never pay attention to what she says. At one point, Josh cruelly refers to her as the coleslaw of the group – a side dish that you eat up but don’t really care for.
Ryan is the focal character and he is quiet and lonely, never saying what he really wants or means. His narrative starts off as unsympathetic, detached and even a little bit callous when describing the people around him.
The story progresses as the powers they have gained help Ryan developing a great degree of self-awareness. The realisation about the hero-worship behind his relationship with Josh as well as his own capacity for cruelty (after all, doesn’t he also think of Chelle as the coleslaw?) are only part of how the relationships and the characters are deconstructed, pulled apart and then built up again with sympathy and compassion.
In spite of all of the hijinks, the fear and the creepy factor of the novel as the kids get more and more involved with the Spirit of the Well, this is much more of an understated, quiet novel. Because this is a book that is much more about the microcosm than the macro, it doesn’t end in Revolution or Change with capital letters in quite the same way that Hardinge’s other books do. But it is still in many ways, a book about revolution and change just as much because in the end, the kids’ lives have been altered, bettered and they have grown up. It is a very emotional, touching and humane story.
So basically, what I am saying is: Frances Hardinge is right now, my favourite writer. Let her career be a long and prosperous one.
August 29, 2011
THIS WAS SO GOOD. It was a standard "British kids find magical thing, are led into adventures", like Five Kids And It, but turned up to eleven. I highlighted a lot of turns of phrase just because I liked them so much. I huddled in bed and whimpered in fear and wished I hadn't read it so late at night, in an unfamiliar room. I went to sleep at 4 am.
The detail really makes it -- setting, it's all in the setting. It's just really funny and magic and scary and real, and it keeps raising and raising the stakes.
I was really surprised by this. I read Fly By Night and wasn't that impressed, so I wouldn't have picked this up if I hadn't come across an interesting positive review of it. I'm definitely going to go back and look at Hardinge's other books.
It's just SO GOOD!!
The detail really makes it -- setting, it's all in the setting. It's just really funny and magic and scary and real, and it keeps raising and raising the stakes.
I was really surprised by this. I read Fly By Night and wasn't that impressed, so I wouldn't have picked this up if I hadn't come across an interesting positive review of it. I'm definitely going to go back and look at Hardinge's other books.
It's just SO GOOD!!
July 9, 2017
3.5! Overall I enjoyed this book. I think I would have liked it a whole lot more when I was younger. My kids are definitely getting a new book to add to their shelves! I think they will love it. 🙌
It deals with a lot of problems to do with growing up, example: Just going along with what the more dominant friends says, until they become a crutch. Until you don't dare do anything unless it's their plan. It was nice to see Ryan and Chelle (mains) become more their own. To say 'no this is wrong, we have to do something, lets fix it, or try to.'
It also shows that people get angry about things they can't control, they take their anger out on people who don't deserve it just because they have what they want. Sad but true.
I loved that the wishes had an undercurrent, a 'what they thought they wished for' and a 'what they wished for underneath' it was certainly something to think about. Say you wished for world peace but underneath it you wanted friends. which wish would get granted?
Hardinge's books all have a dark tone which I love, I always have done. sometimes I find it falling a bit flat though, which is why I said I would I have liked it more when I was younger. Taste changes, My level of darkness has gone up. As a Eleven year old I would have been reading this getting a bit freaked out, maybe. At my age now, not so much. I can sense the darkness, I can feel the vibe, I just can't taste it. Which is a must when reading a book of this nature. But again, I'm not the age it's meant for. I'm going to wait a while and read it to my kids and see what they think. I will then update this review with their thoughts.
When it came to the end, I found myself asking what was the point in it all? - Other than the standard 'dealing with growing up questions' - Which isn't a question I like to ask myself! It was a fun, weird read but that was all. The characters held the draw, it was like the plot was just to add something more to the characters. Or this is how I felt.
