I'm 63 now and have been a fan of Rory Gallagher since I was 18. I got to see him perform on the Boston common, opening for Fleetwood Mac and Savoy Brown. Pity the two latter acts as they had to put up with constant chants demanding that Rory return to the stage. That was in 1972. Later, bands like Aerosmith, Deep Purple and many others had to put up with the same phenomenon. The fact is, Rory was that good.
Many critics, more outside the United States place him always in the top five all-time blues/rock singer songwriters. He was unique; he was a troubadour. He played mandolin, national steel guitar, acoustic guitar, electric sitar, saxophone, and harmonica. He was popular world-wide and sold millions of records without ever releasing a single. He hated the notion of being locked in to the expectations of a star who has a hit single or two. He wanted to play his music, his way and that was that.
His story is unique and worth the telling. I have been waiting a long time and this is the first decent biography of RG available. The author writes with a flowing and, I must admit, adoring style of the many quirks and turning points that shaped RG's life, a life that was cut short when he was only 47 years old, dying of an infection (C-dif) which set in after a successful liver transplant.
I referenced my current age because as I began to read this book, I was taken back to my teen years when I would read magazine articles about my rock and roll and jazz music heroes. I felt the giddy excitement of those youthful years, finally getting to know more about this man who wrote, played and sang his own tunes as well as classic Irish folk songs, old acoustic folk/blues and electric blues from America's past.
Rory was not as well known as he deserved to be, but that was by his own design. He didn't want to be mobbed where ever he went. He didn't want to have to have an entourage. The award winning Tony Palmer film, Irish Tour, '74, shows RG walking around his hometown of Cork and not being bothered at all, despite the reality that he was an artist of the highest calibre in his chosen genres. He was a gentle man and when, while out walking, someone recognizes him and asks for his autograph, he quietly obliges the young fan, who likely has not washed his denim jacket again to this day.
The book has its weaknesses. It leaves out his close relationship to his brother Donal, who was his manager, and it goes easy on Rory's character quirks when he could have dug a little deeper and shown how these quirks made Rory the man and artist he was.
I would say this is more a paean than a fully fleshed out biography, but I can forgive Marcus Connaughton for his very positive, no warts approach to the story because it is perfectly fine to just detail the history and the joy that defined this unique man. In time, other authors will take up RG's story with a more balanced approach. For now, this is just a delicious reminder for RG's fans of how great he was; it is also a great introduction for those music fans who are just meeting Rory for the first time. To give some perspective I share this anecdote that is not in the book: at the Isle of Wight festival in 1970, a reporter approached Jimi Hendrix and asked him what it felt like to be the greatest guitar player in the world. Hendrix is said to have replied, "I have no idea; go ask Rory Gallagher."
If you are unfamiliar with RG, I strongly suggest you read this book, buy and listen to RG's, "BBC Sessions," and buy and watch the collection of DVD's capturing him in live performance.
I love this book.