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Die Verbannung

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Die Stimme aus der Zukunft

Die Geschichte des Unabhaengigkeitskampfes der Schotten Anfang des 18. Jahrhunderts soll neu geschrieben werden. Dylan kaempft aber nicht nur fuer sein Land, sondern auch fuer seine grosse Liebe. Unerwartet erhaelt er dabei auf mysterioese Weise Hilfe aus der Zukunft ...

430 pages, Paperback

First published January 1, 2001

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About the author

Julianne Lee

12 books40 followers
In the words of Bill Cosby, "I started out as a child." I was born in California, at the age of about zero, on the United States Naval Base at Point Mugu. Dad was a pilot and Mom a former WAVE. For about a year I was an only child, but then my brother was born, and over the years I collected siblings like they were beanie babies. A brother, two sisters, later on a half sister, and we'll not get into the scads of stepbrothers and former stepbrothers.

At twelve I began to write for fun, which I think is the only real reason to write fiction. I figured it beat reality any old day, and I liked sitting at the desk in my room, pretending to be doing something worthwhile. Daydreaming with a purpose, and gradually I realized I could gain approval for the very thing teachers used to criticize me for in class. I wanted to be an actor, and by the age of sixteen my dream - pipe dream - was to attend the American Academy of Dramatic Arts . But I knew it would never happen. The Academy was in New York, and that was too far away to even contemplate seriously. So I started college as an art major. I was a terrible artist. I did a good job of fooling myself and everyone around me, but eventually I gave up the charade and left home for Los Angeles at twenty.

What, ho! When I got there I found the American Academy had recently opened
up a campus in Pasadena. By the kindness of some people I met in L.A., I was recommended to the school and accepted. The following two years was a turning point, that changed my life in ways that are still unfolding. Though an education in theatre bestows skills that are not terribly marketable in ordinary life, the things I learned at that school have benefited me every day since. Stage fright has not since held the terror it once did. At the school, I discovered I could be funny, a fact that might have saved me a lot of grief had I known it in grammar school. I could have been a fabulous class clown. In addition to this self-discovery, while I was at the Academy I wrote my first novel. In longhand. I still had no idea I wanted to be a writer; all I knew was that there could be peace in living inside a story about someone else.

Almost immediately after graduating from the Academy, I met and married Dale Lee. We left Los Angeles, but I was kicking and screaming the whole way. Twenty-odd years later, I still miss the place. We had two kids right away, so I now had three children, one of each: a boy, a girl, and a husband. There were a couple of acting jobs, most notably two days on "At Close Range," a feature film starring Christopher Walken and Sean Penn, and a TV movie starring Ann-Margaret. But in trying to be an actor in Nashville, I realized most of the other actors in town were looking forward to their big chance to leave for Los Angeles, and I knew that would never be a possibility for me. At thirty I decided I was getting old faster than I was getting famous, so I looked for something to do besides acting and changing diapers. Throughout this time I'd kept writing, though sporadically, and about then I began a second novel. Gradually an inkling came there might be a possibility of becoming published. I sure wasn't any good at anything else I might have done locally. On January 27, 1987 I bought my first copy of Writers Digest. Another turning point in my life. For the next several years I wrote manuscripts, sent the work out, joined writers groups, and workshopped my novels with the Green River Writers in Louisville, KY. After seven years I sold my first short story, Culture Control, to the now defunct Cosmic Unicorn. Immediately afterward I was hired by the local newspaper. From there I went to writing actor interviews for Starlog Magazine , a job for which I was singularly qualified.

I also wrote some video sleeve copy for Fox Home Video. That stands as the most highly paid time per hour I've ever spent, and I loved it even if it did attract sympathy from misguided folks who thought it less

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