I adored Ryan's parents, I could not stop laughing each time they appeared. I would gladly read a book all about them! Hardinge knows people that's for sure, her characters are all so real, which is the most important thing for me so I would 100% recommend this book just for that alone.
It deals with a lot of problems to do with growing up, example: Just going along with what the more dominant friends says, until they become a crutch. Until you don't dare do anything unless it's their plan. It was nice to see Ryan and Chelle (mains) become more their own. To say 'no this is wrong, we have to do something, lets fix it, or try to.'
It also shows that people get angry about things they can't control, they take their anger out on people who don't deserve it just because they have what they want. Sad but true.
I loved that the wishes had an undercurrent, a 'what they thought they wished for' and a 'what they wished for underneath' it was certainly something to think about. Say you wished for world peace but underneath it you wanted friends. which wish would get granted?
Hardinge's books all have a dark tone which I love, I always have done. sometimes I find it falling a bit flat though, which is why I said I would I have liked it more when I was younger. Taste changes, My level of darkness has gone up. As a Eleven year old I would have been reading this getting a bit freaked out, maybe. At my age now, not so much. I can sense the darkness, I can feel the vibe, I just can't taste it. Which is a must when reading a book of this nature. But again, I'm not the age it's meant for. I'm going to wait a while and read it to my kids and see what they think. I will then update this review with their thoughts.
When it came to the end, I found myself asking what was the point in it all? - Other than the standard 'dealing with growing up questions' - Which isn't a question I like to ask myself! It was a fun, weird read but that was all. The characters held the draw, it was like the plot was just to add something more to the characters. Or this is how I felt.
I adored Ryan's parents, I could not stop laughing each time they appeared. I would gladly read a book all about them! Hardinge knows people that's for sure, her characters are all so real, which is the most important thing for me so I would 100% recommend this book just for that alone.
January 17, 2019
A delight and a pleasure to read. Frances Hardinge never disappoints.
July 9, 2017
3.5 stars.
July 24, 2012
Three kids steal coins from a wishing well for bus fare and discover they have received strange powers in order to grant the wishes of the people who dropped the coins.
This starts off as a fairly conventional kids-encounter-strangeness adventure -- it reminded me most of early Diana Wynne Jones (Wilkin's Tooth, The Ogre Downstairs, Eight Days of Luke), but comparisons to E. Nesbit and Edward Eager are probably closer to the mark. A little slow, but clever turns of phrase and the occasional gorgeous description. Then it turns into The Time of the Ghost and obviously I like it much better. It's hard to discuss in detail without spoilers, but the power behind the well is numinous and awful and modern and ancient in exactly the right ways, and the emotional developments -- among the three kids, their families, the people they help -- are compelling and complicated (if occasionally predictable for those of us who are no longer twelve).
Also, the menacing shopping carts are hilarious and indescribably horrifying. As brilliant as the toffee slugs in The Ogre Downstairs.
I don't love it quite as much as I love DWJ, but (a) it's only her second book; (b) I'm not discovering her as an adolescent and it's harder for books to go so deep for me now -- but honestly I haven't read a new book which reminded me so much of DWJ's work -- while still indisputably doing its own thing -- since Owl in Love.
US edition has been horribly re-titled Well Witched and also has UK vocabulary edited out because apparently American kids are too dumb to realize "shopping trollies" = "shopping carts". I am glad I got my ebook from Kobo, which for some reason is carrying the UK editions. I may also have to get a paper copy to love.
This starts off as a fairly conventional kids-encounter-strangeness adventure -- it reminded me most of early Diana Wynne Jones (Wilkin's Tooth, The Ogre Downstairs, Eight Days of Luke), but comparisons to E. Nesbit and Edward Eager are probably closer to the mark. A little slow, but clever turns of phrase and the occasional gorgeous description. Then it turns into The Time of the Ghost and obviously I like it much better. It's hard to discuss in detail without spoilers, but the power behind the well is numinous and awful and modern and ancient in exactly the right ways, and the emotional developments -- among the three kids, their families, the people they help -- are compelling and complicated (if occasionally predictable for those of us who are no longer twelve).
