Interesting story but written by an underdeveloped author. Will not continue the series.
I picked this up after reading the first three books in another series by this author. They weren't perfect, there were often gaps in the story that made you feel like you missed something, but they were decent for a self-published series. I was surprised to see this was a sample I had abandoned, but the other series had me giving this another chance. I wish I didn't. This book was such a departure from the quality of that series that I went back to check the copyright dates, assuming this was written years ago and was her first stab at writing. I was shocked to discover this was written only a year ago. It makes me wonder if the author is more focused on pushing out a lot of material over giving something of quality to the reader.
FMC is woken up in the middle of the night to her mom shoving her down a secret trap door as their house is under attack. There is no explanation as to why neither of her parents go through the completely hidden door with her, as the house hasn't been breeched. It then takes the FMC hours to walk down a one mile path she knows like the back of her hand, when she emerges her house explodes and she goes running to town. This is going to be the FMC's first interaction with anyone other than her parents in I think ever, as she was raised on a secluded mountain cabin where he parents trained her to fight but for some unexplained reason never told her what she was or about the supernatural world at all.
There are a number of instance where the author is checking off the typical things you find in these books, which is great, that's why we read so many books that are essentially the same story, but you have to lay the groundwork for those elements and that is something that is done exceptionally poorly in this book. Mild spoilers of the first couple chapters here.
So FMC encounters some guys who help her. It's only been a few hours since her home was attacked, her parents presumably killed, and she fled, but her internal monologue is all about how what happened in her past is hitting her again. I mean, yeah, technically it's the past, but she is talking about hours after not years later where something brings her back to that horrible day. Your really lacking that survival mode to denial to breakdown when it all finally hits her which is so important for the character development.
She soon ends up in a town, where, upon waking up in a cabin with one of the two guys she met the night before and being all so weird they aren't human, something she passed out immediately after discovering so she has had zero opportunity to ask questions or come to terms with everything she knows about the world is a lie, her second thought is I should go take a shower and her third thought is let's go wander and find the kitchen in this place. There is no WTF this is creepy. I need to find the cops and report someone broke into my house and probably killed my parents. No WTF these people must have given me drugs because I swear I saw some freaky stuff go down. No hey maybe I should wake these guys up for answers.
When she finds the kitchen, which is actually a cafeteria, she is just handed a plate, no questions asked, and then the literal plastics from Mean Girls walk in and pick a fight with her because....no idea. The girl had no interest in the guys who found the FMC so there wasn't a stay away from my man vibe. FMC wasn't grabbing the attention of everyone around who were worshipping her, wanting to get to know the new girl. There was zero justification given for the whole very forced mean girl show down. It just didn't work.
And then, like with every battle or conflict in this boom the FMC easily dispatches and resolves everything on her own with literally no effort and in no time. There is no build up, struggle, or climax. I'm all for a powerful, kickbutt FMC but there is no meat on these bones.
Big spoiler here. Skip this paragraph if you don't want to ruin anything. Super annoying was the fact the creature in the FMC, and maybe all of the shifters, is a separate entity. So the wolf inside a werewolf is an entity unto itself with its own consciousness separate from the human. Okay, whatever, different spin. What I really don't like is the entity inside of the FMC knows everything about FMC and how to use the power it has. There is no learning there is no build to power there is no searching for answers, Beasty just has it all. Want to know what a mate bond is? No problem, Beasty has the answer. Want to know why that works different? No problem, Beasty has the answer. Want to know what went on around you while you slept through the six hour car ride? Not to worry, Beasty was paying attention and fills you in on all the details. Even if you want to argue this is a world choice, it still takes away all of the questions, tension, and intrigue that are needed to invest you in the book.
Or, another example of the checking something off but not really making it fit the story, the FMC is trained in all combat, like she squeals with Glee when she gets a set of knives trained.she is physically fit from growing up in the mountains and training. She also doesn't need any help learning how to use her supernatural side once it is discovered. Despite all this, there is still the cliche training sequence where the guys all decide they are going to train her and she is woken up early to be put through the grueling pace. Why? It literally isn't necessary here. Maybe, MAYBE you have an FMC motivated scene where she says she wants to be more at one with her other half and play around when she isn't under attack, but the whole training thing just doesn't work here.
It's an interesting idea and I'm really disappointed it wasnt executed better. I won't be continuing with the series without a major rewrite.