(Note: This review is hastily copied from what I wrote as discussion points in a GoodReads group I moderate titled Weird Fiction. I will need to revise this review at some point in the future to ensure greater accuracy. When I have done that to my satisfaction, I will remove this note.)
Edited by Orrin Grey and Silvia Moreno-Garcia, Moreno-Garcia is the better-known editor given her prominence in the genres of horror and weird fiction. Orrin Grey is less familiar. He writes a lot of short stories, most of which are straight-genre speculative fiction (fantasy and horror mostly), but few longer works such as novels, and those two were in the War Machine series. This is his first (2012) weird fiction anthology. His second (2014) he co-edited with even more editors: Jazz Age Cthulhu. That last anthology looks even more interesting than the anthology currently under review.
Fungi has stories written by many prominent authors, many of whom I consider purely horror genre writers, though admittedly of a literary bent. I wonder how may critics these days conflate literary horror with weird fiction? They are very distinct genres to my mind. Weird fiction often contains fantasy and SF elements. Horror is very often in weird fiction too, but downplayed, never the point. Anyhow, I like horror as well. So I looked forward to reading this anthology
I like to eat most mushrooms, and I think it's sort of cool how fungi are neither plant nor animal, but something in between. (How can this be?) But that's the extent of my interest in the subject. What I don't much care for about fungi is they grow in dark, dank places, turn rotten fast, getting slimy and discolored when they do. They can also be poisonous or hallucinogenic, neither of which interests me.
1) The first short story is "Hyphae" by John Langan. I really liked it--it had me on the edge the entire time. I give it a strong 4-star rating. It's about an estranged son who at his ailing sister's request comes to check up on his aged father who lives alone. What he finds at his father's house is the story. I've never seen odor presented quite that way. John Langan's magnum opus is The Fisherman. It won the 2016 Bram Stoker award. I ordered the book five or six years ago, began it, but wasn't hooked. It starts slow, for sure. In “Hyphae” the fungi symbolizes the deterioration of the father-son relationship. I thought using this a nice touch, foregrounding the result--estrangement--rather than distracting us with its cause. If we knew the cause, we the reader might pick sides based on whatever baggage with our own fathers we bring to the story.
2) The second story, “The White Hands” was okay, except I don't read non-fiction articles for entertainment really, but rather enlightenment. The fact that the subject of the article was fictional, despite its format being non-fictional (biography), made it so that not even meaningful enlightenment could be the result.
3) "His Sweet Truffle of a Girl" by Camille Alexa The writing style and word choices were impressive. Underwater stuff and fungi don’t seem to mix well though. Three stars.
4) The third story bogged me down for a while. It was "Last Bloom on the Sage" by Andrew Penn Romine, and I had a hard time making myself finish it. It's a longish western. Some odd beings have decided to rob a train. My problem with the story is that it takes five e-pages to tell the reader the information that I just placed in the last sentence I wrote. The rest of those same five pages is oddly written background, haphazardly written to try to appear smooth when it's anything but. The entire story is written in this extended slow motion manner: simple plot point surrounded by paragraphs of too much description that isn't needed for the plot, but which I think the author believes makes the story. Once Romine finally gets the background out of the way things move along nicely enough though, and I'm always a sucker for a Weird Western. I give this story 3 stars.
5) "The Pilgrims of Parthen" by Kristopher Reisz. Pilgrims? Four stars. It's about eating hallucinogenic mushrooms as a method of interstellar travel. I really liked the SF angle here while not forgetting this is a weird fiction story. The struggling relationship angle--dude's about to lose his girlfriend and there's nothing much he can do about it--really worked for me too. Clever story.
6) "Midnight Mushrumps" by W. H. Pugmire. Pugmire provides a well-written story, as always. Too well written as far as I'm concerned. There is a decent plot, but it's nevertheless neglected. A man is looking at a moonbeam, finds a house with a dog, eats some magic mushrooms, has a weird experience that may or may not be real. Add a sort of werewolf aspect, but nothing violent; that would be too gauche. And it ends in a bit of confusion as two dudes kiss. Maybe. I don't know. I even read this story twice in order to try to get a better handle on it. Those who value nice writing in terms of thesaurus usage, and don't see it as pretentious, will get better mileage than me with this one. Three stars. Pugmire died in 2019. R.I.P.
7) Kum, Raul (The Unknown Terror) by Steve Berman. Two stars. This is not really a story. It was a synopsis for a novel, it looked like. A proposal one would submit to an agent to send out to would-be publishers for a novel an author wants to write if commissioned to do so. I gave the non-story two stars only because it looked like an outline for a pretty decent novel.