Also, the menacing shopping carts are hilarious and indescribably horrifying. As brilliant as the toffee slugs in The Ogre Downstairs.
I don't love it quite as much as I love DWJ, but (a) it's only her second book; (b) I'm not discovering her as an adolescent and it's harder for books to go so deep for me now -- but honestly I haven't read a new book which reminded me so much of DWJ's work -- while still indisputably doing its own thing -- since Owl in Love.
US edition has been horribly re-titled Well Witched and also has UK vocabulary edited out because apparently American kids are too dumb to realize "shopping trollies" = "shopping carts". I am glad I got my ebook from Kobo, which for some reason is carrying the UK editions. I may also have to get a paper copy to love.
July 1, 2025
After reading this book I was reminded of Diana Wynne Jones' The Ogre Downstairs. In that book a group of children win magical powers through a chemistry set bought for them by the Ogre – their father/stepfather. After much dabbling with spells and sorcery they come to understand that the Ogre is really just a man struggling to cope with an expanded family of often hostile kids after re-marrying and is worthy of their love.
In Verdigris Deep there are only three children and a water witch who at times seems more bureaucratic than wicked: it's more than her job's worth to let wishes go unfulfilled and all wishes must be completed to the letter. The children get themselves stranded in a run-down council estate town having spent too much of their bus fare money on chocolate milkshakes. Their leader, Josh, decides on what seems an easy solution, steal some coins from the old wishing well down by the canal. There's a problem, however, some of the coins they steal have incomplete wishes attached to them. Now, children, there is a rule in mystic circles: never make a bureaucratic water witch angry. I used to work in the Civil Service so I know - never anger a bureaucrat, they can be vindictive beasts enough when filled with sobriety. The witch endows each child with a special power that will help them identify the original wishers and set about giving them what they want.
To begin with the children are portrayed as a group of middle grade schoolfriends and the adventure they are plunged into as a typically harmless, if a little frightening, middle grade series of escapades. As in The Ogre Downstairs, it is not long before things change and everything comes closer to young adult fantasy. In Diana Wynne Jones' book the children's unhappiness with their new parents turns towards violence – of course there is a happy middle grade ending. In Verdigris Deep, Hardinge explores a little deeper into the children's psychology as they come to understand that some wishes have a harmful, spiteful or downright criminal core.
It's fine for a non-human witch: hurting humans is neither here nor there in the philosophy of witchery, but the children sense they are being sucked into a potentially vicious scheme. They have to hide more and more from their parents, which is funny at first as they endeavour to think up explanations for events that shouldn't happen in a normal world, but slowly it develops into acknowledging the need for deceit and lies. And not only deceit and lies to their parents but ultimately to each other, even, in the case of Josh, being violent towards his friends.
To bring the story to a satisfactory children's story conclusion, the author seems to struggle a little to bring the young adult and middle grade elements together. The battle the children have fighting through a flood that stretches the adult world's ability to survive and their final confrontation with the witch, in which Josh comes close to death before the eyes of the other two, makes one wonder if their recovery could be as simple as saying that children have a natural ability to recuperate without showing many scars, and thus achieve a mandatory happy ending. Despite that it is an excellent fantasy novel for young readers and I absolutely recommend it.
In Verdigris Deep there are only three children and a water witch who at times seems more bureaucratic than wicked: it's more than her job's worth to let wishes go unfulfilled and all wishes must be completed to the letter. The children get themselves stranded in a run-down council estate town having spent too much of their bus fare money on chocolate milkshakes. Their leader, Josh, decides on what seems an easy solution, steal some coins from the old wishing well down by the canal. There's a problem, however, some of the coins they steal have incomplete wishes attached to them. Now, children, there is a rule in mystic circles: never make a bureaucratic water witch angry. I used to work in the Civil Service so I know - never anger a bureaucrat, they can be vindictive beasts enough when filled with sobriety. The witch endows each child with a special power that will help them identify the original wishers and set about giving them what they want.
