The handbook appeals to a notion that all writing is an act of rebellion against the rules that exist. Reading this book ensures writers will understand the rules of classical structure which enables them to find, use, and break them in their own way to help them find their unique voice.
This could be titled the Yin Yang rules to writing. I have had this on my to read shelf for a while and am often in two minds re ‘how to write books’ while on projects. I found this to be useful and thought-provoking taking some of the current standards such as the ‘show don’t tell’ maxim examining them and then giving a Confucius style opposite. It is very useful for reflecting on the creative process - a constructive addition to the writers bookshelf.
This is the best guidebook for writers I have come across. It's written with a great deal of openness regarding the highs and lows of the industry, with many anecdotal experiences drawn from the author's own experience. You can tell Ms. Goldman is passionate about the craft and her dissection of the various 'rules' we often see touted in writing workshops and guidebooks will no doubt give you inspiration when approaching your next work as a writer.
I put this book aside for a while; I wasn't finding it helpful, and the author's style was irritating me. Then I picked it up again and found that the next chapter was exactly what I needed for the story I was writing, so I felt better-disposed towards it. The book is geared more towards script- and screenwriters, but there is useful stuff for novelists too. I liked the structure, with each chapter stating a rule, e.g. "Show, don't tell", discussing it, and presenting a revised rule at the end. I didn't necessarily agree with all the conclusions, but this is the 'no rules' book, so I don't have to go along with them...
From the perspective of a novice this book is very useful. It certainly gave me a few points to review for my own project and has really got me thinking about certain aspects, which I otherwise might have had to change at a later stage. Ultimately as the title states, there are many unwritten rules and there are good reasons to break all of them. If you, like me, are starting out and want to know what they are then this is a good place to start.
More a reminder or reaffirmation of what I already know or believe. Offers up some alternative viewpoints. All in all, probably more useful for someone starting out than for one who's been doing this awhile.
I didn't enjoy this book very much. It's not really for me - I think if you want to write scripts for theatre, TV or film it's relevant to you and you'll probably enjoy the excerpts from people in the fields.