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Verdi's Otello and Simon Boccanegra in Letters and Documents [Complete in 2 Vols.]
This study illuminates the creation and early productions of Verdi's Otello and the revised version of Simon Boccanegra by featuring Verdi's correspondence with his librettist, Arrigo Boito, and their publisher, Giulio Ricordi. An indispensable aid to the student of Verdi's late works, operaproducers, conductors, and vocalists as well as the general reader and opera buff, the work contains reviews of early performances, production books kept by Ricordi and Boito, and biographical notes on all correspondents.
Hardcover
First published January 1, 1988
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About the author
Giuseppe Verdi
1,578 books34 followersFullest artistic form of operas of Giuseppe Verdi, Italian composer, included
La Traviata
in 1853,
Aïda
in 1871, and
Otello
in 1887; people credit him with raising the genre.
Giuseppe Fortunino Francesco Verdi, mainly a Romantic, most influenced the 19th century. Houses frequently perform his works throughout the world, and some themes transcended the boundaries of the genre and long took root in popular culture:
* "La donna è mobile" from Rigoletto
* "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco , and
* "Libiamo ne' lieti calici" (The Drinking Song).
Masterworks of Giuseppe Verdi used a generally diatonic rather than a chromatic musical idiom, and people sometimes criticized tendency toward melodrama, which dominates the standard repertoire a century and a half.
Giuseppe Fortunino Francesco Verdi, mainly a Romantic, most influenced the 19th century. Houses frequently perform his works throughout the world, and some themes transcended the boundaries of the genre and long took root in popular culture:
* "La donna è mobile" from Rigoletto
* "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco , and
* "Libiamo ne' lieti calici" (The Drinking Song).
Masterworks of Giuseppe Verdi used a generally diatonic rather than a chromatic musical idiom, and people sometimes criticized tendency toward melodrama, which dominates the standard repertoire a century and a half.
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