To begin with the children are portrayed as a group of middle grade schoolfriends and the adventure they are plunged into as a typically harmless, if a little frightening, middle grade series of escapades. As in The Ogre Downstairs, it is not long before things change and everything comes closer to young adult fantasy. In Diana Wynne Jones' book the children's unhappiness with their new parents turns towards violence – of course there is a happy middle grade ending. In Verdigris Deep, Hardinge explores a little deeper into the children's psychology as they come to understand that some wishes have a harmful, spiteful or downright criminal core.
It's fine for a non-human witch: hurting humans is neither here nor there in the philosophy of witchery, but the children sense they are being sucked into a potentially vicious scheme. They have to hide more and more from their parents, which is funny at first as they endeavour to think up explanations for events that shouldn't happen in a normal world, but slowly it develops into acknowledging the need for deceit and lies. And not only deceit and lies to their parents but ultimately to each other, even, in the case of Josh, being violent towards his friends.
To bring the story to a satisfactory children's story conclusion, the author seems to struggle a little to bring the young adult and middle grade elements together. The battle the children have fighting through a flood that stretches the adult world's ability to survive and their final confrontation with the witch, in which Josh comes close to death before the eyes of the other two, makes one wonder if their recovery could be as simple as saying that children have a natural ability to recuperate without showing many scars, and thus achieve a mandatory happy ending. Despite that it is an excellent fantasy novel for young readers and I absolutely recommend it.
September 13, 2016
It's not often I still wish I was teaching in the classroom, but this book made me wish it. I wanted to be able to share this story with a group of children, see their reactions and hear their predictions. The story line is fantastical and gripping. The language is lyrical. And any author that makes James Bond related metaphors is a winner in my book!
October 8, 2019
Denna bok handlar om Ryan, Josh och Chelle som en dag är ute på äventyr i ett område deras föräldrar inte vill att de ska vara på. De saknar pengar till sista bussen, men hittar turligt nog en brunn med mynt i botten som de kan använd till bussen! Eller var det tur? I brunnen finns brunnshäxan som inte alls vill få sina önskemynt stulna. Konstiga saker börjar hända. Ryan får vårtor som ser ut som ögon på händerna, Chelle kan höra andras tankar och Josh får glödlampor att explodera. Hur ska de göra för att blidka brunnshäxan egentligen?
Det här är en bok som man verkligen får ge en chans. Jag tyckte själv att den började bra men det blev lite segt i mitten, men orkar man får man en hel del tillbaka i slutet! För Frances Hardinge beskriver här inte bara det svåra i att vara tonåring med allsköns problem utan försöker också sätta fingret på vad en önskning är. För önskar vi oss verkligen vad vi säger att vi önskar oss? En önskning är kanske som en kastanj. Det vi tror är vi önskning är det gröna taggiga skalet, men den egentliga önskningen är den glänsande kärnan. Och hur kan vi hjälpa andra människor när de inte ens vet vad de önskar sig?
Det här är en bok som man verkligen får ge en chans. Jag tyckte själv att den började bra men det blev lite segt i mitten, men orkar man får man en hel del tillbaka i slutet! För Frances Hardinge beskriver här inte bara det svåra i att vara tonåring med allsköns problem utan försöker också sätta fingret på vad en önskning är. För önskar vi oss verkligen vad vi säger att vi önskar oss? En önskning är kanske som en kastanj. Det vi tror är vi önskning är det gröna taggiga skalet, men den egentliga önskningen är den glänsande kärnan. Och hur kan vi hjälpa andra människor när de inte ens vet vad de önskar sig?
