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午夜文丛: 不朽的女人
《不朽的女人》是罗伯-格里耶的电影小说（1963）。在具有异国情调的伊斯坦布尔，一位法国教授在寻觅一个神秘的女人，但从各个方面得到的都是否定和不确切的答复。同时，就像这个女人的存在一样，伊斯坦布尔也充满了各种假的事物，从清真寺到旅游纪念品，所有的东西都是虚假的，而且，演员的表演也被指责为“不自然”。罗伯-格里耶正是通过这种虚假对现实进行反思。影片曾获德吕克奖。
- GenresFranceLiterature
Paperback
First published January 1, 1963
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About the author
Alain Robbe-Grillet
102 books432 followersScreenplays and novels, such as
The Erasers
(1953), of French writer Alain Robbe-Grillet, affiliated with the New Wave movement in cinema, subordinate plot to the treatment of space and time; directors, such as Jean Luc Godard and François Truffaut, led this movement, which in the 1960s abandoned traditional narrative techniques in favor of greater use of symbolism and abstraction and dealt with themes of social alienation, psychopathology, and sexual love.
Alain Robbe-Grillet was a French writer and filmmaker. He was along with Nathalie Sarraute, Michel Butor and Claude Simon one of the figures most associated with the trend of the Nouveau Roman. Robbe-Grillet was elected a member of the Académie française on March 25, 2004, succeeding Maurice Rheims at seat #32.
He was married to Catherine Robbe-Grillet (née Rstakian) .
Alain Robbe-Grillet was born in Brest (Finistère, France) into a family of engineers and scientists. He was trained as an agricultural engineer. In the years 1943-44 Robbe-Grillet participated in service du travail obligatoire in Nuremberg where he worked as a machinist. The initial few months were seen by Robbe-Grillet as something of a holiday, since in between the very rudimentary training he was given to operate the machinery he had free time to go to the theatre and the opera. In 1945, Robbe-Grillet completed his diploma at the National Institute of Agronomy. Later, his work as an agronomist took him to Martinique, French Guinea,Guadeloupe and Morocco.
His first novel The Erasers (Les Gommes) was published in 1953, after which he dedicated himself full-time to his new occupation. His early work was praised by eminent critics such as Roland Barthes and Maurice Blanchot. Around the time of his second novel he became a literary advisor for Les Editions de Minuit and occupied this position from 1955 until 1985. After publishing four novels, in 1961 he worked with Alain Renais, writing the script for Last Year at Marienbad (L'Année Dernière à Marienbad), and subsequently wrote and directed his own films. In 1963, Robbe-Grillet published For a New Novel (Pour un Nouveau Roman), a collection of previous published theoretical writings concerning the novel. From 1966 to 1968 he was a member of the High Committee for the Defense and Expansion of French (Haut comité pour la défense et l´expansion de la langue française). In addition Robbe-Grillet also led the Centre for Sociology of Literature (Centre de sociologie de la littérature) at the university of Bruxelles from 1980 to 1988. From 1971 to 1995 Robbe-Grillet was a professor at New York University, lecturing on his own novels.
In 2004 Robbe-Grillet was elected to the Académie française, but was never actually formally received by the Académie because of disputes regarding the Académie's reception procedures. Robbe-Grillet both refused to prepare and submit a welcome speech in advance, preferring to improvise his speech, as well as refusing to purchase and wear the Académie's famous green tails (habit vert) and sabre, which he considered as out-dated.
He died in Caen after succumbing to heart problems
Style
His writing style has been described as "realist" or "phenomenological" (in the Heideggerian sense) or "a theory of pure surface." Methodical, geometric, and often repetitive descriptions of objects replace the psychology and interiority of the character. Instead, one slowly pieces together the story and the emotional experience of jealousy in the repetition of descriptions, the attention to odd details, and the breaks in repetitions. Ironically, this method resembles the experience of psychoanalysis in which the deeper unconscious meanings are contained in the flow and disruptions of free associations. Timelines and plots are fractured and the resulting novel resembles the literary
Alain Robbe-Grillet was a French writer and filmmaker. He was along with Nathalie Sarraute, Michel Butor and Claude Simon one of the figures most associated with the trend of the Nouveau Roman. Robbe-Grillet was elected a member of the Académie française on March 25, 2004, succeeding Maurice Rheims at seat #32.
He was married to Catherine Robbe-Grillet (née Rstakian) .
Alain Robbe-Grillet was born in Brest (Finistère, France) into a family of engineers and scientists. He was trained as an agricultural engineer. In the years 1943-44 Robbe-Grillet participated in service du travail obligatoire in Nuremberg where he worked as a machinist. The initial few months were seen by Robbe-Grillet as something of a holiday, since in between the very rudimentary training he was given to operate the machinery he had free time to go to the theatre and the opera. In 1945, Robbe-Grillet completed his diploma at the National Institute of Agronomy. Later, his work as an agronomist took him to Martinique, French Guinea,Guadeloupe and Morocco.