8) Corpse Mouth and Spore Nose by Jeff VanderMeer. Three stars. The story is about a detective who washes up one morning from a river, encounters a mushroom man that's been taken over by fungal matter, and finds himself in a fight with that same fungus. That basic plot wasn't much, but the backdrop and city of Ambergris looked interesting. If you're a fan of City of Saints and Madmen, this story adds to those, I think. At least it’s well-written.
9) Goatsbride by Richard Gavin. Two Stars. Like VanderMeer’s story, this story too would have benefited by some introductory material for the characters and a description of the obstacle the protagonist was going to attempt to overcome, followed by the first hurdle. The end needed to have a climax, a recap, and denouement. These are things chapters may lack that short stories desperately need. Here, we have a character that comes to some place called The Fallows to await the advent of ghostlights. We're dropped into the middle of a complex world and lots of action knowing nothing about the players or the stakes. Had I been able to read what preceded and followed this story, it looks like it might have been interesting. I even went to the trouble of reading "Goatsbride" a second time to see if I was missing something. It made even less sense when I did.
10) In what might be the longest work, "Tubby McMungus, Fat from Fungus" by Jesse Bullington and Molly Tanzer we have a very strange story with an unlikable protagonist cat type person. It looks like one of the authors might like to write in a light-hearted humor style, the other in a heavy dramatic way. The blend sure was strange. 3.5 stars. Set in some weird equivalent of pre-Revolution France, a fashion designer uses an illegal animal to make a fur and is subsequently brought to justice.
11) "Wild Mushrooms" by Jane Hertenstein is in my opinion the second best story of the anthology. 4.5 stars. Funny thing is, it doesn't belong in the anthology. There is no speculative element to the story whatsoever. It's straight fiction. I understand and forgive the anthologists for including the story though. I wouldn't want to have to reject so powerful a story either. It was a touching fictional memoir of a young woman who relates to her immigrant parents in large part through the mushrooms they would find, pick, and cook with.
12) "Our Stories Will Live Forever" by Paul Tremblay was a delight to read at all. I love the humor Tremblay included in so structured a common life event that is the commercial airline flight. Four stars.
13) "Where Dead Men Go to Dream" by A.C. Wise. Two stars. This story was a real disappointment for me. It's like Wise received an assignment, had no idea what to do with it, so just started writing, letting whatever random thought entered his mind go down on paper. I could not tell who the protagonist was or what was being attempted for accomplishment. Early on the writer tells of a cigarette being smoked and the burnt remains being tossed. When a writer can think of nothing more important to tell the reader about than the status of a cigarette, you know you're in trouble with the story.
14) "Dust from a Dark Flower" by Daniel Mills. Three stars. I moderately enjoyed this somewhat overlong story. It's about a fungus, or something, spreading through a village killing people and damaging gravestones, rotting both from the inside out with a darkness consisting of a substance like chipped slate. This darkness needs to be traced and eradicated, obviously. Unfortunately, although it was well told with good atmosphere, there was nothing more to the story. A mysterious plague spreads in 1700s New England, people die from it, others try to stop it and succeed, the end. If there was a point in telling us this tale, I missed it.
15) "A Monster in the Midst" by Julio Toro San Martin gets 4 stars from me. This was an example of the steampunk sub-genre. I'm familiar with it, but not a fan. Sitting on my shelves not yet completed are Cherie Priest's Boneshaker and Jeff VanderMeer's The Steampunk Bible, both of which have cult followings. This steampunk example works well for me, perhaps for being fairly short. An adventurer, who I imagine to be not unlike Captain Nemo of Jules Verne's 20,000 Leagues fame, pens a letter to a person he formerly admired about his encounter with menacing green goo. He and his "clockwork man," in other words an android, try to counter the effects of the goo. But then the protagonist finds out the mechanical man has his own agenda and is not the machine-like servant he took him to be. It's really cool getting all this steampunkish atmosphere from the perspective of a man as complex as Captain Nemo was. Julio Toro San Martin does a good job of keeping his protagonist as ambiguous -- is he on the side of good or evil -- as Verne made Nemo. This reads almost like a sequel and left me wanting more.
16) "The Pearl in the Oyster and the Oyster Under Glass" by Lisa M. Bradley should have been a better story than it was. Two stars. Ms. Bradley clearly has some writing chops. She just doesn't have much to write about here. I loved the setting. I've camped out on the beach in a tent on South Padre Island before, been to Brownsville and crossed over to Matamoras. The author brings the setting out well in her story.
At first it looks like she is going to write an environmental story. Let's all save the oil-spill encrusted wildlife with these new techniques of oil-eating molds and fungi. But the "people" doing the saving are bio-engineered animals for some reason. Our protagonist is a bear-person, for example. Then what they're eating becomes the story's focus. Then coloring by numbers. Then a discussion of whether swimming in a lake is better than salt water, or not. The story just wanders all over like that with some random cool-sounding Spanish words thrown in for ethnic flavor.