April 29, 2022
The amount of stars I would give this slowly rose as I read it. The beginning was a bit iffy, because I found it was a little more middle-grade in writing style than The Lie Tree, and I wasn’t sure if I would be able to stomach it. However, as the story progressed, it just got better and better. While both of Hardinge’s books I’ve read so far are technically suitable middle-grade reading age, they’re definitely mature enough for adult readers to enjoy as well. And once again, I didn’t manage to guess the ending, even though the clues are definitely there. This book has cemented Hardinge’s place on my list of favoured authors.
July 27, 2021
Didn’t expect the wonderful, evocative writing. Hardinge brings imagination and craft that a lot of kid books lack. Combine that with her very real-seeming characters and a fully realized spooky premise…impressive.
July 15, 2017
Another enjoyable read by Hardinge.
June 1, 2022
3.5 stars. Very different from Hardinge's other books that I've read in that it takes place in our world (in England), but then....all of her books are entirely different from one another, so I shouldn't be surprised. Note: this book has also been published as Well Witched, just so US and UK readers can be perpetually confused.
I don't think this is my favorite of her books, but I want to re-read it on paper to really decide on my full opinion. I read it this time on audio, and although the narrator did a good job, I think her voice influenced the way I perceived the characters. It made it feel more *fun* than *creepy*, and I think it should have DEFINITELY been a creepy book. I marked this as "middle readers" based on the age that the main characters sounded, but I think there was enough horror-esque elements that only kids who already like scary books should read it.
I spent a lot of time trying to think of what book this reminded me of, and I think it's probably an mash-up of several. In some ways it felt like a Doctor Who episode, where creepy stuff is going on, and eventually you discover that it stems from an ancient being who's misunderstood (though in this case it was a well-dwelling god, instead of a DW alien). The way this revolved around a group of friends living in an English village kind of reminded me of a Diane Wynne Jones book...and it also kind of reminded me of Once Upon a River with the magical realism feel alongside an English river. Heck, it even felt a little bit like a Goosebump book, the way freaky stuff happens to a group of kids and they have to try to find a way to solve it. But the book that it MOST reminded me of was parts of La Belle Sauvage, since both books have a third act involving a huge flood and ancient watery gods.
This also delved into topics like bullying, parental conflicts, friendship, etc, so it's not JUST a fantasy book.
I don't think this is my favorite of her books, but I want to re-read it on paper to really decide on my full opinion. I read it this time on audio, and although the narrator did a good job, I think her voice influenced the way I perceived the characters. It made it feel more *fun* than *creepy*, and I think it should have DEFINITELY been a creepy book. I marked this as "middle readers" based on the age that the main characters sounded, but I think there was enough horror-esque elements that only kids who already like scary books should read it.
I spent a lot of time trying to think of what book this reminded me of, and I think it's probably an mash-up of several. In some ways it felt like a Doctor Who episode, where creepy stuff is going on, and eventually you discover that it stems from an ancient being who's misunderstood (though in this case it was a well-dwelling god, instead of a DW alien). The way this revolved around a group of friends living in an English village kind of reminded me of a Diane Wynne Jones book...and it also kind of reminded me of Once Upon a River with the magical realism feel alongside an English river. Heck, it even felt a little bit like a Goosebump book, the way freaky stuff happens to a group of kids and they have to try to find a way to solve it. But the book that it MOST reminded me of was parts of La Belle Sauvage, since both books have a third act involving a huge flood and ancient watery gods.
This also delved into topics like bullying, parental conflicts, friendship, etc, so it's not JUST a fantasy book.
July 16, 2014
I picked it up and put it back down, because I already had another Hardinge in the stack at home, and why be greedy. And then, the Possum came along and saw it, and she checked it out.
2009 March 24
***
I started reading this to the Possum last night. Too early to have much of an opinion, although I like the idea of the two little kids being picked on and finding comfort in friendship with one another and a boy one year older.
