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Afterworlds

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In this virtuoso new work, the poems range from simple lyrical statements through nostalgic comedy to deeply moving political meditations. At the centre of the book, two long works, "Letters to Josef in Jerusalem" and "Terror and Erebus," demonstrate clearly why George Woodcock has said: "There are few Canadian poets with a grasp as broad as MacEwen's of the poetic dimensions of history."

125 pages, Paperback

First published January 1, 1987

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About the author

Gwendolyn MacEwen

45 books30 followers
Gwendolyn MacEwen was one of Canada's most celebrated writers publishing several stories and many works of poetry throughout her career. She was born in Toronto, Ontario on September 1, 1941 to Elsie and Alick MacEwen. As a child she attended public schools in both Toronto and Winnipeg, and when she was seventeen her first poem was published in the Canadian Forum, a journal which published the works of both new and renowned writers. At the age of eighteen she left school to pursue a full time career as a writer and at the same time opened a Toronto coffee house, "The Trojan Horse".

As a child Gwendolyn didn't get the best care from her parents. Her mother was mentally unstable, spending most of her life in institutions and her father was largely an alcoholic. However this may have been what led to her writing being so heavily focused on mythology, dreams, magic, and history. After leaving school Gwendolyn taught herself several different languages including Greek, French, Arabic and Hebrew, which she used to translate many of her poems. Her fluency in several languages is what most likely encouraged her to make references to cultures outside of Canada. Gwendolyn tended to focus on more surreal ideas in her writing and she had her own unique way of expressing them when compared to other poets from her time. A lot of her poetry involved changing the surrealism into reality by using strong imagery and often allegory. The cultures she studied often showed up in her work as part of the overall imagery and allusions to historical events were quite common.

Her volume of poems "The Shadow-Maker" won the Governor General's Award in 1969 and included many poems such as her famous "Dark Pines Under Water". During the mid eighties she was a writer in residence at the University of Western Ontario and then later the University of Toronto. Gwendolyn died in 1987 at the age of 46 from what was believed to have been health problems due to alcohol. Although she was not alive to be present, later that year her collection "Afterworlds" was awarded the Governor General's Award, making it the second time her work had won such a prestigious honour.

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Displaying 1 - 4 of 4 reviews
Profile Image for HadiDee.
1,683 reviews6 followers
March 28, 2014
Brilliant collections of poems. The Man with the Three Violins is one of the best things I have ever read - it will stay with me for the rest of my life.
Profile Image for B..
199 reviews9 followers
November 8, 2021
I was on the fence between three and four stars with this one, but I decided to go with four solely because I have been trying to get a copy of this collection since 2019, and now that I've read it, I'm not disappointed at all. It was worth the wait.

MacEwen's subject matters aren't extremely striking or touching, but her syntax is incredible, and she brings a cool creativity to her poems. My favourites in this collection were "the White Horse," "Polaris," and "Sunlight at Shelbourne and Bloor." Particularly the latter was really, really beautiful, and a nice breath of love and warmth in what is mostly a darker collection.

Her attitude towards Middle Eastern folks is bizarre and slightly offensive, and seen throughout the collection (she can't seem to decide between fetishism or more blatant racism), which definitely brought down my enjoyment of the work.
Profile Image for David.
673 reviews7 followers
July 31, 2019
This was a confident collection of poems, although there were some definite highs and lows. She has a tendancy to write with very minimal imagery and that starts leaning toward telling rather than showing.

I particularly enjoyed the long poem, "Terror and Erebus", about Rasmussen's account of the Franklin expedition. She captured the bleak exploration with soul. In "Letters to Josef in Jerusalem" she explores ancient cities such as Beirut rubs her western mind and body against cultures and histories different from her own.
Displaying 1 - 4 of 4 reviews

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