Come si parla di orecchio assoluto a proposito di coloro che sanno riconoscere perfettamente l’altezza dei suoni, si potrebbe parlare di «occhio assoluto» per una qualità che Bruce Chatwin già mostrava nei suoi scritti e che ora ci appare, e si impone, nelle sue fotografie. Riconoscere in ciò che sta attorno a noi – e soprattutto attorno all’occhio, sempre mobile, del viaggiatore – quegli spicchi di realtà che sono altrettante visioni, isolarli dal resto e lasciarli vibrare nella loro pura evidenza ottica: questo è il segno di elezione dell’«occhio assoluto». Le immagini che compaiono in questo libro furono colte in Patagonia e in Mauritania, in Australia e nell’Afghanistan, nel Mali e in Nepal, ma spesso il luogo di origine e l’occasione rimangono indecifrabili, come se la pura accidentalità del viaggiare fosse servita a far emergere ogni volta, in un labile momento, la piena singolarità di un frammento di ciò che è, senza altri attributi, e al tempo stesso il muto stupore dell’occhio che lo coglie. Insieme a queste sorprendenti fotografie appaiono qui per la prima volta lunghi estratti dai taccuini di Chatwin, riserva alla quale era solito attingere per tutte le sue opere. Da due vie, dunque, L’occhio assoluto permetterà di entrare nel segreto – quasi nella percezione stessa – di uno scrittore che rimarrà fra i grandi dei nostri anni.
Charles Bruce Chatwin was an English novelist and travel writer. He won the James Tait Black Memorial Prize for his novel On the Black Hill (1982).
In 1972, Chatwin interviewed the 93-year-old architect and designer Eileen Gray in her Paris salon, where he noticed a map of the area of South America called Patagonia, which she had painted. "I've always wanted to go there," Bruce told her. "So have I," she replied, "go there for me." Two years later in November 1974, Chatwin flew out to Lima in Peru, and reached Patagonia a month later. When he arrived, he left the newspaper with a telegram: "Have gone to Patagonia." He spent six months in the area, a trip which resulted in the book In Patagonia (1977). This work established his reputation as a travel writer. Later, however, residents in the region contradicted the account of events depicted in Chatwin's book. It was the first time in his career, but not the last, that conversations and characters which Chatwin presented as fact were alleged to have been fictionalised.
Later works included a novel based on the slave trade, The Viceroy of Ouidah, which he researched with extended stays in Benin, West Africa. For The Songlines (1987), a work combining fiction and non-fiction, Chatwin went to Australia. He studied the culture to express how the songs of the Aborigines are a cross between a creation myth, an atlas and an Aboriginal man's personal story. He also related the travelling expressed in The Songlines to his own travels and the long nomadic past of humans. Winner of the James Tait Black Memorial Prize, his novel On the Black Hill (1982) was set closer to home, in the hill farms of the Welsh Borders. It focuses on the relationship between twin brothers, Lewis and Benjamin, who grow up isolated from the course of twentieth century history. Utz (1988), was a novel about the obsession that leads people to collect. Set in Prague, the novel details the life and death of Kaspar Utz, a man obsessed with his collection of Meissen porcelain.
Chatwin was working on a number of new ideas for future novels at the time of his death from AIDS in 1989, including a transcontinental epic, provisionally titled Lydia Livingstone.
A stunning record of Chatwin's photography from his travels, not something he is as well known for as his writing, but which he should be. Accompanied by edited text from the diaries he kept as he was travelling.
Un omaggio a Bruce Chatwin, alla sua vita, ai sui viaggi. Insieme alle fotografie, sono riportati appunti dai suoi taccuini riguardanti il viaggio in Mauritania e il terzo viaggio in Afghanistan.
Bruce Chatwin was one of my favourite travel writers. This coffee table book contains extracts from some of his many notebooks, mostly from the Middle East and Africa. Also a selection of some of his stunning photographs. An interesting selection to look back on.