2009 March 25
***
The Possum preferred not to carry on.
2009 March 26
***
Oh, my how I love Hardinge. Realistic setting, likable but not perfect or stereotyped kids, believable parents, and crazy plots. I'm impressed with what she brought to the traditional children-granted-wishes-that-turn-out-wrong story. But even more impressive is her focus on friendship among kids, and how unexamined those friendships tend to be. I'd pass this to the reader who's been through Five children and it and Half Magic.
I can't wait to read more Hardinge.
2009 December 16
2009 March 24
***
I started reading this to the Possum last night. Too early to have much of an opinion, although I like the idea of the two little kids being picked on and finding comfort in friendship with one another and a boy one year older.
2009 March 25
***
The Possum preferred not to carry on.
2009 March 26
***
Oh, my how I love Hardinge. Realistic setting, likable but not perfect or stereotyped kids, believable parents, and crazy plots. I'm impressed with what she brought to the traditional children-granted-wishes-that-turn-out-wrong story. But even more impressive is her focus on friendship among kids, and how unexamined those friendships tend to be. I'd pass this to the reader who's been through Five children and it and Half Magic.
I can't wait to read more Hardinge.
2009 December 16
July 6, 2017
Whenever I read a Frances Hardinge book, I find myself wishing they'd been around when I was a kid. I still adore them now but kid!me would have lived in her worlds. They're so bonkers and magical and creepy and weird in the best way. They're also never simple - no easy solutions, no dumbed-down shit for younger audiences. They're mad and clever and scary and fascinating and acknowledge that kids are complex and dealing with lots of challenging issues. This was no exception - well-drawn characters and relationships, a deliciously sinister plot*, and her usual knack for snarky, gripping writing. Lovely.
(*Between this, The Ring and Locke & Key, Vol. 1: Welcome to Lovecraft, I'm pretty sure I can never go near a well ever again *shuddertwitch*)
(*Between this, The Ring and Locke & Key, Vol. 1: Welcome to Lovecraft, I'm pretty sure I can never go near a well ever again *shuddertwitch*)
March 21, 2021
SUPER solid for a middle grade. Far creepier than some adult horror/ creepy books I've read recently and very nuanced, something I wasn't expecting for some reason, even though the author's Cuckoo Song was in my favourite books of last year. Verdigris Deep was far easier to get into than Cuckoo Song and also darker; I loved both books but I have to admit, Cuckoo Song took a while to get going and sometimes shied away from being too dark and brutal, while Verdigris Deep just went for it, to great effect. I was very happy with both.
December 8, 2021
A multilayered story about wish-granting, family ties, and friendship. Frances Hardinge is one of my favorite middle-grade authors. Her fantasy books never disappoint.
February 8, 2023
This was probably the spookiest/scariest Hardinge I've read so far. Three friends Ryan, Josh, and Chelle, end up taking coins from a wishing fountain then have to contend with the spirit that resides there. I loved a lot of the imagery in this one and did feel like it was edging to horror in some bits.
February 21, 2016
(My reviews are intended for my own info as a language arts teacher: they serve as notes and reflections for teaching and recommending to students. Therefore, spoilers may be present but will be hidden.)
SUMMARY: I am in the minority of being pretty much meh about this one. Don't get me wrong - Frances Hardinge can turn a phrase like few other authors I've encountered. And there are some real moments of brilliance in Well Witched. But overall I had a tough time sticking with this one and following everything the author threw at me.
Well Witched has an odd but genius main conflict: Tweens Ryan, Josh, and Chelle steal coins from a well and unwittingly awaken a witch who forces them to grant the wishes, however bad or impossible, attached to the stolen coins. To assist with the wish granting, each kid is given (or rather, cursed with) a set of powers. Ryan grows weird warts on his hand that turn out to be eyeballs. Through the novel, they help him see in the dark and communicate with the lady of the well (and probably other things, but I've already forgotten). Chelle speaks aloud the thoughts of the wishers when she comes in close proximity to them, which helps the three figure out what was originally wished. And Josh gains electromagnetic powers to literally bend things to his will.