The reason the story is a disappointment is because Ms. Bradley's writing form is actually quite good. She blends description and dialogue well, creates interesting characters, has a nice setting. The reader is never wondering what's going on. It's just never clear what the relevance of what we're being told is. What an odd deficiency!
17) "Letters to a Fungus" by Polenth Blake was a clever, witty, short piece of work. 4.5 stars. This story ties for my favorite so far. It's what the title states: a correspondence between a human being and a fungus. They aren't seeing eye to eye on how things should be around their home. Is Polenth a feminine proper name in English? I'd like to read more of her work.
18) "The Shaft Through the Middle of It All" by Nick Mamatas. Another name I've never before heard of. This was a mildly interesting tale, 2.5 stars, set in urban blighted Manhattan. It was about how a woman of few skills got by creating a garden that grew comestibles, maintained her rent control apartment in a weird environment, met arsonist landlord threats, and how she raised her son. I live in a rural setting in the South and can't identify at all with this. Maybe city dwellers would get more from it.
19) "Go Home Again" by Simon Strantzas. Two stars. A woman remembers her parents as she revisits her childhood home. Dad's abusive. Aren't they always? Mom remembers good things about him. House has spores, attacks, and beats protagonist (Ives) down. I suppose the house is a metaphor for Ives' messed up childhood. The story is probably trying to say she's a broken person for it. As a reader I'm left asking, "So what?"
20) "First They Came for the Pigs" by Chadwick Ginther. Three stars. Elaborate world-building in this short story about a man who hires four not-so-trustworthy warriors to guide him through a labyrinth back home. It's okay, but this short story needs to be a completely fleshed out novel with some twists and surprises the short story doesn't contain. This story is like two ounces of a decent quality beer poured into a pint glass. Just pour me a pint.
21) "Out of the Blue" by Ian Rogers. Five stars. Now we're talking! This is a well told story about two men who have been friends a long time exploring a haunted house and what they encounter. I'll leave it at that so as not to spoil anything. I liked it a lot because it was told with humor, had great suspense, and didn't try to be more than it was, which was just a good haunted house story with characters that were fun to read about.
22) "Gamma" by Laird Barron. Okay, I have heard of Laird Barron, fairly frequently back in the day when I was a member of the Evolution of Science Fiction group (before they booted me out). I think of Barron as a second tier (as opposed to first, third, or unknown) SF writer who specializes in the post-apocalyptic sub-genre. He has a very devoted, near-cult following. I've never before read a work of his but have been meaning to. He's been around a long time. I think he got started in the 1970s, maybe earlier, made a big splash right away with some well-regarded novels. Anyhow, I am surprised to see him still writing, and with a new work in this 11-year-old collection. Pleasantly surprised.
There are several stories in this particular short story, it seems to me, all competing for top billing. That doesn't really work in any short story, including here. Nevertheless, I really liked the "Gamma" story about the Dad who had to mercy shoot in front of his kid a horse (named Gamma) he had worked too hard and got injured. The discombobulated style of telling the story, with its non-linear sub-plots and all, almost gets it knocked down to three stars, but I don't just like this story; I love it. So, four stars.
There is something about the fluid writing style I really enjoy. I sense a kindred spirit with this author, one of serious thought when I disengage my sense of humor, speculation over the direction of humanity downward, etc., which like the author would concern me if I hadn't pretty much given up being worried about because powerless to affect it, by now. The author is of my generation and I caught his obscure 20th century references (I think), like to the C.I.A. and its role, others probably would not have. They were just right for the situation and thoughts Barron describes. I'm seriously going to have to get around to reading one of Barron's longer works.
23) Cordyceps zombii by Ann K. Schwader. Three stars. Because short, I didn't mind reading it. But I also didn't get a lot out of it. Like most poetry. It was inoffensive, had some good turns of phrase, but ultimately what does it all mean? IDK.
I get a total of 71 stars spread out over 23 stories for an average of 3.087. Therefore, this anthology gets three stars from me, meaning I liked it.
Oddly, three stories in the hardback edition are not in my e-Book version. ISFDB provides the following in a note: "A special hardcover edition which contains three stories and 10 illustrations not included in the paperback or e-book edition." Sounds like a good reason to get the hardback version instead, doesn't it?
In the back of the e-book is a section titled "A Brief List of Fungal Fiction." I'm not really any more interested in fungal fiction than I was before I read this anthology. Nevertheless, some of the recommendations look very interesting. The William Hope Hodgson story "The Voice in the Night" (1907) and John Wyndham's entry "Spheres of Hell" (1933) from Wonder Stories. The Ray Bradbury and Stephen King recommendation. The Five films from 1957 through 2011. The five television episodes from various series. Worth checking out.