Carter's first foray into fiction was her 2014 THE STRANGLER VINE, a historical mystery set in late 1830s India, in which she introduced us to her version of Sherlock Holmes and Dr. Watson: Jeremiah Blake and Captain William Avery. Blake and younger man William meet for the first time in that story, when Blake, an ex-soldier now in disgrace but still admired for his uncanny abilities, and Avery, a young rather clueless soldier, are both recruited to find missing British poet Xavier Mountstuart, who had mysteriously disappeared in the jungles of India.That first book was a mystery, a "Heart-of-Darkness" adventure and socio-political commentary on the British occupation of India.
Now it's 1841 and Blake has been back in London for some time, living in a less respectable area of London and making his living as an investigator of sorts. He's an enigmatic character, a radical and independent thinker, multilingual, an opium-eater, and a bit of a master of disguises. He's, of course, Carter's version of Holmes.
Carter's Watson, Captain William Avery, has arrived back in England soon before this new story begins. He had been sent to Afghanistan after his stint in India and is back in England with pregnant wife (who only figures in the book as an inconvenience he has left in the countryside and not as a character) and with uneasy memories of his experiences there. Avery is, IMO, even less interesting than Conan Doyle's Watson. He's middle-class, conservative, comfortable economically and ignorant about almost everything, from politics to poverty and class struggle. So far, in my estimation, he hasn't added much to any mystery investigations but I am hopeful for his improvement and enlightenment in future installments of this series. He does have a breakthrough in this book about poverty and class struggle so I'm optimistic.
The mystery itself concerns the murders of some London "gutter-press" printers, involved in printing the more salacious news and even pornography. The London new Metropolitan Police show no interest in finding the killer(s) and so a certain Viscount Allington recruits Blake and Avery to solve the case. Allington is an interesting, conflicted character. Rich and privileged, full of religious fervor, he struggles in Parliament to improve the conditions of the poor and working classes.
And so the story begins. The mystery itself and the men's investigation of it is quite interesting and brings them into contact with characters from all walks of life in Victorian London who are very well drawn. Carter's evocative descriptions of the sights and sounds and peoples of the time is excellent and you can almost see and feel the grit and grime and squalor of the streets.
But for me the most compelling aspect of this book is the well-researched history, placing the reader right in a time of extreme poverty of the lower classes, their struggle to survive and improve their situation, the Chartist Movement which is striving to obtain more rights for the poor, including the right to vote and have representation in Parliament. The Chartist struggle is not as successful as members would like and some are calling for force and violence to obtain their goals, since demonstrating and petitioning is not having much effect. And the Great Reform Act of 1832 has turned out to be a bust, with few to no improvements in quality of life for the poor.
This well-researched socio-political aspect of the story is fascinating and the mystery itself is quite good, with gruesome murders and a killer to be found before he murders again. There's scandal, blackmail, past secrets of many characters to be brought to light by Blake (and Avery, although he's pretty useless, IMO, but, as I've said, I'm hopeful for his improvement in future books.). All in all, I'm looking forward to more adventures of Blake and Avery.