At first, making others' wishes come true goes fairly smoothly. Ryan, Josh, and Chelle help Will Wruthers win a Harley motorcycle and bring unlikable Donna Leas together with her crush. But they soon realize that the witch is not letting them go anytime soon. Ryan and Chelle also become alarmed with their growing unnatural abilities. Josh, though, is not ready to give up his new role of having such power over others. The intensity builds as the three are faced with increasingly ominous wishes and no clear way out.
Frances Hardinge, as other reviewers are quick to point out, has a knack for clever description. Here are a couple of my favorites:
- "He had formed an alliance of desperation with Chelle. She had an air of kitten-tottering helplessness, and the pallor of her hair and skin made her look as if she had been through the wash too many times, losing her color and courage in the rinse" (6).
- "People's personalities took up space, he sometimes thought. When they were trapped in a house or a job or a school together, they rubbed up against each other, squeaked like balloons, and made sparks. Ryan's parents both had large, gleaming, hot-air-balloon personalities. Sometimes it was hard to fit them into the same house, and Ryan had learned the art of suddenly making himself take up less space, demand less, so that his parents were not chafing against each other as much" (92).
So yeah, she's pretty good. Some of the description, though, was a little perplexing and the layers of complexity added to the plot were, I thought, too many and too much. Ryan's Glass House dreams, in which he encounters the well witch, are beyond bizarre. I had a tough time keeping track of characters, too, because they kept popping in and out of the story.
I don't know, I just think there is such a thing as having too many quirks in a book, especially one marketed to young teens.
I landed on three stars because the final 100 pages or so are super intense and scary. Also, possessed shopping carts. Loved.
READABILITY: As stated above, I just thought some of Well Witched was confusing. I can't really identify specific parts that lost me, but I had to reread often. Even though the main characters are eleven and twelve, I think the writing style and some of the creepier scenes in the book would be better suited to older readers (even adults who enjoy YA). I don't love Lexile (read: hate it), but it rates Well Witched at a 930. This is still probably low, but a higher number than most middle grade fiction receives.
APPROPRIATENESS: There's nothing inappropriate in this one, but some of the scary stuff may be too much for elementary-age readers.
SUMMARY: I am in the minority of being pretty much meh about this one. Don't get me wrong - Frances Hardinge can turn a phrase like few other authors I've encountered. And there are some real moments of brilliance in Well Witched. But overall I had a tough time sticking with this one and following everything the author threw at me.
Well Witched has an odd but genius main conflict: Tweens Ryan, Josh, and Chelle steal coins from a well and unwittingly awaken a witch who forces them to grant the wishes, however bad or impossible, attached to the stolen coins. To assist with the wish granting, each kid is given (or rather, cursed with) a set of powers. Ryan grows weird warts on his hand that turn out to be eyeballs. Through the novel, they help him see in the dark and communicate with the lady of the well (and probably other things, but I've already forgotten). Chelle speaks aloud the thoughts of the wishers when she comes in close proximity to them, which helps the three figure out what was originally wished. And Josh gains electromagnetic powers to literally bend things to his will.
At first, making others' wishes come true goes fairly smoothly. Ryan, Josh, and Chelle help Will Wruthers win a Harley motorcycle and bring unlikable Donna Leas together with her crush. But they soon realize that the witch is not letting them go anytime soon. Ryan and Chelle also become alarmed with their growing unnatural abilities. Josh, though, is not ready to give up his new role of having such power over others. The intensity builds as the three are faced with increasingly ominous wishes and no clear way out.