His first novel The Erasers (Les Gommes) was published in 1953, after which he dedicated himself full-time to his new occupation. His early work was praised by eminent critics such as Roland Barthes and Maurice Blanchot. Around the time of his second novel he became a literary advisor for Les Editions de Minuit and occupied this position from 1955 until 1985. After publishing four novels, in 1961 he worked with Alain Renais, writing the script for Last Year at Marienbad (L'Année Dernière à Marienbad), and subsequently wrote and directed his own films. In 1963, Robbe-Grillet published For a New Novel (Pour un Nouveau Roman), a collection of previous published theoretical writings concerning the novel. From 1966 to 1968 he was a member of the High Committee for the Defense and Expansion of French (Haut comité pour la défense et l´expansion de la langue française). In addition Robbe-Grillet also led the Centre for Sociology of Literature (Centre de sociologie de la littérature) at the university of Bruxelles from 1980 to 1988. From 1971 to 1995 Robbe-Grillet was a professor at New York University, lecturing on his own novels.
In 2004 Robbe-Grillet was elected to the Académie française, but was never actually formally received by the Académie because of disputes regarding the Académie's reception procedures. Robbe-Grillet both refused to prepare and submit a welcome speech in advance, preferring to improvise his speech, as well as refusing to purchase and wear the Académie's famous green tails (habit vert) and sabre, which he considered as out-dated.
He died in Caen after succumbing to heart problems
Style
His writing style has been described as "realist" or "phenomenological" (in the Heideggerian sense) or "a theory of pure surface." Methodical, geometric, and often repetitive descriptions of objects replace the psychology and interiority of the character. Instead, one slowly pieces together the story and the emotional experience of jealousy in the repetition of descriptions, the attention to odd details, and the breaks in repetitions. Ironically, this method resembles the experience of psychoanalysis in which the deeper unconscious meanings are contained in the flow and disruptions of free associations. Timelines and plots are fractured and the resulting novel resembles the literary
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Displaying 1 - 5 of 5 reviews
September 2, 2019
Sineroman okumuş muydunuz? Ben bu kitaba dek okumamıştım.Sahneleri izlemeden görmekmiş meğer.
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1960’lar,mekan İstanbul.Olaylar? Biraz karmaşık.Yakın çekimlere kadar her detayı canlandırabiliyorsunuz zihninizde. Alain Robbe-Grillet hem roman hem sinemada farklılık yaratmış bir isim. Bu sineromanda da görebileceğiniz gibi. Karakterler N ve L. Neler oluyor yahu demeniz muhtemel.
Filmi de bulup izlemeyi düşündüm ancak izlersem etkisi uçup gider mi avuçlarımdan diye düşünmüyor da değilim~ Velhasıl çok keyifliydi Ölümsüz Kadın,sahneleri-diyalogları hatta susuşları bile okumak~ .
Oğuz Demiralp önsözü, Orçun Türkay çevirisi ve Cüneyt Çomoğlu kapak tasarımıyla~
.
1960’lar,mekan İstanbul.Olaylar? Biraz karmaşık.Yakın çekimlere kadar her detayı canlandırabiliyorsunuz zihninizde. Alain Robbe-Grillet hem roman hem sinemada farklılık yaratmış bir isim. Bu sineromanda da görebileceğiniz gibi. Karakterler N ve L. Neler oluyor yahu demeniz muhtemel.
Filmi de bulup izlemeyi düşündüm ancak izlersem etkisi uçup gider mi avuçlarımdan diye düşünmüyor da değilim~ Velhasıl çok keyifliydi Ölümsüz Kadın,sahneleri-diyalogları hatta susuşları bile okumak~ .
Oğuz Demiralp önsözü, Orçun Türkay çevirisi ve Cüneyt Çomoğlu kapak tasarımıyla~
June 7, 2015
A cine-novel version written by and film made by Alain Robbe-Grillet. Eros meets death in a car accident in a foreign land. Robbie-Grillet's imagination takes him to the border of pleasure, lost, and desire - but done in his special (only) way. Of course after reading this, I'm dying to see the film. It was his first of many, and I have a hunch that his work will get better known as time goes on. Right now he is sort of out-of-fashion for some, but I think his work is quite demanding and therefore very interesting.
November 2, 2023
if you like this review i now have website: www.michaelkamakana.com
230810: it has been years (decades..) since last read but this definitely confirms why r-g is one of my favourite authors. images, descriptions, vague mystery, exoticism, eroticism. do not even know if I want to see the film as I can imagine following words and photos this collision of sex and death on that primal '60s level. this is the book to read/probably the film for your girl to see...
230810: it has been years (decades..) since last read but this definitely confirms why r-g is one of my favourite authors. images, descriptions, vague mystery, exoticism, eroticism. do not even know if I want to see the film as I can imagine following words and photos this collision of sex and death on that primal '60s level. this is the book to read/probably the film for your girl to see...
February 12, 2017
This did give me a greater appreciation for the film. It doesn't quite stand on its own, I don't think.
March 12, 2015
So sexy the spleen of a road movie
Displaying 1 - 5 of 5 reviews