Sticking with children's/YA fiction, I at first thought to have another good one - but this lauded modern fairy tale soon repelled me with it's hypocrisy and ingrained sexism: while the beak nose and grey hair of the hero, the tail of his secretary and the ugliness of the little boy are all celebrated and beloved as attrictive individualism, only the insipid heroine Belladonna is beautiful, hence good. Again and again repulsion is indicated by the hairiness and girth of various women, with never a single glimpse of intelligence to indicate the middle-European author is aware of what she's doing. Two bad ones are thin, but they also have red hair. The story is a lot like a genre romance, but from what I remember most YA books I read had similar patterns, or most good genre romances at least have a little adventure plot.
The plot was much more obvious in Platform 13, painfully so, since once again nothing at all redeemed the bad ones, which were fat and did fat things, like eat and be fat. Otherwise Ibbotson pre-empted Harry Potter and Artemis Fowl here, and if they weren't met with such unrelenting revulsion, some of her fantastic trios would be as delightful as Pullman claims. I wish she'd extended herself either into true tolerance or. Sigh.