Frances Hardinge, as other reviewers are quick to point out, has a knack for clever description. Here are a couple of my favorites:
- "He had formed an alliance of desperation with Chelle. She had an air of kitten-tottering helplessness, and the pallor of her hair and skin made her look as if she had been through the wash too many times, losing her color and courage in the rinse" (6).
- "People's personalities took up space, he sometimes thought. When they were trapped in a house or a job or a school together, they rubbed up against each other, squeaked like balloons, and made sparks. Ryan's parents both had large, gleaming, hot-air-balloon personalities. Sometimes it was hard to fit them into the same house, and Ryan had learned the art of suddenly making himself take up less space, demand less, so that his parents were not chafing against each other as much" (92).
So yeah, she's pretty good. Some of the description, though, was a little perplexing and the layers of complexity added to the plot were, I thought, too many and too much. Ryan's Glass House dreams, in which he encounters the well witch, are beyond bizarre. I had a tough time keeping track of characters, too, because they kept popping in and out of the story.
I don't know, I just think there is such a thing as having too many quirks in a book, especially one marketed to young teens.
I landed on three stars because the final 100 pages or so are super intense and scary. Also, possessed shopping carts. Loved.
READABILITY: As stated above, I just thought some of Well Witched was confusing. I can't really identify specific parts that lost me, but I had to reread often. Even though the main characters are eleven and twelve, I think the writing style and some of the creepier scenes in the book would be better suited to older readers (even adults who enjoy YA). I don't love Lexile (read: hate it), but it rates Well Witched at a 930. This is still probably low, but a higher number than most middle grade fiction receives.
APPROPRIATENESS: There's nothing inappropriate in this one, but some of the scary stuff may be too much for elementary-age readers.
August 2, 2011
Wow. The most ambitious children's book I have read in a while, and the most successful at meeting those ambitions. Hardinge skillfully blends a sense of creeping supernatural menace with astute psychological realism that makes the fantastical elements more grounded and thereby more plausible and frightening. The scariest part of the book is seeing the effect on Josh of his new supernatural abilities; when combined with an underlying resentment at being neglected by his adoptive parents, his growing powers exacerbate the worst aspects of his personality. Hardinge never talks down to her audience, setting up circumstances that allow Ryan to realize some profound truths about the sources of human discontent and the danger of hero worship without any hint of didacticism. The plotting is superb; I was impressed by the way that disparate strands came together fluidly, with the pace never flagging. I had a few nitpicks with the speed at which the flooding became dangerous at the end, and the final scene with the well witch moved too quickly for me to buy her transformation, but overall, the connections between the wishers felt satisfying rather than overly coincidental. (I did wonder about Josh's aunts in Merrybells -- I thought that they would end up playing a role a la Miss Gossamer, and was confused by their presence in the book and their effect on Josh without some kind of connection to the well witch.) An author who deals beautifully with character, plot, and theme is rare enough, but Hardinge is also just a gorgeous writer. Hardinge's characters may be thinking things you have thought before, but she states those thoughts with such grace, power, and clarity that you envy their insight and perspective. And even minor descriptions are worthy of great sentences and metaphors. For example, I loved this description of Chelle's mom: "She had big, vague eyes, and a big, vague smile, and was always very busy in the way that a moth crashing about in a lampshade is busy" (29). Other sentences that are jumping out at me as I page through: "Josh gave a grin as hard as glass" (384), "The bus's engine gave a long, exasperated sigh and shrugged its weight forward, as if hulking its shoulders against the rain" (1), "She had an air of kitten-tottering helplessness, and the pallor of her hair and skin made her look as if she had been through the wash too many times, losing her color and courage in the rinse" (6). You can tell I like metaphors! Looking back now, the metaphor of a wish as a conker shell is made right in the first chapter; that image returns later on when Ryan realizes how wishes have outer shells and inner nuts of truth. Yes another reason for me to admire Hadinge's writing and the thoughtful construction of the novel as a whole. It's always exciting to find an author into whose oeuvre you cannot wait to dive!
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