It's been a long time since I was this frustrated with a book.
There were so many moments of, "Why doesn't Sonea shield? Why doesn't she call for help? Why the f**k is she allowing this to keep happening?! And why ffs are the adults not doing a damn thing about all of this!?!" For a strong character, in this story she does the most illogical things, but then, how dare logical progression interfere with the plot the author wanted. >.< Seriously, Sonea gets into a huge amount of trouble because she was framed for stealing a pen. A pen. That's it. Other students sabotaging her, attacking her, torturing her, and nothing. At most a slap on the wrist that's quickly dismissed for the lead aggressor, but nothing for the others. Even when the teachers know this abuse is going on, they do nothing. Really? Ah, but this is a magical guild where the logical progression of events is subverted by the 'i-wanna-write-it-this-way' spell because reasons.
True, bullying in real life is an issue; however, it's one that flourishes with secrecy, but that's not the issue here. The adults know what's going on for the majority of the book. In rl, any teacher worth their credential would escort a student and provide safe harbor, and with current media pressure, administrators don't dismiss these issues. Certainly the parents are called in. In any school, Regin would be expelled.
Ahh, but this is a magic school in a fantasy setting, so obviously we can't expect the same standards. Except we see teachers who know and feel bad about what's going on. They could do something and don't. As an author, you need to write this more convincingly or not have teachers who are so weak.
And the villain? He's from a rich and influential family, so of course he can get away with whatevers. Except, isn't Sonea something special, someone the teachers would want to shield from bullies? Even if you did have teachers who turned a blind eye out of classist spite, Canavan also has teachers who hunch their shoulders in full knowledge yet complete impotence to do *anything* as simple as escorting a bullied child from class to class. Who's running the school here? You can't have Sonea as some dismissed guttersnipe and have the whole institution rallying against her like she's Sauron without setting up that conflict.
Regin is one of the most one dimensional villains I've ever seen. We don't get anything other than he's arrogant and has a cruel smile, and that's the extent of his character. Oh, and he is obsessed with Sonea for reasons unknown. Even if his family felt slighted by Sonea's presence at the school, that doesn't explain the extent this character goes through to ruin her life. And how in the hell is one little first year novice able to spread rumors that any adult would take seriously? The whole thing with Rothem being a letch was so beyond ridiculous. Where are the adults here? We have older people, but no actual adults acting like adults.
Lord Rothem, who I initially liked in the first novel, is just as helpless as Sonea in that he should have the ability and intelligence to act but doesn't. This is a book of willing victims, and that's no fun to read.
The storyline I actually liked was Dannyl's. The way homosexuality is treated in the novel is old fashioned by this age, but I enjoyed the slowly developing romance. While it may end in scandal and tears, I'm hoping for a HEA. The characters are well-matched and quite cute together.
Last but not least of many issues, this novel could use a lot of trimming. Thanks to Harry Potter and no thanks to crapfests like Divergent or (shudders) Twilight, young adult novels are topping over 500 pages. Just because you can write this much doesn't mean you should. Tighten your plot and actually use your overabundance of words to set up the society in such a way that the plot makes sense rather than having 'sh*t happens because the author likes these tropes'. At least then I have to suffer less from the ridiculousness.
Edit: FIve years later...
I barely remember the book at this point, but after a few comments, thought I should clarify my stance.
One, I'm kind of surprised anyone reads my reviews. I don't expect anyone to bother with my silly scribblings. Mainly, they're a way for me to remember what I read and/or to vent. So if you've read, thanks. If you've commented, thank you for that too. Even if it's to disagree, I appreciate the time you took to respond.
Two, as for bullying: I know bullying is a problem. I've worked in education, and boy, is it a huge problem. I wrote to one commenter that I've had teachers who were criminally abusive in today's climate. I've had teachers who ignored my abuse from other students as well.
In my experience, one thing about teachers, especially of young students, is that you rarely see them tearing each other down publically. As a teacher, if you have problems with a colleague, you air those behind closed doors. The reason: you ever show children that they can play teachers off one another, you're done. Children are remarkably manipulative, and it doesn't take much for them to see where the cracks are.
Three, a big issue I took was the helplessness of the characters involved. There were things Sonea could do and didn't. Again, from experience, bullying usually involves three or more people against one because you need numbers in your favor, otherwise, the odds of being successful aren't in your favor. Sonea's magic changes those odds so she shouldn't have the same vulnerabilities as any normal child.
When a character can do something to protect themselves and doesn't, what's the motivation? There's nothing to stop Sonea, not externally or internally. If the school had rules against protections like shielding, that might be something, but then there should also be fail-safes because bullying would be a big problem. Is she afraid to use her magic after having to hide it for so many years? Then we could have some character growth, but that's not the problem. Sonea just isn't.
Please don't take this as victim-blaming. There are reasons people stay in abusive relationships that make it super hard to get out of that cycle. From a writing perspective, THAT would have been a better story because there's an element of realism. The Kitty Norville series (though far from my fav because of weird plotting issues), has a character who starts off abused and repeated raped. Patricia Briggs has a number of characters like this as well. But there are reasons characters behave this way and these characters do grow to break out of these cycles.
To invoke one of the most referenced books, (groan if you will), Harry Potter does a good job of showing both teachers and students as bullies. You can also see how teachers disagree with each other but still have a united front and how terribly broken it feels with a rogue teacher.
So to the fourth and the main issue: it's just bad writing. There's no insight into the whys and hows bullying works. There's no depth of character despite the massive page load. Was Regin insecure, like Curley from Of Mice and Men? Was he classist, like Malfoy, or bitter like Snape, or entitled like James? Was he a spoiled rotten psychopath, like Prince Joffrey?
You can take the same elements and write a much more compelling, psychologically complex story. If you enjoyed, awesome. Don't let me spoil that for you. (Maybe I should have put that at the top of my review). If we shadows have offeneded, Think of this and all is mended, A different opinion is no threat, Especially from some jerk on the net.