Thirteen of the essays in this volume were selected from sixty-one papers delivered at the 1962 joint meeting of the Midwest Modern Language Association and the Central Renaissance Conference. Two essays, “The Road of Excess” by Northrop Frye and “ King Lear as Metaphor” by L. C. Knights, were originally presented as major lectures during the conference, whose central theme was criticism in relation to myth and symbol. Edited with a foreword by Bernice Slote, this book, as Miss Slote writes, is “an experiment in by repeated views from somewhat different vantage points, the essays present definitions and illustrate forms of a comparatively new way of considering literature—a concentration on myth and symbol.”
Born in Quebec but raised in New Brunswick, Frye studied at the University of Toronto and Victoria University. He was ordained to the ministry of the United Church of Canada and studied at Oxford before returning to UofT.
His first book, Fearful Symmetry, was published in 1947 to international acclaim. Until then, the prophetic poetry of William Blake had long been poorly understood, considered by some to be delusional ramblings. Frye found in it a system of metaphor derived from Paradise Lost and the Bible. His study of Blake's poetry was a major contribution. Moreover, Frye outlined an innovative manner of studying literature that was to deeply influence the study of literature in general. He was a major influence on, among others, Harold Bloom and Margaret Atwood.
In 1974-1975 Frye was the Norton professor at Harvard University.
Frye married Helen Kemp, an educator, editor and artist, in 1937. She died in Australia while accompanying Frye on a lecture tour. Two years after her death in 1986 he married Elizabeth Brown. He died in 1991 and was interred in Mount Pleasant Cemetery in Toronto, Ontario. The Northrop Frye Centre at Victoria College at the University of Toronto was named in his honour.